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From Albert Maysles and Antonio Ferrera's 'The Gates.' Photo: Wolfgang Volz (c) Christo 2005. Courtesy of Maysles Films
November 2005

The Docs of New York: Actuality in the Big Apple

Plus: 
Lyin' about Zion: Marc Levin's 'Protocols'
Sunnyside of the Doc
LA Film Festival
Russia's Message to Man
Prague's IFD

Features:
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A Rooftop Films screening in Gowanus, Brooklyn. Photo: Sarah Palmer/Rooftop Films
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From 'Murderball (Dir./Prod.: Dana Adam Shapiro; Dir.: Henry Alex Rubin; Prod.: Jeffrey Mandel), which aired on A&E.
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(c) Jeff Greenberg/NYC & Company, Inc. Courtesy of NYC Mayor's Office of Film, Theatre and Broadcasting
Notes from the Reel World: The President's Column
Fast Foreword: The Editor's Column
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From the WITNESS Media Archive. Photo: NYC Policewatch
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© NYC & Company, Inc. Courtesy of NYC Mayor's Office of Film, Theatre and Broadcasting
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From Walker Evans 'Travel Notes' (1932), which he shot in Tahiti. Photo: Anthology Film Archives
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From Albert Maysles and Antonio Ferrera's 'The Gates.' Photo: Wolfgang Volz (c) Christo 2005. Courtesy of Maysles Films
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From Pirjo Honkasalo's 'The 3 Rooms of Melancholia'
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Photo: (c) Nathalie Serougne
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American Museum of the Moving Image, Astoria, Queens. Photo: Lynn Lane
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From David Zeiger's 'Sir! No Sir!,' which won the Audience Award at the Los Angeles Film Festival.
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Continuing the Documentary Idea: From Flaherty to ‘Fahrenheit 9/11,’ Vertov to Vérité