Sundance Documentary Fund
Event Type: Funding Opportunities
02/09/2012

Sundance Institute Documentary Fund grants are announced twice a year. Since its inception, the Fund has supported more than 500 films in 61 countries. A committee of human rights experts and film professionals make recommendations from projects submitted by filmmakers from around the world. The Fund reviews between 1,400 and 2,000 proposals annually, choosing 35-50 for support each year. In funding such work, the Documentary Fund encourages the diverse exchange of ideas that is crucial to fostering an open society and public dialogue about contemporary issues.

The Documentary Fund provides grants to filmmakers worldwide for projects that display:

  • Artful and innovative storytelling techniques
  • Global relevance
  • Contemporary social issues
  • Potential for social engagement

Funding Categories

Applications are accepted in two funding categories:

  • Development funding is provided to projects that are between development and preproduction. Grant amounts for this category are up to $20,000. There is no reel required with an application, but clips, teasers, trailers, or images are highly encouraged. A previous work sample is required.
  • Production/Post-production grants provide funds up to $50,000 to filmmakers in various stages of the production and post-production process. Applications are required to include continuously edited material that is approximately 20 to 75 minutes for the project being proposed. The reel should convey the narrative and aesthetic visual for the final film. If available for consideration, longer cuts and fine cuts may be submitted. A previous sample work must also be included with the application.

If you have already received a grant from the Documentary Fund, there is an additional category for which you can apply for the same project. Audience Engagement grants support innovative outreach and engagement campaigns and cutting-edge multiplatform engagement strategies.

Apply

The Sundance Institute Documentary Fund application is now open for the spring 2012 cycle. Applications are being accepted now through February 9th, 2012, with decisions anticipated in early June.

After reviewing the materials on the links below, you may contact dfp@sundance.org with any outstanding questions.

Tags: funding  
 
Pan African Film Festival
Event Type: Festival
02/09/2012
Los Angeles, CA

Established in 1992, The Pan African Film Festival (PAFF) is a nonprofit corporation dedicated to the promotion of cultural and racial tolerance and understanding through the exhibition of film, art and creative expression.

It is PAFF's goal to present and showcase the broad spectrum of Black creative works, particularly those that reinforce positive images and help to destroy negative stereotypes. We believe film and art can lead to better understanding and foster communication between peoples of diverse cultures, races, and lifestyles, while at the same time, serve as a vehicle to initiate dialogue on the important issues of our times.

The festival takes place at Rave Cinemas Baldwin Hills 15 (formerly the AMC Magic Johnson Crenshaw 15) at the Baldwin Hills Crenshaw Plaza. The theatre is situated on Martin Luther King Jr. Boulevard between Marlton Avenue and Crenshaw Boulevard)

Location Name:  Rave Cinemas Baldwin Hills 15/Bladwin Hills Crenshaw Plaza
Address: Martin LUther King Jr. Boulevard, Los Angeles, CA
 
Media That Matters 2012: Change for Good
Event Type: Event
02/10/2012 - 02/11/2012
Washington, DC

The Center for Social Media at American University is hosting Media That Matters 2012, a conference that brings together professionals, artists and students interested in making an impact through media.

This year's theme, "Change for Good," features conversations about how independent social change filmmakers can execute integrated campaigns that are strategic, action-oriented, and have enduring impact.

The conference begins on Friday, February 10, 2012 at 5pm with an opening keynote address from Meredith Blake, distinguished attorney, social entrepreneur, and Founder and CEO of Cause & Affect—a strategy consulting and management firm in the business of high-impact social change.

With workshops on Fair Use, a Designing for Impact clinic, short film screenings, advice on strategy for media creation, and various chances to network, who would want to miss such an event?

Sign up for Media the Matters today! Registration closes at 5:00pm EST on Wednesday, February 8.

Location Name:  Abramson Family Recital Hall, Katzen Arts Center
Address: 4400 Massachusetts Ave, NW, , Washington, DC
 
Sundance Creative Producing Fellowship
Event Type: Funding Opportunities
02/10/2012

A year-long program designed to nurture emerging producers with project-specific support through Labs, grants, and long-term advisor relationships.

The Sundance Creative Producing Fellowship was conceived to develop and support the next generation of American independent producers. For over 30 years, Sundance Institute has offered in-depth year-round programs for feature screenwriters and directors. In an increasingly competitive and complex marketplace, the health and excellence of the independent film movement hinges on sophisticated creative and strategic producers with whom these directors and writers can collaborate.

