LA Shorts Fest CALL FOR ENTRIES
RegularDeadline - April 2, 2010
Final Deadline - May 14, 2010
14thannual LA Shorts Fest The largest short film festival in the world. Academyof Motion PicturesArts & Sciences accredited. In past years, 33 participants have earned Academy Award nominationsincluding 11 Oscar winning short films!The festival annually attracts more than 8,000 moviegoers, filmmakers and entertainment professionals looking for the hottest newtalent.
Submit online www.LAshortsFest.com
Master Class: Cliff Charles: The People's DP
Emmy nominated DP Cliff Charles, moves easily between shooting documentaries to features, commercials and music videos. He will talk and show clips from his work, including Spike Lee's When the Levees Broke and Chris Rock's Good Hair and more. *FREE*
All classes take place at:
Third World Newsreel
545 Eighth Avenue, 10th Flr
between 37th and 38th Streets
New York, NY
212 947-9277 x 15
Limited Seating. Register Now! Email: workshop@twn.org
Eric Lyman
Rainforest Partnership
Eric@RainforestPartnership.org
RainforestPartnership.org
The film is Rated R by the MPAA for some sexual content including references, nudity, drug material and language. The Running Time is 89 Minutes.
WHEN YOU'RE STRANGE - A FILM ABOUT THE DOORS, uncovers historic and previously unseen footage of the illustrious rock band and provides new insight into the revolutionary impact of its music and legacy. The film also features scenes from "HWY," Jim Morrison's unreleased film from 1969, which he starred in and made with a group of filmmaker friends. Directed by award-winning writer/director Tom DiCillo and narrated by Johnny Depp, the film is a riveting account of the band's history and the first feature documentary about them.
The film reveals an intimate perspective on the creative chemistry between drummer John Densmore, guitarist Robby Krieger, keyboardist Ray Manzarek and singer Jim Morrison -- four brilliant artists who made The Doors one of America's most iconic and influential rock bands. Using footage shot between the band's 1965 formation and Morrison's 1971 death, WHEN YOU'RE STRANGE follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
WHEN YOU'RE STRANGE captures the zeitgeist and upheaval of an era while providing insight into who The Doors were, what they became, and what they mean to our culture, especially today.
Produced by Wolf Films/Strange Pictures, in association with Rhino Entertainment, and released by Abramorama. Additional credits for WHEN YOU'RE STRANGE include producers Dick Wolf, John Beug, Jeff Jampol, and Peter Jankowski. The film is written and directed by Tom DiCillo ("Johnny Suede," "Living in Oblivion"). Narrated by Johnny Depp. More info here: whenyourestrangemovie.com
Rhino will also celebrate The Doors' legacy as one of America's most influential rock bands with the release of the film's soundtrack, which combines studio recordings and live performances with newly recorded readings of Morrison's poetry by Depp. WHEN YOU'RE STRANGE: SONGS FROM THE MOTION PICTURE will be released Tuesday, April 6.
The soundtrack contains several selections of Jim Morrison's poetry as read by Depp, 14 songs that survey The Doors' six landmark albums with original studio versions of classic tracks ("Touch Me," "The End," and "L.A. Woman") along with rare live performances from The Ed Sullivan Show ("Light My Fire"), Danish TV ("When The Music's Over"), and the Isle Of Wight Festival ("Break On Through [To The Other Side]"). The set also features interview clips with all four band members.
The Producers Guild of America is proud to announce its producing
workshop, "The Power Of Diversity." This workshop will draw upon a wide
range of seminars and perspectives designed to foster the development
of diverse voices in Television Comedy, One Hour Drama, Reality
Television Motion Pictures, Documentaries and Web series.
Up to ten (10) participants will be encouraged to explore, create and refine creative visions and stories that reflect our diverse culture. Applicants may be emerging creative voices or those well-established in their careers.
This year's program will focus on participants' projects helping them move their work forward through seminars and master classes with some of the top professionals working in film, television, and non-traditional media supported by one-on-one mentoring work with a member of the Producers Guild. Topics to be addressed include: story development, pitching, packaging, financing, marketing, and new media. Every session will be tailored to our participating producers and their projects.
