Feature

Jane Mote, whose work usually takes her to film labs and markets all over the world, explains what happened when she avoided flying for all of 2025

Meta’s automated ad restrictions force documentary marketers to blur images, change titles, and create multiple versions of the same campaign—or face

The creative disassembly of the Golestan Film Workshop, Iran’s first independent film studio

In this interview, Ross McElwee discusses Remake, his first feature in over a decade, which focuses on the loss of his son and collaborator, Adrian

How Melania serves its titular subject, its filmmakers, and its financier by invoking documentary’s authenticity but not its accountability

Seven decades of nuclear documentaries oscillate between state propaganda and radical witness, revealing more about power than atoms

Newly restored documentaries from the 1950s–1980s reveal how Caribbean filmmakers forged a liberation cinema and why its practices matter now

Post house Sugar Studios offers filmmakers with mid-tier budgets a lifeline in an era of contraction, enabling projects that might otherwise collapse

The Czech festival’s 29th edition reaffirms its commitment to emerging filmmakers while presenting socially minded work that examines extraction

The world’s oldest documentary festival continues its commitment to an equitable world, from supporting exiled filmmakers to its programming