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It’s been 23 years since Sandi DuBowski’s groundbreaking Trembling Before G-d, which uncloaked the lives of Hasidic and Orthodox gays and lesbians, made its Sundance debut. Since that time DuBowski has built a career at the intersection of religion and queerness, social activism and filmmaking, always avoiding the binary choice in favor of the “and.” This insistence is a bond shared by the director-producer and the riveting Israeli-American star of his latest feature Sabbath Queen—a doc over 21 years in the making focused squarely on Rabbi Amichai Lau-Lavie, a descendant of 38 generations of Orthodox rabbis.
If you don’t already know what the Swahili word amani means, we won’t spoil it here, as Nicole Gormley and Debra Aroko’s Searching for Amani treats it
“No one enters trucking from charm school,” notes Desiree Wood, star of Nesa Azimi’s long-haul road trip film Driver , which follows the founder of
Tommaso Santambrogio’s Oceans Are the Real Continents (2023), which opens on a black-and-white shot of an older Cuban woman sweeping her doorway
Lance Oppenheim has had a productive year. His new feature Spermworld hit Hulu at the end of March, and now his three-part docuseries Ren Faire is
Chris Wilcha released his breakthrough film, the Slamdance award-winning documentary The Target Shoots First , in 2000. Like so many foundational Gen
Filmed in Mongolia for over seven years, Daughter of Genghis follows Gerel, a 33-year-old loving single mother by day and a balaclava-wearing leader
Berwick Film and Media Arts Festival takes place in Berwick-upon-Tweed, the most northerly town in England, resting near the border to Scotland and
In September 2020, amidst a global pandemic, the government of India passed three farm laws which met with resistance. Nishtha Jain’s new documentary
How To With John Wilson is an 18-part series of comedic documentary essays framed as tutorials. In each episode, filmmaker John Wilson poses a question that is also the episode title, like How To Make Small Talk or How To Throw Out Your Batteries. The questions are very rarely answered directly, instead offering a free-associative portal into both Wilson’s life and those of the people he meets.