Workshop call for entries is now open and closes on April 9th 2010 at 5:00 pm.
Applicants will be notified by May 14th, 2010
Workshop
sessions will take place between May 24th and July 31st. If selected,
participants must be available to attend the duration of the program.
Workshop sessions typically will be held weekday evenings from approximately 7:00 – 9:00 p.m. with a few sessions on Saturday mornings at The Producers Guild of America offices at 8530 Wilshire Blvd., Ste 450, Beverly Hills.
More info and application forms at the link below.
Countdown to MIPDoc is on! Registered buyers up 8% to date
It’s not too late to attend the 13th annual MIPDoc and join the 700
leading producers, distributors and commissioners of documentary and
factual programmes.
Last Chance to register your programmes
Don’t miss the March 29 deadline for registering
your programmes and the chance to feature
in the MIPDoc Guide Supplement.
Database
now open
In registering for MIPDoc you will gain access to the full details of
fellow delegates. The database provides you with vital
information about participating companies and can be used as a year-round
industry reference tool.
MIPDoc
Online Screenings
Discover the world’s
largest on-line library consisting of 1,350 new, full length, documentary
and factual programmes. Get a head start and plan your Cannes. You can
now view online the list of programmes that will go live on 12 April
2010. Make the most of MIPDoc and continue to screen free for
6 months after the event to catch up on missed screenings, share acquisition
picks, add reviews…Sellers; obtain feedback and regular statistics
on showcased programmes whilst reducing costs involved in shipping materials
worldwide.
Access or subscribe to MIPDoc Online Screenings.
Jane Root to
present the Keynote
Leading creative executive Jane Root, who transformed major networks on both
sides of the Atlantic, will present the MIPDoc 2010 closing keynote address
on Sunday 11 April 2010 after a full two-day
programme of events.
Key focuses this year will include building co-production partnerships
and finding financing opportunities, in addition to sessions on - “How
to Pitch and Stand Out from the Crowd,” “What do Buyers Want?”
and “Interactivity and Audience Engagement”.
Co-prod Challenge nominees revealed
The 6th MIPDoc Co-Production
Challenge has
selected 6 innovative projects in the documentary world, to be pitched
in front of an impressive panel of international broadcasters on Saturday, 10 April from 16.15-17.45. The jury president is Nick
Fraser, Commissioning Editor, “Storyville”, BBC. Click here to discover
the 2010 projects.
Meet the
commissioners, face to face
An exclusive
ten minutes with a major TV commissioner or buyer could make all the
difference to your business this year. Sign
up now
for the
MIPDoc Accelerator,
taking place Sunday, 11 April where experts will listen to ten-minute
pitches during a two-hour session.
Join IDA members, IDA staff & board members! Connect with the documentary community, share your projects, meet new friends, and build your professional network.
The Rooftop at The Standard, Downtown LA offers unmatched panoramic views of Downtown Los Angeles.
Photos from Past IDA Mixers:
When: Light snacks will be served. Cash bar offerings include mojitos, Where: Driving directions to the Standard, Downtown LA can be found here: Metro Rail: (The greenest
option) The closest Metro rail stop to The
Standard, Downtown LA is the 7th/Metro stop on the Red Line, 2 blocks from
the hotel. This map shows the proximity of The
Standard, Downtown LA to the 7th/Metro station.
To find the closest Metro station to
you, click here. Event Parking:
Valet parking at The Standard, Downtown LA is $15. No Cover Special thanks to:
Tuesday, April 13, 2010
6:00pm to 9:00pm
french pear martinis as well as all your favorite wines, beers & spirits.
The Standard, Downtown LA
550 South Flower St. at 6th Street
Los Angeles, CA 90071
(213) 892-8080
http://www.standardhotels.com/los-angeles/location/
We do encourage carpooling or taking the Metro!
Parking at Pershing Square
is only $6.60/day, and a brief 4 block walk to The Standard, Downtown LA.
Pershing Square Address:
532 South Olive Street, Los Angeles, CA 90013
Click here to create your
own unique driving directions to Pershing Square.
