Editor’s note: With “Reality Check,” we launch a new column, penned by Steve Rosenbaum, CEO of CameraPlanet, in which he addresses issues about the
Column
Last March, when Los Angeles Media & Education Center (LAMEC) celebrated the IDA's 20th anniversary, Linda Grinberg, one of IDA’s founders, was too
One night, when I was about 16, living in suburban Long Island, The Weavers: Wasn't That A Time, a 1982 documentary film about the radical folk
Dear Readers: Looking back connotes reflection, contemplation, remembrance. In this issue, we don’t so much look back on September 11—it’s all around
Dear IDA Members: Thanks very much to all the members who have heaped such praise for the work done by the Documentary Credits Coalition. The details
Following a months-long controversy over end-roll artistic credits on newly commissioned productions, Discovery Networks and the Documentary Credits
Picture this: A gregarious, glad-handing Irish pol finds himself in front of a skeptical class of well off, unsmiling high school students. Asked to
The life of the documentary, we all hope, extends well beyond the final cut, festival circuit, theatrical run, television broadcast and nontheatrical
Dear IDA Members: I report from the Cannes Film Festival, which this year has to be the best I’ve ever attended. For the first time in 46 years, a
Dear Readers, Monthly publications such as ours are often encumbered by long lead times, and late breaking news can wreak havoc on the production