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'No Subtitles Necessary' Airs on 'Independent Lens'
Posted: Nov. 16, 2009 Sign-in to Comment Bookmark and Share

Vilmos Zsigmond and the late Laszlo Kovacs shot some of the epochal films of the past 40 years, including Easy Rider, McCabe and Mrs. Miller, Close Encounters of the Third Kind, Five Easy Pieces and, for better or worse, Heaven's Gate. And just as their careers were made in Hollywood, their story of how they got there is a silver screen classic as well. Born and raised in Hungary, having witnessed both World War II and the Cold War that followed, Zsigmond and Kovacs were film students in Budapest when the Soviet tanks rolled in to squash the October 1956 uprising there. After three weeks of filming, they escaped Hungary with 30,000 feet of film hidden in corn sacks, just as the crackdown was taking effect. They made their way to America, and eventually, the fringes of Hollywood, where they cut their teeth on such indelible delights as The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies before they graduated to more stately fare.

Their story is told in No Subtitles Necessary: Laszlo and Vilmos, a documentary by Jim Chressanthis that airs tonight on PBS'Independent Lens.

For an article about the film, from the July-August 2007 issue of Documentary, click here.

terrific film

After seeing this film, I can’t believe I didn’t already know who Kovacs and Zsigmond were. As a huge fan of a number of the films they worked on, I think it’s a tragedy that more people don’t know who they are and I hope this documentary changes things.

Even for people who aren’t cinemaphiles, there’s lots of good stuff in this documentary - just the story of their friendship and escape from Hungary was interesting enough. The breathtaking footage they have of the Soviet invasion really strikes an emotional nerve.

I also loved the film’s musical selections. JJ Johnson’s “Seven Days in Tahiti” was a perfect mood setter to conjure up 1960s Hollywood, and I’ve always been a big fan of Jolie Holland was happpy to hear “Sascha” in the end credits. Overall, a great job by everyone involved and I'd say this is my favorite non-Ken Burns documentary.