NO TOMORROW takes viewers inside a suspenseful death penalty trial and challenges their beliefs about capital punishment.Please join us for a screening of this new documentary by Roger Weisberg and Vanessa Roth.
2010 Kansas City FilmFest - Friday, April 16 at 9:45pm, AMC Mainstreet Theatre, AMC 3, 1400 Main St, Kansas City, MO.
Ticket available at http://kcjubilee.org/festival
2010 Arizona International Film Festival - Saturday, April 17 at 3:00pm followed by a debate about capital punishment featuring local experts, Crossroads Festival Cinema, 4811 East Grant Tucson, AZ, and Friday April 23 at 2:00pm, The Screening Room, 127 E. Congress Street, Tucson, AZ
Ticket information available at http://www.filmfestivalarizona.com/ ph.520-882-0204
2010 Atlanta Film Festival - Wednesday, April 21 at 7:15pm and Thursday, April 22 at 12:05pm, Landmark Midtown Art Cinema, 931 Monroe Drive, Atlanta, GA
Tickets available at http://atlantafilmfestival.com/content/view/461/204/ or by calling 404-352-4225.
Saturday, April 17, 2010 in Los Angeles
The Standard, Downtown LA
9:30 - 10AM: Registration/Networking
10AM - 5PM: Workshop
Part of the 2010 Doc U Seminar series.
Looking for funding while maintaining a career as a media maker can be a competitive, elusive and overwhelming proposition. Nationally recognized consultant MORRIE WARSHAWSKI presents his popular full-day workshop full of patented street-savvy, in-the-trenches advice on how to get grants and donations for noncommercial independent film and video projects. Warshawski provides practical advice based on real experience to get filmmakers focused and effective at getting money for their projects.
The workshop completely demystifies the world of donations and grants by providing an introduction to all the basic principles of successful fundraising including:
Warshawski's class includes exercises, lecture, video clip examples, and an extensive handout packet full of information and references on fundraising. A must for the beginning, emerging or experienced filmmaker who has any qualms about fundraising.
MORRIE WARSHAWSKI, noted writer and media consultant, is the former Executive Director of Bay Area Video Coalition and The Media Project, Inc. His clients over the last 30 years include the American Film Institute, National Endowment for the Arts, California Arts Council, MacArthur Foundation, WGBH-TV, President's Commission on the Arts and Humanities, and many others. Warshawski has served on numerous grant panels, has written over 500 proposals, and is the author of THE FUNDRAISING HOUSEPARTY, and SHAKING THE MONEY TREE: THE ART OF GETTING GRANTS AND DONATIONS FOR FILM AND VIDEO (now in its 3rd edition). You can find Warshawski and an audio clip on fundraising houseparties at his website - www.warshawski.com - or follow him on Twitter (MorrieW).
QUOTES:
"I wanted to tell you how much I enjoyed your
AFI workshop. It really clarified
and supported my thinking on grant writing and fundraising in general. It was nice to sit down for a day and
just have all the steps outlined and discussed logically!"
- Rusty E. Frank, Los Angeles
"Your seminar is really amazing and so
incredibly full of such useful information. We funders ought to have a preliminary requirement that
applicants attend your workshop before submitting their proposals."
- Mary Smith, National Endowment for the Arts
"Packed with good info; good speaker;
receptive to questions; obviously very experienced."
-
Boston Participant
"Your presentation was just terrific. I am truly impressed with the wealth of
information, articulately and logically presented in just a few hours
time."
- Bill Goetz, Portland, OR
"I took your SHAKING THE MONEY TREE class at
AIVF in New York about 3 years ago,
and I'm happy to report that my documentary is not only finished, but
aired as part of a Father's Day Special on Cinemax this year. I know of at least one other student in
that class whose film is now complete and was picked up by HBO. Your class was very instrumental in
getting the first grants and donations.
So thank you !!"
- Cynthia Syrett, NYC
"A note of thanks to Morrie for his Shaking the Money Tree workshops. After attending one last year, I finally got the guts to approach my first private funder -- someone wealthy who had funded a doc I'd worked on previously (one in which I was hired as co-producer in post, well after she'd funded it)."
