cameraman / woman

Posted: 01/08/2011 by Petra Haffter

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For my independent project (Seaside - City of Ideas) I need a camera
person. This preliminary shoots will be 5 days at the end of January.
It's extremely low budget at this point. So please don't reply if you
are not willing to negotiate. Still any interest? Canon 5D is the
anticipated camera. And as you might assume it is an ongoing project
about urban planning and architecture. A journey or better say a ride
of some visionaries.

Executive Producer for Science Documentaries

Posted: 12/20/2010 by Christine Leonhardt

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The Howard Hughes Medical Institute (HHMI) seeks an exceptional Executive Producer to lead a new, long-term initiative for the production of high-quality science documentary films at its headquarters in Chevy Chase, MD.

As the largest private supporter of biomedical research and science education in the United States, HHMI believes there is a need for more television programs that bring new scientific knowledge to large audiences, illustrate the scientific process, and inspire the next generation of scientists, educators, and general public. This is a unique opportunity to create, develop, and produce original science programs of lasting impact.

The Executive Producer will have overall responsibility for the production of series and individual programs, and development of strategies for their broadcast and promotion. He or she will work with the Vice President for Science Education to research and evaluate prospective program ideas, and will be responsible for commissioning programs and supervising independent producers. The Executive Producer will work with HHMI’s outstanding in-house educational resources team to facilitate the development of program-derived materials for the classroom.

Principal Responsibilities:

Creative leadership. Take a lead role in the research, development, and creation of new programs and series across a broad swath of compelling subject areas. Select, support, and work collaboratively with talented filmmakers to produce important, original programs of the highest quality and impact. Establish high content, production, and creative standards.
Strategic leadership. Develop partnerships, including co-productions where desirable, with existing strands and broadcasters in order to bring programs to the largest, most appropriate audiences, including international markets. Work with HHMI and external communications experts to devise and implement the best means for promoting programs. Collaborate with HHMI staff, outside consultants, and broadcasters to establish online distribution channels.
Program management. Supervise program producers throughout all stages of production by reviewing ongoing projects and providing timely, constructive feedback. Oversee the post-production process through program broadcast. Work with HHMI legal and financial staff throughout the process to ensure that all related business transactions are conducted at the highest professional standards.
Budget. Work with the Vice President for Science Education to prepare production and promotion budgets. Ensure that field producers have sufficient time and resources to produce exceptional films. Monitor production expenses and progress to ensure that films are made on-budget and delivered on-time.

Preferred Qualifications:
A minimum of 10 years experience in producing long-form, science-oriented, non-fiction television programs.
A firm commitment to and demonstrable track record of creating and producing high-quality, original programs.
Must have thorough knowledge of the television production process, from development through post-production, including:
Exceptional story telling, writing, and editorial skills
Extensive experience in field producing and directing
Substantial experience in supervising producers, including animators and musicians
Knowledge of post-production process
Knowledge of industry standards for rights and clearances
Excellent leadership and collaborative skills
Ability to manage multiple projects simultaneously
Experience in managing program budgets
Broad knowledge of and experience working with leading commercial and public broadcasters of science programming
Solid understanding of the role of the web in enhancing program impact
Strong commitment to educational outreach

HHMI is an intellectually demanding, results-oriented, collaborative organization with excellent salaries and benefits. For more information about HHMI, visit www.hhmi.org. Please provide:

A cover letter containing an outline of your reasons for interest in this position, a synopsis of your qualifications and experience, and the names of at least three filmmakers or executive producers with whom you have worked who would be able to serve as references.

A resume

Three copies of DVDs of what you consider to be your two most outstanding works, along with a brief description of your role in each project (e.g., conception, writing, production, executive production etc.)

Principals Only.

HHMI is an Equal Opportunity Employer

Tags: jobs  
Demo Editor / Writer Needed

Posted: 12/14/2010 by Wendy Apple

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Demo editor / trailer company / writer needed for independent documentary film to create a sales reel for a live action stage performance mixed with animated characters. The documentary, Emily @ the Edge of Chaos, is about a comedian who, thanks to a rare brain tumor, suddenly understands quantum physics and sets out to save the world. Character animations are voiced by John Lithgow, Richard Lewis, Leonard Nimoy, Lily Tomlin, Fred Willard and more. Wendy Apple is the producer/director, Bob Balaban is the executive producer, and Tina Hirsch is the editor.

