A review of Patricia Aufderheide and Peter Jasci's 'Reclaiming Fair Use: How to Put Balance Back in Copyright'
Legal
Over the past month, we at IDA have been introducing our community to the filmmakers whose work is represented in the DocuWeeks TM Theatrical
'The Film Is Not Yet Rated' looks at the NC-17 stigma.
The Full Frame Documentary Film Festival was launched in 1997 as the Double Take Documentary Film Festival, sponsored by the Documentary Studies
A review of 'The American Bar Association Legal Guide to Independent Filmmaking'
Approximately $270 million is collected annually in the United States for the single purpose of compensating television program copyright holders for
Speaking at the Commonwealth Club of California earlier this year, Albert Maysles made a comment that many in the audience may not have heard. He said
What is the place of the documentary journalism within the relentless crush of the 24-hour news cycle? Are there differences in methodology between
I am frequently asked by students and emerging filmmakers about how to fund their first documentary work, and it is evident that there is a disconnect
'March of the Penguins' cinematographer fights for director's credit.