"Using
the chutzpah and the tools I gained in the workshop and from the book, I wrote
her a heartfelt letter. She
immediately called, and wrote a check soon thereafter. With a serious donation now in hand, I
felt "legit" and then wrote a different heartfelt letter to 100
friends asking for tax-free donations.
I got a 20% return, with amounts ranging from $25 to $1000+. A real lifesaver to the project."
- Danielle Beverly
"Thank
you for your excellent workshops in NYC this weekend. It's always good, especially for an old hand like me, to be
reminded of what it takes and to be inspired anew. I especially need that now as I'm working
independently, on a film, and not for a performing arts organization and need
to be prepared to get money from individuals. The Zen tools you worked through
with us are tremendous. Thank you,
sincerely.
- Sharon Levy, Dovetail Productions, Inc, New York
Watch video clips from the Doc U seminars with Cara Mertes and R.J. Cutler.
IDA members: $85
Non-members: $110
Join IDA now! For discounted admission prices and more!
BREAKFAST AND LUNCH
Complimentary Continental Breakfast will be served inside the
workshop. Lunch is on your own. Lunch is available in The
Restaurant at The Standard, Downtown LA, a California brasserie that
serves New American cuisine. You can sit inside the vibrant yellow
diner style restaurant, as well as on the outdoor patio adjacent to a
flaming water fountain. Alternately dine poolside on The Rooftop at
The Standard, Downtown LA, which offers an unmatched panoramic views of
Downtown Los Angeles.
Links to the menus:
http://www.standardhotels.com/
http://www.standardhotels.com/
PARKING
METRO RAIL (The greenest option)
The closest Metro rail stop to The Standard, Downtown LA is the 7th/Metro stop on the Red Line, 2 blocks from the hotel.
This map shows the proximity of The Standard, Downtown LA to the 7th/Metro station.
To find the closest Metro station to you, click here.
Doc U is the International Documentary Association's branded, yearly seminar series produced to enlighten and enliven our documentary community.
Special thanks to:
The eighth edition of IFFLA will take place April 20-25, 2010 at ArcLight Hollywood, a state-of-the-art facility in the heart of Los Angeles. Tickets went on sale on April 2, 2010.
Find out all you need to know about the fest here.
The Indian Film Festival of Los Angeles (IFFLA) is nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, supporting emerging filmmakers, recognizing the leadership of entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora.
Each year the Festival is held at the Arclight Hollywood and features a rich mix of film programs designed to build and support the growing interest in the Indian entertainment industry. This includes programming that cultivates an audience for Indian films while supporting filmmakers of Indian descent in career development as they navigate the larger studio system in Hollywood. IFFLA's creative and business programs include the newly launched IFFLA Film Fund that helps emerging filmmakers realize their feature-length narrative and non-narrative film projects, the Industry Leadership Awards created to recognize the achievements of industry executives who have contributed considerably towards the entertainment and media industry in India, the One-on-One program where industry professionals from major and independent production and distribution companies are invited to participate in meetings with the participating filmmakers, and the seminars day hosted by the Creative Artists Agency (CAA).
Lucy Block is the filmmaker's only child and, from the moment of her birth, Doug has documented much of her life - and their relationship - on camera. Fluidly moving back and forth in time over the course of the film, we see Lucy transform from precocious child to serious and self-possessed young woman literally before our eyes. We also observe the eternal father-daughter struggle of control versus independence play out through the camera with great warmth and humor.
Told from Block's engaging first-person perspective, THE KIDS GROW UP is a rarity among documentaries. Sons and daughters frequently make films about their parents (including Block himself). This time a parent is making a film largely about his child. And since Lucy is among the first generation of children that grew up with digital camcorders, it may be the most in-depth, longitudinal portrait of a little girl growing into adulthood ever captured on film.
But just as Lucy is but one member of a family, her story is only the central focus of a larger one about the joys and angst of parenting and the aging of the baby boomer generation. As Doug Block struggles, often less than gracefully, with letting go of his daughter, a very personal experience once again takes on a universal dimension. And in the end, THE KIDS GROW UP is not just Lucy's coming of age story but very much her father's as well.
