Sundance Institute Documentary Fund grants are announced twice a year. Since its inception, the Fund has supported more than 500 films in 61 countries. A committee of human rights experts and film professionals make recommendations from projects submitted by filmmakers from around the world. The Fund reviews between 1,400 and 2,000 proposals annually, choosing 35-50 for support each year. In funding such work, the Documentary Fund encourages the diverse exchange of ideas that is crucial to fostering an open society and public dialogue about contemporary issues.
The Documentary Fund provides grants to filmmakers worldwide for projects that display:
Funding Categories
Applications are accepted in two funding categories:
If you have already received a grant from the Documentary Fund, there is an additional category for which you can apply for the same project. Audience Engagement grants support innovative outreach and engagement campaigns and cutting-edge multiplatform engagement strategies.
Apply
The Sundance Institute Documentary Fund application is now open for the spring 2012 cycle. Applications are being accepted now through February 9th, 2012, with decisions anticipated in early June.
After reviewing the materials on the links below, you may contact dfp@sundance.org with any outstanding questions.
Established in 1992, The Pan African Film Festival (PAFF) is a nonprofit corporation dedicated to the promotion of cultural and racial tolerance and understanding through the exhibition of film, art and creative expression.
It is PAFF's goal to present and showcase the broad spectrum of Black creative works, particularly those that reinforce positive images and help to destroy negative stereotypes. We believe film and art can lead to better understanding and foster communication between peoples of diverse cultures, races, and lifestyles, while at the same time, serve as a vehicle to initiate dialogue on the important issues of our times.
The festival takes place at Rave Cinemas Baldwin Hills 15 (formerly the AMC Magic Johnson Crenshaw 15) at the Baldwin Hills Crenshaw Plaza. The theatre is situated on Martin Luther King Jr. Boulevard between Marlton Avenue and Crenshaw Boulevard)

The Center for Social Media at American University is hosting Media That Matters 2012, a conference that brings together professionals, artists and students interested in making an impact through media.
This year's theme, "Change for Good," features conversations about how independent social change filmmakers can execute integrated campaigns that are strategic, action-oriented, and have enduring impact.
The conference begins on Friday, February 10, 2012 at 5pm with an opening keynote address from Meredith Blake, distinguished attorney, social entrepreneur, and Founder and CEO of Cause & Affect—a strategy consulting and management firm in the business of high-impact social change.
With workshops on Fair Use, a Designing for Impact clinic, short film screenings, advice on strategy for media creation, and various chances to network, who would want to miss such an event?
Sign up for Media the Matters today! Registration closes at 5:00pm EST on Wednesday, February 8.
A year-long program designed to nurture emerging producers with project-specific support through Labs, grants, and long-term advisor relationships.
The Sundance Creative Producing Fellowship was conceived to develop and support the next generation of American independent producers. For over 30 years, Sundance Institute has offered in-depth year-round programs for feature screenwriters and directors. In an increasingly competitive and complex marketplace, the health and excellence of the independent film movement hinges on sophisticated creative and strategic producers with whom these directors and writers can collaborate.
The Fellowship focuses on the holistic producer, who identifies, options, develops, and pitches material; champions and challenges the writer/director creatively; raises financing; leads the casting/packaging process; hires and inspires crew; and navigates the sales, distribution, and marketing arenas. The Program is designed to hone emerging producers’ creative instincts and evolve their communicating and problem-solving skills at all stages of realizing a project.
Five producers will be selected for a one-year fellowship, with Fellows supported to participate in the following:
Fellows will attend a five-day lab focused on creatively strengthening their projects from script to screen. Through a series of one-on-one sessions with Advisors, as well as group sessions, Fellows will explore their own creative take on the project and develop skills and a process for evaluating, developing, and implementing their material to reflect these ideas. Scripts will be discussed alongside issues, such as creative imperatives, marketplace valuation, and production challenges. Case studies will be used to explore creative issues in preproduction, production, and editing processes, while techniques in communicating with writer/directors and potential production partners will also be addressed.