The Fellowship focuses on the holistic producer, who identifies, options, develops, and pitches material; champions and challenges the writer/director creatively; raises financing; leads the casting/packaging process; hires and inspires crew; and navigates the sales, distribution, and marketing arenas. The Program is designed to hone emerging producers’ creative instincts and evolve their communicating and problem-solving skills at all stages of realizing a project.

Five producers will be selected for a one-year fellowship, with Fellows supported to participate in the following:

  • Feature Film Creative Producing Lab
  • Creative Producing Summit
  • Sundance Film Festival attendance (screenings, curated meetings, and networking opportunities)
  • $5,000 living stipend
  • $5,000 pre-production grant
  • Year-round mentorship from two industry Advisors
  • Community building among Producing Fellows
  • Year-round support from Sundance Institute staff

Fellows will attend a five-day lab focused on creatively strengthening their projects from script to screen. Through a series of one-on-one sessions with Advisors, as well as group sessions, Fellows will explore their own creative take on the project and develop skills and a process for evaluating, developing, and implementing their material to reflect these ideas. Scripts will be discussed alongside issues, such as creative imperatives, marketplace valuation, and production challenges. Case studies will be used to explore creative issues in preproduction, production, and editing processes, while techniques in communicating with writer/directors and potential production partners will also be addressed.

Eligibility

  • Candidates must have produced at least one short or feature-length narrative or documentary film (no more than two narrative features total).
  • Candidates must have a completed, legally-optioned, scripted narrative project in hand with a director attached to the project.
  • Candidates may not be the writer or director of submitted project.
  • Candidates must live in the United States, though the project may be filmed internationally

Giving Back to Sundance Institute

Sundance Institute is a nonprofit organization funded by foundations, corporations, film industry sources, individuals, government agencies, and earned income such as ticket sales at the Film Festival. The Institute was founded by Robert Redford as a way to give back and support other film and theatre artists by providing them with an opportunity to develop their projects and skills. Should you be selected to participate in the Creative Producing Fellowship, you will be asked to continue the spirit of giving back. Since securing funding for the Institute's programs is a consistent challenge, we request that Lab Alumni whose projects are produced contribute to the Institute's work to support new generations of emerging filmmakers. Projects supported by the Creative Producing Fellowship are asked to contribute 0.25% of their production budget calculated after the first $1 million (e.g. if your film is produced for $1.2 million, the fee due to the Institute would be $500). Additionally, Lab Alumni are asked to recognize the Fellowship with the credit, "Developed with the assistance of the Sundance Institute Feature Film Creative Producing Fellowship." Any revenue that is designated to Sundance Institute is allocated to the Feature Film Program and is used on an annual basis to provide critical support for the Labs. Your ability to give back really makes a difference.

Timelines

The timelines for the 2012 Creative Producing Fellowship are as follows:

Selection Process
November 14, 2011 - Application available online.
February 10, 2012 - Online application deadline and hard copy of materials postmark deadline.
March 9, 2012 - Notification of second round selections
June 14, 2012 - Notification of final selections

Fellowship Year
July 2, 2012 - Start of 2012 Fellowship
July 30-August 3, 2012 - Creative Producing Lab (Sundance Resort, Utah)
August 3-5, 2012 - Creative Producing Summit (Sundance Resort, Utah)
January 17-27, 2013 - Sundance Film Festival (Park City, Utah)
June 29, 2013 - End of 2012 Fellowship

Tags: funding  Sundance  
 
35th Anniversary International Wildlife Film Festival Call for Entries
Event Type: Call for Entries
02/10/2012
The 35th Anniversary International Wildlife Film Festival Call for Entries is now open, along with highlights of the upcoming IWFF, one of the most important wildlife, film and conservation events of 2012.

For the 35th IWFF, May 5-12, the theme is Challenge, Choice & Promise – Wildlife Film and Conservation in the 21st Century with the one-day Tarkio Retreat and special focus: Wild Cat Conservation: A Blueprint for Conservation Worldwide

The IWFF Call for Entries: October 2011 through January 31, 2012.
Late Deadline: February 10th, 2012.

We invite you to enter your film(s) and join us for what promises to be an unforgettable week of award-winning films, dynamic speakers and wildlife and marine leaders, working on the frontlines of conservation and media.

