Sound and music are critically important ingredients in any documentary's success, but are all-too-often overlooked or neglected. This intensive workshop will discuss best practices and creative possibilities in audio from the beginning of your filmmaking process to the end: starting with location audio and sound design, through original music and licensing, and culminating in the final mix and mastering. Filmmakers and industry experts will give practical advice and share their knowledge to give you the tools for creating the best soundscape for your film.
Seminar
Securing funding for your documentary is a challenge for filmmakers at all stages in their career. Documentary filmmakers must embrace various and evolving strategies for securing revenue. But funding institutions can also be valued partners in the filmmaking process.
Documentary filmmakers are faced with the challenge of presenting large quantities of complex data in a visually interesting way. Graphics and animation can provide an engaging way to achieve this goal. Well conceived graphics not only get your point across in your story, they can also form the foundation of the branded elements for your film.
Documentaries succeed when viewers feel a connection to their subjects. Archival footage can provide the means to delve deep into the stories and history of a film's characters by bringing the past to life and contextualizing current events. Powerful moments, iconic scenes, and historic figures lend their voice to the message in your film. Whether you're making a historical documentary, referencing a current event, or doing an in-depth profile, archival footage can connect the dots and forge a connection with the viewer.
How you release your doc—and how audiences see it—have changed dramatically in the past decade, offering filmmakers with more and more ways to connect audiences with their films. What hasn't changed is the value an experienced publicist can bring to your team as you try to get the attention of critics, bloggers, influencers and viewers, and perhaps pick up an award or two along the way.
The last few months have seen a number of shifts in the broadcast landscape for nonfiction programs. CNN launched CNN Films, upping the network’s commitment to long format documentaries. Participant Media acquired the Documentary Channel and Halogen TV, to be re-branded and launched this summer as a new channel featuring scripted and nonscripted programming, and LA’s KCET, the nation's largest independent public television station, has merged with Link TV creating KCETLink, a new transmedia independent network that acquires, produces and distributes provocative global programming. With these new ventures, and other evolving players on the scene, we'll take a look at the outlook for docs on TV.
From original concept, fundraising, and production to festivals, distribution, PR and outreach, one can't argue that the documentary producer’s job description is varied. At every level from executive down to assistant, a good producer knows how to anticipate the needs of a director and crew--all usually on a tight schedule and an even tighter budget. Whether you’re bringing your own concept to life or jumping in mid-stream to save a doc in trouble, a good producer must bring a vast array of talent and expertise to the project.
Join moderator Karin Stellwagen (The Brooks Institute) for a discussion with Sarah Burns (The Central Park Five), Michael Donaldson (Partner, Donaldson + Callif) and David France (How to Survive a Plague) on the intricate balance between video journalism and documentary filmmaking.
Join moderator Milton Tabbot (IFP) for a discussion with Rachel Gandin Mark (Program Administrator for the American Film Showcase at USC’s School of Cinematic Arts), Carlos Islam (United Nations Creative Community Outreach Initiative), and Anne Makepeace (writer, producer, and director) and learn how docs serve as delegates in the global community.
Join producer Eddie Schmidt (Beauty is Embarrassing, Troubadours) for a discussion with Randy and Fenton on the challenges of running a transatlantic production company, crossing genre boundaries, and managing the famous and infamous, while also hosting a cutting edge culture blog with over 300,000 hits per month.