A Cinematheque Favorite Returns in Stunning 70MM to Celebrate Earth Day, With Filmmakers In Person!
Thursday, April 22 - 7:30 PM, Aero Theatre
Earth Day 70mm Print!
BARAKA, 1992, Magidson Films, 96 min. Inspired by the Sufi word meaning "breath of life," BARAKA is a mind-expanding, spiritual journey around the globe -- shot in 24 countries on five continents -- from director-cinematographer Ron Fricke (who photographed the earlier KOYAANISQATSI) and producer Mark Magidson (the Imax film CHRONOS). Filmed entirely without dialogue in a stunning cascade of crystalline, time-lapse 70mm images, BARAKA is quite simply breathtaking. Discussion following with producer Mark Magidson and director Ron Fricke (schedule permitting).
About ShowBiz Expo: ShowBiz Expo is a five-star event that brings everyone in show business together under one roof. Whether you are a producer, studio executive, director, musician, filmmaker, performer, designer, writer, stage manager, or anyone else involved in film, stage, fashion, live events, and concerts this event is for you. The Expo includes a wide range of networking opportunities including the Exhibit Hall, Workshops/Seminars, Designers' Showcase, Focus Groups, Round Table Discussions, Film Festival, Headshot Displays for casting, live auditions for performers, Movie Reel Showcase, Original Music Showcase, and much more.
Exhibit floor passes that include admission to the ShowBiz Expo Film Festival are free with advance online registration. Conference Panels and Workshops are $15-20 each. Charges may apply for other events. For information on exhibiting at or attending ShowBiz Expo, visit www.showbizexpo.com or call 212-404-2345.
This month at Video Symphony’s Pizza & Post you can finally get some answers from our special guest David Pierce, Attorney at Law.
Tuesday April 27th 7-9pm
Video Symphpny
266 E. Magnolia Blvd., Burbank
RSVP at http://pizzaandpostapril.eventbrite.com
David Albert Pierce is Managing Member of PIERCE LAW GROUP LLP. David predominately represents independent film and television production companies, including some of the most respected companies in Hollywood. David’s production counsel practice is diverse and includes representation and counseling in the areas of entertainment law; employment & labor law issues in the film & TV industry; intellectual property; internet/new media law; securities law/film finance, clearance & rights issues, as well as matters concerning crisis management on the set.
David is a frequent lecturer on the legal issues confronting the entertainment industry, and has served as an adjunct professor at UCLA Extension on “Organizing, Financing and Running A Start-Up Entertainment Production Company” for the past 10 years. David is also a frequent lecturer at film festivals around the country. He is a regular columnist for MovieMaker Magazine and is the author of several entertainment law articles.
He is a member of the Beverly Hills Bar Association’s Entertainment Law Section, the American Bar Association’s Forum on the Entertainment & Sports Industries, the Beverly Hills Bar Association Barristers Committee For The Arts, the Independent Feature Project/West, and the American Film Institute. David is the former Chairman of the Beverly Hills Bar Association’s Labor & Employment Law section, and is a member of the Labor & Employment Law sections of the American Bar Association, and the California Bar Association.
Unfortunately, no one consulted the copyright holders. Hollywood figures such as Steven Soderbergh, Curtis Hanson and Michael Mann became vocal opponents of having their work re-edited. As quickly as the clean movement blossomed, it started to unravel, with legal threats from Hollywood, accusations among rivals and even a sex scandal in the backroom of a clean video store.
In Cleanflix, directors Andrew James and Joshua Ligairi chronicle the rise and fall of the clean movement. Having grown up in the Mormon community, the duo gained close access to the main players that outsiders might never have achieved. The controversy over cleaning films raises further questions: Who gets to set cultural standards? Does what we watch affect how we behave?
The film gives a broader context for understanding the Mormon institution (known as the Church of Jesus Christ of Latter-day Saints) by talking to its adherents and those who have dropped out, most notably the playwright and filmmaker Neil LaBute, known for the dark themes in scripts like In the Company of Men and Bash.