Eligibility
Giving Back to Sundance Institute
Sundance Institute is a nonprofit organization funded by foundations, corporations, film industry sources, individuals, government agencies, and earned income such as ticket sales at the Film Festival. The Institute was founded by Robert Redford as a way to give back and support other film and theatre artists by providing them with an opportunity to develop their projects and skills. Should you be selected to participate in the Creative Producing Fellowship, you will be asked to continue the spirit of giving back. Since securing funding for the Institute's programs is a consistent challenge, we request that Lab Alumni whose projects are produced contribute to the Institute's work to support new generations of emerging filmmakers. Projects supported by the Creative Producing Fellowship are asked to contribute 0.25% of their production budget calculated after the first $1 million (e.g. if your film is produced for $1.2 million, the fee due to the Institute would be $500). Additionally, Lab Alumni are asked to recognize the Fellowship with the credit, "Developed with the assistance of the Sundance Institute Feature Film Creative Producing Fellowship." Any revenue that is designated to Sundance Institute is allocated to the Feature Film Program and is used on an annual basis to provide critical support for the Labs. Your ability to give back really makes a difference.
Timelines
The timelines for the 2012 Creative Producing Fellowship are as follows:
November 14, 2011 - Application available online.
February 10, 2012 - Online application deadline and hard copy of materials postmark deadline.
March 9, 2012 - Notification of second round selections
June 14, 2012 - Notification of final selections
July 2, 2012 - Start of 2012 Fellowship
July 30-August 3, 2012 - Creative Producing Lab (Sundance Resort, Utah)
August 3-5, 2012 - Creative Producing Summit (Sundance Resort, Utah)
January 17-27, 2013 - Sundance Film Festival (Park City, Utah)
June 29, 2013 - End of 2012 Fellowship
The 35th Anniversary International Wildlife Film Festival Call for Entries is now open, along with highlights of the upcoming IWFF, one of the most important wildlife, film and conservation events of 2012. The deadline to submit your entries for the 2012 edition of realscreen’s Factual Entertainment Awards has been extended to Friday, February 10th. You don’t want to miss the opportunity to ensure that your network or prodco’s best work is considered in our global celebration of factual excellence.
We’re accepting entries in the following categories:
Winners will be determined by juries of the industry’s most highly regarded experts in these audience fields, who will also single out projects that merit special Craft Awards for editing, directing, casting, music, cinematography, hosting/presenting, most compelling character and most original concept.
We’ll also present the Award of Excellence to the program that scores highest overall and the Hall of Fame and Personality of the Year awards to trailblazers who’ve made their mark on the factual entertainment landscape.
Please visit http://awards.realscreen.com/ for all the information you’ll need on Eligibility, Judging and Entry Guidelines. Again, the deadline is Friday, February 10th at 5pm EST. The awards ceremony will take place during the Factual Entertainment Forum on May 30th, 2012 at the Fairmont Miramar Hotel.
To check out previous winners please click here.
The Rose Marine Latino Film Festival - to be held February 24-26, 2012 in Fort Worth, Texas - is accepting films. The festival consists of three days of independent Latino films, awards, artist talks, networking events and an educational outreach collaborative at the historical Rose Marine Theater.
Films cannot exceed 20 minutes in length and can be either narrative or documentary. Out of the films entered, two will be featured during the festival, one for each of the following categories:
Submission Deadline: February 10, 2012 (postmarked)
Submission information available on the festival's website.

Sheffield Doc/Fest's film program is now accepting film submissions for the 2012 festival, which runs June 13-17.
Submissions will close Monday, February 13 at midnight.
You can enter the film here sheffdocfest.com/view/submitafilm
Please read the Rules & Regulations form first.
It costs is £25 + VAT to enter your film. You must send three screeners of your film once you complete the form. To save plastic, postage, paper and everything else that goes into submitting films on DVD, we also accept film submissions on Vimeo for us to view. In fact, we encourage it.
The festival's vitality comes from our submissions so please know that we accept short, medium and feature-length docs from both new and established filmmakers with an equal-sized smile. Doc/Fest accept films about any subject or theme and regularly screens premiere and non-premier films. So do not let the fact that your doc has screened elsewhere on television or online deter you from entering! We still want to see it. Our programmer does accept works-in-progress (WIP), but if you do want to submit a WIP make sure you as a filmmaker are loving the way it stands before you send it in and the film is in the best shape possible because we rarely accept films to be submitted again in following years.