The Tarkio Retreat---Forging New Partnerships in Media & Conservation will be held on Wednesday, May 9th at one of the most beautiful, wild and secluded locations in Montana, on Salmon Lake just 30 minutes from Missoula.

From Lifetime Achievement Award Winners Dr. Sylvia Earle for Marine Conservation and Dr. Richard Leakey for Wildlife Conservation, to Panthera Founder, Tom Kaplan receiving the IWFF Hero of the Year Award; and, just announced, the IWFF Lifetime Achievement Award for Media to Fred Kaufman, Executive Producer of “Nature,” celebrating its 30th year on television in 2012.

Please join us as we bring together filmmakers, scientists, conservation leaders and front-line organizations, broadcasters and producers, to celebrate the very best in wildlife film and conservation through seminars, roundtables, technology, writing and distribution workshops, field trips and nightly social events and parties. Our goal is to bring focus and impact to the work that you do and to ensure that your films and media programming, field conservation efforts, science and education, have an impact on the fate and future of our planet and species around the world.

The IWFF Mission: To promote awareness, knowledge and understanding of wildlife, habitat, people and nature through excellence in film, television and other media.

To enter your film or learn more about IWFF and participation as a panel member, final judge, sponsor or presenter, please click on the Call for Entries/Festival Highlights Packet here.
 
FACTUAL ENTERTAINMENT AWARDS SUBMISSION DEADLINE
Event Type: Call for Entries
02/10/2012

The deadline to submit your entries for the 2012 edition of realscreen’s Factual Entertainment Awards has been extended to Friday, February 10th. You don’t want to miss the opportunity to ensure that your network or prodco’s best work is considered in our global celebration of factual excellence.

We’re accepting entries in the following categories:

  • COMPETITION
  • REALITY
  • NON-FICTION
  • LIFESTYLE

 

Winners will be determined by juries of the industry’s most highly regarded experts in these audience fields, who will also single out projects that merit special Craft Awards for editing, directing, casting, music, cinematography, hosting/presenting, most compelling character and most original concept.

We’ll also present the Award of Excellence to the program that scores highest overall and the Hall of Fame and Personality of the Year awards to trailblazers who’ve made their mark on the factual entertainment landscape.

Please visit http://awards.realscreen.com/ for all the information you’ll need on Eligibility, Judging and Entry Guidelines. Again, the deadline is Friday, February 10th at 5pm EST. The awards ceremony will take place during the Factual Entertainment Forum on May 30th, 2012 at the Fairmont Miramar Hotel.

To check out previous winners please click here.

 
Santa Cruz Film Festival Announces its Call for Entries
Event Type: Call for Entries
02/10/2012
Santa Cruz, CA
The Santa Cruz Film Festival (SCFF), a 501(c)(c)(3) non-profit organization dedicated to the support and promotion of film arts for the local community and for filmmakers and audiences worldwide, announced today that it is now accepting submissions for consideration into its eleventh season, May 10-19, 2012. Films and videos of all lengths and formats completed after January 1, 2011 are invited to enter including Narrative, Documentary, Animation, Experimental, Student, and Youth-produced works.

Submit online via Withoutabox or download the application from the Festival's website. The deadline for submissions is February 10, 2012, with an early bird discount for entries postmarked by December 2, 2011. Discounted entry fees are also available for works submitted by Santa Cruz and Monterey County filmmakers, students, youth filmmakers (under 18), and entries submitted into EarthVision.
Address: Santa Cruz, CA
 
Call for Entries: Rose Marine Latino Film Festival
02/10/2012
Fort Worth, Texas

The Rose Marine Latino Film Festival - to be held February 24-26, 2012 in Fort Worth, Texas - is accepting films. The festival consists of three days of independent Latino films, awards, artist talks, networking events and an educational outreach collaborative at the historical Rose Marine Theater.

Films cannot exceed 20 minutes in length and can be either narrative or documentary. Out of the films entered, two will be featured during the festival, one for each of the following categories:

  • RMLFF Shorts - Audience Award winner
  • Student Lone Star Award - Honors a Texas student filmmaker attending college or university

Submission Deadline: February 10, 2012 (postmarked)
Submission information available on the festival's website.