As events unfold, one thing becomes clear: in movies, you can skip over the parts you don't like. But in real life, you can't.
Director: Andrew James and Joshua Ligairi
Running time: 85 minutes
Release date: 2009
April 27, 2010 8:00 pm
GARBAGE DREAMS
Tuesday, April 27 at 10 PM
(check local listings)
Welcome to the world's largest garbage village located on the outskirts of Cairo, Egypt. The Zaballeen (Arabic for "garbage people") recycle 80 percent of the trash they collect -- far more than other recycling initiatives. But now multinational corporations threaten their livelihood. Follow three teenage boys, born into the business, who are forced to make choices that will impact the survival of their community.
5th Annual SEE Fest 2010 Opens April 29th at the Goethe-Institut Los Angeles
Watch a full trailer about event.
Mark your calendars and get ready for the weekend of films that explore the cultural diversity of Southeast Europe.
Festival passes are on sale make sure you reserve your seats: go here.
Transitland to premiere at SEEFest 2010. The widest-spanning presentation of video art from Central and Eastern Europe will have its official North American premiere at SEEFest.
Transitland curator from Berlin, Kathy Rae Huffman will attend SEE Fest and conduct two day special presentations for Los Angeles area youth.
NEW! SEEFest Announces Youth Program. The 2010 SEE Fest Youth Program is a new initiative of the festival to further expand the educational programming and include students from public schools in greater Los Angeles.
Independent Exposure 2010 is the 14th annual showcase for contemporary, progressive, artistic, and culturally relevant short films and videos by some of the most compelling artists and filmmakers from around the globe.
To date, Independent Exposure has featured over 1,000 artists and filmmakers and been presented hundreds of times in 44 countries including Palestine, Antarctica, and at base camp on Mt. Everest.
Independent Exposure invites you to your submit short video, film, and digital-media submissions of 15 minutes or less.
Independent Exposure is seeking narrative, artistic, humorous, dramatic, animation, documentary, experimental, alternative, avant-garde, ambient, music videos, and underground works of all genres, formats, and styles.
Participants of all nationalities are welcome to submit their works by April 30, 2010. Entrance fee is $5 USD.
Prizes include Panasonic AG-HSC1U 1/4" 3-CCD High Definition Video Camera and Selected works from the MicrocinemaDVD.com Catalog.
For full program information, rules, selection criteria, prizes, and how to submit please visit www.independentexposure.com
Since 2005, Independent Exposure has teamed up with a partner to curate the screening programs and select prize winners and a "best-of" selection. Recent partners include Addictive TV, Hal Hartley, and Asthmatic Kitty Records. This year we are pleased to partner with Academy Award-Nominated Animator Bill Plympton.
"From the earliest screenings of Independent Exposure, animated film and video have played a central role in our program," says founder Patrick Kwiatkowski. "Bill Plympton is going to attract world class animators and we are very excited about our program this year."
Bill Plympton, best known for his 1987 Academy Award-nominated short Your Face, joins Microcinema to curate and judge this year's Independent Exposure.
In addition to two Academy Award-nominations, Plympton's illustrations and cartoons have been published in The New York Times and weekly newspaper The Village Voice, as well as in the magazines Vogue, Rolling Stone, Vanity Fair, Penthouse, and National Lampoon. His political cartoon strip Plympton, which began in 1975 in the Soho Weekly News, eventually was syndicated and appeared in over 20 newspapers. His distinctive style is easily recognized.
Microcinema's first activity was producing Independent Exposure. From our activities in presenting this program a film distribution business was born.
Microcinema International is now a leading specialty distributor of the moving image arts. Microcinema International specializes in the acquisition, exhibition, and distribution of independently produced works of an artistic and socially-relevant nature. Microcinema's mission is to seek out, curate, exhibit, promote, and distribute compelling works to a broad audience via existing and emerging mediums. Through Microcinema's own DVD label Blackchair Collection and Microcinema International DVD, a unique and diverse catalogue of international DVD titles are distributed into retail, wholesale, online, and institutional sales channels worldwide.