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For Spaniards - and for the world - nothing has expressed their country's traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter's masculinity to Spanish identity that a 1908 law barred women from the sport. Ella Es el Matador reveals the surprising history of the women who made such a law necessary and offers fascinating profiles of two female matadors currently in the arena: the acclaimed Mari Paz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity. But what emerges as their truest motivation is their sheer passion - for bullfighting and the pursuit of a dream. A co-presentation with Latino Public Broadcasting (LPB).
by Gemma Cubero and Celeste Carrasco
For Spaniards - and for the world - nothing has expressed their country's traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter's masculinity to Spanish identity that a 1908 law barred women from the sport. Ella Es el Matador reveals the surprising history of the women who made such a law necessary and offers fascinating profiles of two female matadors currently in the arena: the acclaimed Mari Paz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity. But what emerges as their truest motivation is their sheer passion - for bullfighting and the pursuit of a dream. A co-presentation with Latino Public Broadcasting (LPB).
Directed by Gemma Cubero and Celeste Carrasco
Each completed entry form must be accompanied by supporting materials, including an English-language synopsis of the film, a list of film credits, filmographies of the director(s) and/or producer(s), 30 DVD copies of the film, and proof of seven-day qualifying exhibitions.
A documentary feature must complete a seven-day commercial run in both Los Angeles County and in the Borough of Manhattan in New York, between September 1, 2008, and August 31, 2009. An extension of the eligibility period to September 30, 2009, may be granted only if the film has legal contracts with exhibitors guaranteeing that it will complete both qualifying commercial runs before the extension deadline. In those instances, all other required materials must still meet the September 1 deadline.
To be eligible in the Documentary Short Subject category, a film must complete a seven-day commercial run in a theater in either Los Angeles County or in the Borough of Manhattan in New York, between September 1, 2008, and August 31, 2009.
At the 81st Academy Awards this past February, "Smile Pinki" and "Man on Wire" won in the Documentary Short Subject and Documentary Feature categories, respectively.
Additional information about the documentary awards categories may be obtained by contacting assistant awards coordinator Michelle Ayala at (310) 247-3000, ext. 117, via e-mail at mayala@oscars.org, or by visiting http://www.oscars.org/awards/academyawards/rules/rule12.html
The 82nd Academy Awards nominations will be announced on Tuesday, February 2, 2010, at 5:30 a.m. PT in the Academy's Samuel Goldwyn Theater.
Academy Awards for outstanding film achievements of 2009 will be presented on Sunday, March 7, 2010, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar® presentation also will be televised live in more than 200 countries worldwide.
SILHOUETTE CITY is an immersive journey through the recent history of American religious extremism. Using archival video, movement propaganda and original investigational material, the film tracks the movement of apocalyptic Christian nationalism and its most extreme adherents from the margins to the mainstream, the military and beyond.
Laya Project - Passport Screenings
The Principal Story tells two stories, painting a dramatic portrait of the challenges facing America's public schools - and of the great difference a dedicated principal can make. Tresa Dunbar is a second-year principal at Chicago's Nash Elementary, where 98% of students come from low-income families; in Springfield, Illinois, Kerry Purcell has led Harvard Park Elementary, with similar demographics, for six years. Tod Lending (Omar & Pete, P.O.V. 2005) and David Mrazek followed both women over the course of a school year, discovering each one's unique styles yet similar passions. The Principal Story takes the viewer along for an emotional ride that reveals what effective educational leadership looks like in the 21st century.
How do you sell a documentary? In this workshop/competition, five preselected emerging nonfiction filmmakers will pitch their ideas to a panel of distinguished documentary producers. The producers will give them feedback on their concept as well as their presentation skills—great lessons for all aspiring filmmakers. The winner will receive a $5,000 grant, sponsored by SnagFilms, to be used toward the completion of the pitched film.