We are low budget, but pay is negotiable. If interested or to pass along a recommendation, please contact me at wendyapple@earthlink.net.

Interaction Design intern for music Documentary Film/e-Book project (NYC)

Posted: 11/22/2010 by Will Kreth

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NYC-based, indie feature-length documentary in progress seeks an exceptional, part-time (1 to 2 days a week) Interaction Designer (or a team of 2 designers) to join our team in creating a new kind of historical/contemporary music documentary. Digital storytelling across screens and platforms is coming to the documentary medium – so help us be part of the Doc. 2.0 evolution!

The ideal candidate will have a background in design and usability, and a deep appreciation for the value of building indie brands that resonate and attract an audience for all the right reasons. You are not only a phenomenal multi-tasker, but someone who simply gets sh!t done. You are steeped and versed not only in social media tools, but in ways to connect and tell a narrative through them. You love docs, but wish the stories they told existed in more tangible, interactive ways.

Working with the producer, director and archivist of this film, you’ll come up with ways to grow and extend our existing process (we’ve got 5000+ fans on Facebook, have nearly 3 years of more than 40 interviews shot in 17 cities across the US, and are ramping-up to cover the birth of a 12 to 15 piece orchestra for filmed performances in Brooklyn in 2011). You will help us share and market the film as we continue to grow our audience – both now and after the film’s release.

Duties:
• You will lead the co-development of a 2 to 3 year roadmap for social media and off-line audience growth and engagement (prior to and after the film’s festival debut).
• You will help select and lead a team (editor and designer) in the co-development of an Apple iBook – destined for display on the iPad, complete with original poetry, lyrics, illustrations, photos and embedded video clips (using the ePUB format & HTML5). This project will be filmed for inclusion in the documentary.

Prerequisites (you basically breathe software, not intimidated by anything, right?):
• A background in interaction design, UX/UI work, and working on interactive media teams - yep.
• Experience with Adobe inDesign CS5, Photoshop/AfterEffects, DVD authoring and workflow - check.
• WordPress development and project management experience - yes!
• Experience with video production and editing (FinalCut, iMovie) - {very helpful}.
• A background in traditional filmmaking less important than dexterity in new media production, collaboration and development for web 2.0, DVD, and television projects.

To apply: Please send your resume/CV and cover letter (personal references appreciated) and links to projects you’ve managed and/or worked on. We appreciate serious applicants with relevant experience and thoughtful responses. Lastly, please put "Interaction Design Intern" in the subject line. Thanks!

Documentary filmmakers needed for online video project

Posted: 10/06/2010 by Kai Hsing

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We are a Peabody Award-winning youth-driven converged media production company that delivers the best youth news and culture and undiscovered talent to a cross section of audiences.

In the coming months, we are looking for experienced documentary filmmakers with a strong sense of storytelling and style who can tell unique stories for a culturally diverse, sophisticated young adult audience.

Though our budget is limited, we have distribution from public media outlets across the country and we are looking to support innovative shortform storytelling and experimentation.

To be considered, please send a short cover letter describing your filmmaking experience and interests, resume and links to relevant clips, as well as a description of your role in each film to: videojobs@youthradio.org

Assistant Professor of Film and Media: Documentary Film Production - EXTENDED DEADLINE

Posted: 10/06/2010 by Michelle Stewart

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Assistant Professor of Film and Media
The School of Film and Media Study at Purchase College seeks to fill a tenure-track position beginning Fall 2011. Teaching responsibilities include 6 classes plus extensive service obligations. Service Obligations will include:
- advising
- admissions consultation
- end of year reviews
- curriculum consultation with FBOS
- field trips/screenings

Qualifications: MA/MFA degree in a media-related discipline, and/or equivalent professional experience required. The ideal candidate will have recognized industry/professional experience producing documentaries for public, network or theatrical release. The candidate should have professional level technical experience with film and digital media, the ability to teach cinematography, editing or directing, familiarity with a diversity of documentary styles and approaches, and knowledge of documentary history, theory, research, and contemporary practice. Candidates should also have professional credits as a director and/or producer of feature-length documentaries (professional employment, broadcasts, awards). Preference will be given to candidates who demonstrate interest and commitment to student learning and success, interdisciplinary collaboration with colleagues in the arts and the liberal arts. Demonstrated teaching excellence and experience in undergraduate and/or graduate programs with a strong commitment to contributing to the Film program and the School of Film and Media Studies will be essential.

