KUNDRAT PRODUCTIONS LLC
PO Box 814 Barnegat, New Jersey 08005-9998
Telephone: 609-978-3659
E-Mail: info@kundrat.com
Website: http://www.kundrat.com/company.htm
IMDB: http://www.imdb.com/name/nm2202197/



Personal Background:

Former occupations include: Composer/ Performer/ Touring Musician (Atlantic Recording Group); Audio Engineer/ Mixer (Suburban Cablevision); Percussion Instructor/ Clinician (NJ Percussion Center); Product/ Operations Manager (Neutrik USA, Home Depot USA Inc).

Skills/ Experience:
· Project: Writer, Director, Producer, Advisor, Designer, Art Director.
· Studio/ Post: Editor, Motion Graphic/ FX Artist, Color Grading, Audio Mixer.
· Field/ Set: Camera Operator, Lighting/ Set Designer, Sound Recordist.

Recent Projects:
· Born in The Basement- (MVD Entertainment Group) Release date: Dec. 2007 http://www.ratskates.com
Credits: Executive Producer, Writer, Motion Graphics, Camera, Editor, Sound Mixer, DVD Design/ Engineer.
· Get Thrashed- (Warner Bros/ LightYear Entertainment) Release date: Sept. 2008 http://www.getthrashed.com
Credits: Associate Producer, Editor, Motion Graphic Animator, Designer, Camera, Writer, Advisor.
· Promotional packages- interviews, shooting, design and editing for Lynyrd Skynyrd, Killswitch Engage, MTV-2, Roadrunner Records.

Awards:
Best Music Documentary and Founders Choice Award- 2007 New York Independent International Film Festival; Grand Jury Prize- 2007 San Antonio Underground Film Festival; Best Documentary and Best Soundtrack- 2007 Backseat Film Festival; Best Documentary- 2007 Seattle True Independent Film Festival.

Official Selections:
Raindance Film Festival- London, England; Athens International Film Festival- Athens, Greece; Oldendurg Film Festival- Oldenburg, Germany; Cinéma Le Grand Action and Festival Filmer La Musique- Paris, France; Music Doc Film Festival- Malmo, Sweden; X-Fest Film Festival- Capetown, South Africa; Ccluchtbal Film Festival-Antwerp, Belgium; Europa Film Festival- Brooklyn, NY; Staten Island Film Festival- Staten Island, NY; NYII Film & Video Festival- New York, NY; Hoboken International Film Festival- Hoboken, NJ; New Haven Underground Film Festival- Meriden, CT; Silverlake Film Festival- Los Angeles, CA; San Francisco Frozen Film Festival- San Francisco, CA; Tucson Film & Music Festival- Tucson, AZ; Texas Rock Fest- Austin, TX; Rock and Roll Hall of Fame- Cleveland, Ohio.

Broadcasts:
Concert.TV- On-Demand via Comcast, Cox, Insight, Charter and DirecTV; March 2008.

Equipment:

Field Acquisition

· Cameras: (2) Panasonic AG-HMC150 (full 1920 x 1080 High-Definition, 24p) w/ 2-stage mattebox and rails; Canon GL1 720 x 480 DV w/ Beachtek XLR adapter; Canon (photo) Digital SLR w/ 75-300 mm zoom.
· Lenses: (2) Nikon 50mm f1.4 prime, (2) Nikon 85mm f1.4 prime with (2) Cinevate Brevis 35mm/ cinema lens DOF (flip) adapters with Cinefuse 2L imaging elements, Canon 0.7x wide angle adapter.
· Tripods/ Heads: (2) Bogen-Manfrotto 3039 head (3-way tilt/ dutch for locked shots) w/ 475B legs (17” to 74” height); 3063 fluid video head w/ 3046 legs; 3156 & 3127 folding studio auto-dolly w/ low mount head option.
· Monitors: Sony 19” Bravia high-def (1366 x 768 16:9) LCD w/ tilt/ swivel floor stand and wheels; Sony PVM-1342Q CRT 13” broadcast monitor.
· Stabilizers/ Stands: Glidecam 4000 w/ body pod; (2) Matthews turtle base C-stands w/ grip heads/ boom arms/ sandbags; (2) Bogen 420NSB convertible 3-section boom/ straight stands w/ sandbags
· Lighting: (Lowel): (2) Rifa-Light 55 softboxes w/ 40 degree dispersion eggcrates; (2) 500 watt Omni-lights w/ barndoors; (2) 750 watt Tota-lights w/ umbrellas; (2) 250 watt focusable Pro-light w/ barndoors; (2) Selecon Acclaim 300-500w focusable fresnels w/ barndoors; (6) 600w dimmer boxes; Chimera 42” framed cukuloris/ gobo patterns; assorted screens, flags, CTB/ CTO and colored gels, diffusers, mounts; NRG Varalux 10-100 watt adjustable camera light and power belt; (4) 1000 watt dual-head halogen worklight trees.
· Microphones/ Stands: Sennheiser ME67 long shotgun w/ Rycote softie windscreen; K-Tek internally cabled 8’9” boom pole w/ Rode shockmount; (3) Sony ECM-77B wired lavaliers; OnStage heavy-duty studio boom microphone stand (13’ high to 7’ boom); Samson wireless lavalier and handheld microphone (32 ch. UHF diversity) MKE300 short (camera) shotgun.
· Test Equipment: DSC labs 11-step grayscale/ 6 primary color/ backfocus chart; Vortex warm card set; Panasonic AG-HMC-150 includes waveform and vectorscope displays.
· Misc: Compaq Presario CQ50 (Vista) Notebook; Fostex VF-08 2-channel hard drive recorder; Photoflex collapsible bluescreen, Savage 10’ backdrops (green/ misc. colors) and stand, 20’ x 10’ black muslin backdrop; Rosco .9 ND window gel; full selection of cables, adapters, headphones, multi-reflectors. Ships in Petrol Bags and Pelican/ Anvil/ ATA cases.

Studio Facility

Two dedicated, independently sound-isolated, adjoining rooms: both acoustically treated to provide a sonically accurate audio/ visual monitoring environment for digital filmmaking. STC rating of 65-70.

Editing/ Control Room:

· Computers/ Hardware: (HD) Custom ADK Workstation w/ Decklink HD Extreme 10-bit uncompressed HD/ SD/ analog capture card, Blu-ray disc rewriter, Intel Corei7 940 2.93GHz Quad Core Processor, 16 GB DDR3 RAM; (SD) DV Gear dual-processor Workstation w/ Canopus DV Storm breakout box.
· Storage: 6TB Sonnet-Fusion R800 RAID (primary); 2TB on misc. networked drives.
· Software: Adobe Production Premium CS4 (including After Effects CS4; Premiere Pro CS4; Photoshop CS4 Extended; Flash CS4 Professional; Illustrator CS4; Soundbooth CS4; On-Location CS4; Encore CS4. Misc. plug-ins include Trapecode, Knoll, Zaxwerks.
· Video Monitors: Sony 40W4100 40” 1920x1080 Bravia LCD monitor; Sony PVM-1342Q 13” 4:3 CRT broadcast monitor; Sony Trinitron KV-20FV12 19” 4:3 CRT TV; ViewSonic 19” GS790 Graphic Series CRT computer display; Samsung 22” 226BW LCD computer display.
· Audio Monitors: Yamaha NS-10M studio monitors, JBL 5-piece 2-way speaker system*; Sony 5.1 Surround decoder/ amplifier*
· Power: Furman Battery backup UPS; Furman PM-8 power conditioner/ surge protector.
· Additional Amenities: Toshiba S-VHS deck; BBE 822 Sonic Maximizer, JVC BR-DV3000 full/ mini DV deck, Sony DVDirect standalone DVD burner; Tascam CC-222mkII cassette/ CD player/ recorder, Hewlett-Packard Office Jet G85 scanner/ printer; Epson Stylus Photo R380 photo/ disc printer.

Music/ Performance Room:

· Tama 6-pc. Granstar drumkit; Yamaha PSR1000 digital keyboard/ workstation; Marshall AVT150 Valvestate head w/ 4x12” slant cabinet; (2) Marshall MG15 amps, Fender Rumble15 mini-amp; DigiTech GNX-4 guitar processing/recording workstation; Yamaha P500S power amp w/ S115V 15” 2-way PA cabinets; Yamaha RN804 8-channel mixer; Roland SDE-2500 digital delay; Roland SRV-2000 digital reverb; Yamaha GQ1031B 31-band graphic EQ; Yamaha GC2020 2-channel compressor/ limiter; misc. microphone stands and accessories.

· Audio-Technica omnidirectional condenser boundary microphone; Shure SM58 microphone. Studio is isolated voice-over “booth” adaptable.

References available upon request.