This spring, The New York Times Company and Discovery Communications, Inc. launched a new venture: Discovery Times Channel. It seems a natural match
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I'm fascinated by sound and how it can transform a documentary program. The creative sound concepts that excite me most are usually the more specific
If you want to see the future of documentary film, hang out with a 13-year-old for a while. I've just spent the past two weeks prowling my
It's one of the longest running festivals in the United States—and one of the biggest. And in its 29 years, the Seattle International Film Festival
In 1999, I called up R.J. Cutler, and I puzzled when he answered the phone, saying, "Actual Reality," which is what he'd christened his production
International travel just as war is breaking out is never a good idea. The day before I was to leave for Cannes I found myself at the IDA's reception
Nothing epitomizes the challenges confronting a documentary at Cannes more than the contrast of festival screenings with the live-action distractions
Whether you think that INPUT is a festival for innovative television programs, a workshop for creative television programmers or an extended therapy
Mark Moskowitz was in one of the last remaining independent bookstores in a mall, when he first came across International Documentary. He flipped
In 1998, when production began on Bonhoeffer ( www.Bonhoeffer.com), I felt confident that we had an intriguing historical documentary. Dietrich