Date to be Filled: 11/15/2011

To apply for this position, please visit our website at https://jobs.purchase.edu and complete an on-line application. Candidates are required to attach a CV, cover letter and statement of teaching philosophy to their on-line application. Additionally candidates are required to submit the following documents via a media submission system at https://jobspurchase.slideroom.com: Three (3) representative samples of personal work.

Candidates must also have 3 letters of recommendation mailed or emailed to:

Jean Kyff, Senior Staff Assistant
Academic Affairs
Purchase College SUNY
735 Anderson Hill Road
Purchase, New York 10577
Email- jean.kyff@purchase.edu

Women and minorities are encouraged to apply.

Tags: education  
Indie Documentary Film seeks MBA-type with passion for the arts/film - NYC

Posted: 09/28/2010 by Will Kreth

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New York City-based folks-
Indie Documentary Film seeks MBA-type with passion for the arts/film

MediaGroove LLC is seeking a Associate Producer with a strong business background to help project manage and coordinate resources for our documentary Get It All Out (www.getitalloutmovie.com) – a feature-length story about the life of a late, charismatic, yet unknown Pittsburgh musician/ vocalist / poet/ humanitarian and the percussive post-punk/ jazz/ worldbeat/ avant-funk band he was in during the early 1980s. Our protagonist was truly a likable, inspired character, and it doesn’t hurt that he was a compassionate human being who could actually sing and write decent lyrics. If you have experience in collaborating on dynamic teams, contributing your best ideas, are not afraid of hard work and take pride in getting things done – we should talk!

In short, we are reanimating the lost musical DNA of an underground sound that never reached a wide audience, and having a blast doing it (by re-recording, remixing and releasing an amazing songbook of material as a companion soundtrack). Film-wise, we’re 2.5 years in the making and we’ve already completed 2/3 of our planned interviews. Breaking the rules of the typical talking head “rockumentary” – we’re incorporating the use of animation/motion graphics, CGI visualization, social media and other creative digital storytelling techniques to elevate the storyline in contemporary ways.

The right candidate will play a key role in setting the stage to refine and finish the film so this is a great opportunity to be part of an experienced team on the excavation of a dusty gem of a narrative. This position is non-paid (though we will cover working production meals, pre-approved necessary expenses) and will provide you with valuable experience and connections.

Qualifications & Responsibilities:

• This is the ideal project for an MBA with a passion for the arts. Someone who wants to use their professional business (and or marketing) skills outside of work to help bring a film through post-production, fundraising, and see it distributed to national/international festivals, Netflix, Amazon, cable/satellite, etc.

• Strong prior knowledge of Microsoft Project or other web-based project management tools (Basecamp or similar.)

• You will work with the film’s Producer to manage timelines, deliverables, set milestones and hold people to reaching them. Great organizational and detail skills a must!

• Commitment to a minimum of 1 to 2 days per week on a part-time basis (starting immediately)

• MUST be NYC-area based and able to attend meetings with producer, director, assistant editors and archivist.

• Interest in music as a force for social change, progressive politics, multiple genres of music (e.g. – jazz, rock, afrobeat/afro-pop, funk, dub/reggae, post-punk, etc.) – helpful, wouldn't hurt –- but not necessary.

• Excellent verbal and written communication skills.

To apply:
We hope you’re the right fit to help us with our quirky, passionate, musical doc! So, please send a brief cover letter and CV/resume, reel/links to projects you’ve managed and/or worked on, and please put "Associate Documentary Producer" in the subject line. Preference given to candidates with at least 3 solid employment/internship references and prior film or collaborative arts team project experience.

http://newyork.craigslist.org/mnh/tfr/1973323866.html
http://www.getitalloutmovie.com

Editor needed

Posted: 09/20/2010 by Mike Costa

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Looking for an Adobe Premiere Pro editor for 1 hr documentary. Color correction also. Made intial selects on CS3. mc@proudtobecapeverdean.com

Tags: adobe  
Experienced Film Composer looking for Docs to score..

Posted: 07/02/2010 by Laura Perlman

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Experienced Composer with own studio looking for docs to score. Will write music to suit your film. Classical, world music, blues ? what suits your doc? Live musicians or virtual instruments.

Tags: music  
Need a Composer for your film?

Posted: 07/05/2009 by Laura Perlman

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Experienced Composer with my own studio looking for work. Would love to write original music for your documentary film. Samples available upon request. Contact ljperl@me.com.

Tags: music  
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