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Interview

The image of a middle-aged Asian man with long black hair parted in the middle wears headphones and a light green t-shirt hovers over a repeated image of two people sitting on a green couch
“A New Way to Care”: Kevin B. Lee on Expanding the Desktop Documentary With His Feature Debut ‘Afterlives’
In this interview, Kevin B. Lee discusses why he needed to expand the desktop documentary to craft his feature debut, Afterlives
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“It Seems to Be the Time to Consider Bridges”: James Benning on ‘EIGHT BRIDGES’
This essay and interview examines how James Benning’s EIGHT BRIDGES builds on his decades-long approach to extended observation, personal geography
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Revisiting Memory, Desire and Form: Angelica Ruffier on Her IFFR-Bound ‘La belle année’
In this interview, Angelica Ruffier talks about mining her past brushes with desire for her IFFR doc La belle année
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A Black woman with short-cropped hair sits at a stage next to another Black woman; both are holding mics and smiling widely
A Place Like Home: Founder Judy Kibinge Looks Back on Her 13-Year Tenure Running Kenyan-based Fund DocuBox
After stepping down from running DocuBox, founder Judy Kibinge reflects back on her 13-year tenure at the Kenya-based East Africa documentary fund
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A white man wearing a cap and a hoodie sits at a kitchen table with his laptop, which is adorned by a communism sticker and another that reads "Let Cuba Live"
Sinéad O’Shea Talks Capturing Fergie Chambers’s Many Contradictions in ‘All About the Money’
Sinéad O’Shea talks about the challenges of capturing Fergie Chambers’s many contradictions in All About the Money
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Environmental Horror: Abby Ellis Talks About Luring Audiences into Watching ‘The Lake’
Abby Ellis talks about ringing the alarm on the “environmental nuclear bomb” in Utah with her Sundance doc The Lake
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A Black woman with a basket on her back farms in a field with a cloudy landscape behind her
Bea Wangondu and Andrew H. Brown on Making ‘Kikuyu Land’ for Global Audiences
Bea Wangondu and Andrew H. Brown on what to translate and what to keep sacred in their Sundance-premiering Kikuyu Land
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The Synthesis: Valerie Veatch Connects AI and Eugenics in ‘Ghost in the Machine’
Valerie Veatch traces the links between AI and eugenics in Sundance-premiering Ghost in the Machine , a self-funded documentary treatise made with
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A young white blond girl in the mountains is seen in profile, while an older white woman with her grey hair pulled back rides a white horse
“A Kind of Opera”: Biljana Tutorov and Petar Glomazić on Their Sundance Doc ‘To Hold a Mountain’ 
Biljana Tutorov and Petar Glomazić discuss avoiding rural clichés in their Montenegro-set documentary To Hold a Mountain
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A man holds a newspaper with the headline: "SEIZED."
The Seat Between Them: Sharon Liese on Documentary Intervention and Press Freedom in ‘Seized’
Sharon Liese on filming Seized, orchestrating a conversation between adversaries, and documenting a Kansas community reckoning with press freedom
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