Docs That Make Music May 2003
In this issue, we look at two of the most vital elements when it comes to music for docs: choosing and working with a composer, and clearances and rights.
Features
Only the Strong Survive While Standing in the Shadows of a Music Documentary
Two Filmmaking Teams Discuss Their Salutes to the...
Hero of Doc 'N' Roll: An Interview with Rockumentarian Malcolm Leo
Like many documentarians, Malcolm Leo got his...
All Clear? A Basic Primer on Music Clearance
Just looking at this year's Oscar nominees for...
You Shoot, They Score! A Film Composer's Tips for Finding the Right Musical Accompaniment
Filmmakers have often told me that they find the...
Remembering the POWs of 'Berga': Guggenheim's Final Film Celebrates His Army Unit
Berga: Soldiers of Another War is an elegy in two...
Documenting The Hittites: Turkish-American Collaboration Makes Film, Not War
Two and a half years ago, as I was working on an...
London Calling!: Nonfiction Opportunities Knock in the UK
While documentary and television aren't the same...
Market Downturn: Even in Decline, NATPE Proves a Valuable Learning Experience
As I prepared to attend the 2003 National...
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'Discovery Docs' to Receive Theatrical and Cable Distribution Through New Joint Venture
CameraPlanet, the New York City-based producer...