With a slate consisting exclusively of documentaries, the Mexican production and distribution company reflects on its two-decade journey toward
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This primer on core insurance coverage for documentary productions explains what DICE, liability coverage, and workers’ compensation really do
At the 55th edition, documentaries on displacement and genocide reveal the festival’s constrained relationship to political change
By reframing the political rise and shocking assassination of Pim Fortuyn, mint film office’s archive-driven docuseries Fortuyn: On-Hollands slowly
The 12th edition champions community cinema in an era of state censorship
Jane Mote, whose work usually takes her to film labs and markets all over the world, explains what happened when she avoided flying for all of 2025
Meta’s automated ad restrictions force documentary marketers to blur images, change titles, and create multiple versions of the same campaign—or face
The creative disassembly of the Golestan Film Workshop, Iran’s first independent film studio
In this interview, Ross McElwee discusses Remake, his first feature in over a decade, which focuses on the loss of his son and collaborator, Adrian
How Melania serves its titular subject, its filmmakers, and its financier by invoking documentary’s authenticity but not its accountability