In recent years, “creative documentaries,” especially those from India, have soared to new heights globally, carving out a unique space in world cinema. What exactly are "creative documentaries," and how do they intersect with Indian and Western audiences? India has experienced a rise in successful documentaries, yet many of these projects are primarily made possible through support from Western funding bodies and institutions. This dynamic prompts reflection on the tenets by which decisions to fund these films are made.
Seminar
If you live outside the United States, reviewed the Open Call Info Video Series, and still have questions about the Open Call Applications, then these
What are the ethics of using Deep Fakes to anonymize sources in non-fiction media? What are the layers of consent that require consideration? What are the futures, the risks, and the opportunities of these types of manipulations? What strategies can non-fiction media makers (journalists, documentarians, and artists) implement to navigate the complex landscape of these technologies?
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
Immersive media vibrates embodiment. It allows the viewer to dissolve into dimensional narratives, making experiences and bodies pliable. The introduction of VR, AR, and interactive exhibitions into practice has given nonfiction media makers new tools to tell expanded narratives. In turn, these same tools, with their capacity to innovate, strengthen the need for accessible storytelling. The disabled community, in particular, calls for a radical restructuring of pre-existing frameworks, from inclusive asset libraries to cripped (accessible) workflows and haptics.
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
In this panel, moderated by filmmaker Charlie Shackleton, representatives from an array of archives will discuss these challenging issues, while also highlighting the ways in which archives can serve the independent filmmaking community.
A very small number of film festivals seem to hold an enormous amount of sway over a film’s sales and distribution prospects, as well as the filmmakers’ chances at creating a sustainable living through filmmaking. This perception drives many filmmakers to pin their hopes on just a handful of market-driven festivals that are most important in their region, whether it’s North America (where Sundance looms large), Europe (Cannes, which accepts very few documentaries), Asia (A-list festivals like Busan or Singapore) or elsewhere. In reality, there is a vast ecosystem of film festivals that can all contribute to the healthy life of a documentary film project, and distribution that doesn’t rely on the catalyst of perceived film festival success.
Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
Can film advance and energize Black Women’s Wellness? If so, how?