Online Feature

Working from the late 1960s to the early 2000s, Mexican director Paul Leduc (1942–2020) built a multifaceted oeuvre, ranging from agitprop pamphlets

“ As filmmakers we do not set out in search of definition. We consider that the daily life of these men, their stories and the culture they have

In The Propagandist , Luuk Bouwman walks us through how Jan Teunissen, a wealthy Dutch scion, went from directing the first feature film in the

For the past eight years, the making of Shiori Ito’s feature debut, Black Box Diaries, has consumed the majority of her life. A riveting portrait of

In the deluge of recent documentaries made by streaming platforms, it appears that production timelines have sped up in an attempt to fuel the

Laurie Townshend’s A Mother Apart allows Staceyann Chin to tell the story of her abandonment by her mother, Hazel. Chin proudly identifies as Caribbean, Black, Asian, lesbian, a woman, and a resident of New York City, as well as a Jamaican national who has spent her entire career speaking candidly about her own life. In our interview, we talked about the genesis of the film, shooting remotely during the pandemic, mothering oneself, and the ethics of care while working on A Mother Apart.

Tallinn Black Nights will be celebrating its first documentary competition, Doc@PÖFF, featuring 11 titles—all of them international or world premieres. Ahead of the festival, running this year from November 8-24, I spoke to Marianna Kaat, curator of this brand-new section. Kaat is a prominent documentary director and producer in Estonia and founded her own firm, Baltic Film Production, in 1998. Alongside filmmaking and programming, she wears many other hats, including that of documentary lecturer at Tallinn University’s Baltic Film and Media School. In this interview, Kaat unpacks the line-up of this year’s competition, its raison d’être, and the work she has carried out with her fellow programmers.

As a great-grandchild of Armenian genocide survivors uprooted from their indigenous lands, director Sareen Hairabedian carries a deeply personal

I first encountered the work of Milo Rau back in 2020, when his reimagining of the story of Jesus, The New Gospel, premiered in Venice. Set in the

After spending her early career making documentaries for British television, primarily for the public service broadcaster Channel 4, Victoria