Location Name:  Fort Worth's Rose Marine Theater
Address: 1440 North Main Street , Fort Worth, Texas 76164-9119
 
Doc U: Documentary Producing Workshops with Mitchell Block
Event Type: Event Opportunities
02/11/2012 - 02/12/2012
Santa Monica, CA


Financing and Producing Documentary Programs with Mitchell Block (Day 1)
Saturday, February 11, 9:30am - 4:30pm
At The Writers Boot Camp
Learn to design and get funding to make your documentary. Explore the ins and outs of both for-profit and not-for profit fundraising, distribution, and marketing opportunities. Learn how to best package your work to attract funding, get rights, put together the strongest package, do presales, structure the right business form, and more.

Share your ideas or projects at any stage of production and have them evaluated as part of the class.

Part ONE
Look at public sector funding. Grants from government agencies, working with local and national public television stations. Working with PBS and CPB. How to work with foundations to tap into the hundred of millions of dollars available for grants and support of media. How to work with for profits to get funding for projects. A look at business structures. Case studies will cover grant writing, business plans and proposal writing for documentaries.

Part TWO
We will look at private sector funding. Business plans, private placements, offerings. How to design a project to attract funding. What is the exit plan? How to work with venture capitalists. Collaborate and partner with cable and other broadcast entities. Presales on a global basis. How much your project is worth? Where to go to sell and pitch. How to pitch, develop, and protect your idea. Learn how to pitch and who to pitch to. Block will answer specific questions on funding for individual projects time permitting.

Cost of seminar includes numerous handouts. Specific case studies will be covered that show in a step-by-step manner how to finance documentary films.

Documentary Tune-up with Mitchell Block and Peabody and Emmy award-winner Jeffrey Tuchman (Day 2)
Sunday, February 12, 9:30am - 4:30pm
At The Spitfire Grill
"If you can't sell your project every time you pitch it, then there's something wrong with it."

Can't find funding? No one wants to invest? Perhaps it's the idea or some aspect of the project/package? Get a doc proposal check up, and tune up. This daylong workshop is intended to help you decide if that dream doc is worth pursuing and if it's not selling, how to fix it.

Why isn't your project attracting funding from a studio, network or cable, company, sponsor or other funders?
It can ONLY be six things:
The package?
The proposal?
The idea?
The budget?
The production team?
Are you pitching to the right people?

Explore how your doc project can be tuned up, cleaned up or perhaps junked.

Find out who might produce it, how to pitch it, what is needed to sell it, and which broadcasters or cable companies should be considered.

Find ways to make your packaging bankable.

We'll look over your proposals and see why it's not pulling in offers. You will receive hard information to build into your business plan and make your project sell.

We will review each individual project and review case studies to develop an understanding of how to pitch and sell projects. Case studies come from the class and the instructor's extensive collection of actual productions. You do not need a project to attend but preference will be given to those that have them. A one-page project description will be requested at time of registration for review if it's available.

Ideas or projects at any stage of development are welcome. We spend the day reviewing a number of projects as a group. This class can be taken multiple times since it is directed to the individual students' projects. When you register, e-mail a copy of your proposal (up to 2 pages) as a PDF file to Block.

Program might run 30 minutes longer. Join fellow participants for an after session networking drink (no host) at the Spitfire Grill.
Location Name:  The Writers Workshop // Spitfire Grill
Address: 2525 Michigan Avenue, Building I, Santa Monica, CA 90404 // 3300 Airport Ave, Santa Monica, CA 90405, Santa Monica, CA
Tags: Doc U  
 
Sheffield Doc/Fest
02/13/2012
Sheffield, UK

Sheffield Doc/Fest's film program is now accepting film submissions for the 2012 festival, which runs June 13-17.

Submissions will close Monday, February 13 at midnight.

You can enter the film here sheffdocfest.com/view/submitafilm

Please read the Rules & Regulations form first.

It costs is £25 + VAT to enter your film. You must send three screeners of your film once you complete the form. To save plastic, postage, paper and everything else that goes into submitting films on DVD, we also accept film submissions on Vimeo for us to view. In fact, we encourage it.

The festival's vitality comes from our submissions so please know that we accept short, medium and feature-length docs from both new and established filmmakers with an equal-sized smile. Doc/Fest accept films about any subject or theme and regularly screens premiere and non-premier films. So do not let the fact that your doc has screened elsewhere on television or online deter you from entering! We still want to see it. Our programmer does accept works-in-progress (WIP), but if you do want to submit a WIP make sure you as a filmmaker are loving the way it stands before you send it in and the film is in the best shape possible because we rarely accept films to be submitted again in following years.

Location Name:  Sheffield Doc/Fest
Address: Sheffield