Spring/Summer 1989

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Driving Me Crazy Spring/Summer 1989

In this issue, we talk to Nicholas Broomfield, a filmmaker who has been part of some of the most interesting and controversial documentaries of the past decade.

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Features

Female High Security Unit

Nina Rosenblum's new film reveals the human...

By Annette Insdorf
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Eastman Kodak's New Family of 16mm Films

On January 17, 1989, Kodak introduced four...

By Robert Fisher
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Driving Me Crazy: An Interview with Nicholas Broomfield

British-born Nicholas Broomfield has been a part...

By Bill Reed
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Black Journal: A Personal Look Backward

Let me begin by stating the obvious: images in U...

By St. Clair Bourne
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Mark Soosaar: The Follower of Robert Flaherty

When I read Nicholas Webster 's article "How...

By Tatiana Elmanovich
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Hotel Terminus: Ophuls' Cinema of Discovery

Marcel Ophuls' moral passion and cinematic...

By Robert Spiegelman
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The 1988 IDA Awards

In November 1988 the IDA held its fourth annual...

By IDA Editorial Staff
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Get the Magazine

Driving Me Crazy Spring/Summer 1989

Features

Female High Security Unit

Eastman Kodak's New Family of 16mm Films

Driving Me Crazy: An Interview with Nicholas Broomfield

Black Journal: A Personal Look Backward

Mark Soosaar: The Follower of Robert Flaherty

Hotel Terminus: Ophuls' Cinema of Discovery

The 1988 IDA Awards

Columns

From the Editor, Spring/Summer 1989

The Untenable Lightness of CHET

Critiquing The Documentary Cinema