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Here's What Really Happened

No tweeting. No press. No industry. Filmmakers-only conversations revealing personal insights into the art and business of documentary filmmaking.


“Here’s What Really Happened” are signature sessions from IDA's biennial Getting Real Conference that began as a filmmaker-led solution to combat the lack of transparency that continues to plague the community. These intimate conversations allow filmmakers to speak openly about what actually happened in the production, sales and distribution life of a film. The rules are, everything said in the room, stays in the room. Our goal is to create a safe space for discussion that allows filmmakers to have frank, meaningful discussions without the influence of industry in the room. We believe that one of the greatest resources for a filmmaker is another filmmaker.

In building a more knowledgeable and transparent community together, IDA tours “Here’s What Really Happened” sessions to various festivals and conferences around the world. These private conversations have focused on security/surveillance, sales agents, festival strategies, fact-finding, ethics, work/family life balance, truth-seeking in production, and other themes.

Learn what really happened behind-the-scenes in an upcoming session. It’s personal, it’s intimate, let’s get into it.


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The power of archival and editorial imagery and video is undeniable, but the legality of using such content can be challenging. In this Member Hours event, we are joined by experts from Getty Images as they address the complexities of sourcing and safely using archival and editorial content and provide vital knowledge and solutions for documentary filmmakers.
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An image with a letter that reads Insurance Policy on top of a desk with glasses and a calculator
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E&O insurance protects you relating to “errors and omissions” made by you, the producer, and staff during the course of production. Did you get all the proper release forms for locations, people, writers, and musicians? Did you defame or violate privacy rights? Did you infringe on copyright and trademark?
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Two people, surely avid adventurers, stand waist deep in a body of arctic water; maybe they’re in Alaska - gazing upon a vast night sky. Most notably there is a bright, luminescent green aurora borealis shining above them.
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This workshop titled "Nothing Ventured, Nothing Gained: Getting Started" will guide you through identifying how to position your filmmaking practices and projects for a potential documentary market.
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Map of neurons from a brain scan. Pink and light green lines over a black background.
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For Disability Pride Month, join artist thai Lu in an interactive sensory workshop. In this 60 minutes workshop, artists Thai Lu will build knowledge around neurodivergence through the everyday ritual of getting dressed. The term Neurodivergence encompasses brain functioning that processes information differently than typically considered. This workshop is open to current and previous IDA members and community supporters.
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A person wearing a gold shirt is looking at a laptop with six faces on the screen having a virtual meeting.
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Do you want to take the Nonfiction Media Makers with Disabilities Survey but are struggling with the motivation and/or focus to complete it independently? Join IDA staff for a virtual accountability or body doubling survey-taking session.
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Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
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Rectangular computer graphic of a white and black Oculus quest 2 VR headset over a blue background with crystalline star objects scattered in the frame. Superimposed over the image is a white curb cut diagram. The whole image is treated with artificial grain.
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Immersive media vibrates embodiment. It allows the viewer to dissolve into dimensional narratives, making experiences and bodies pliable. The introduction of VR, AR, and interactive exhibitions into practice has given nonfiction media makers new tools to tell expanded narratives. In turn, these same tools, with their capacity to innovate, strengthen the need for accessible storytelling. The disabled community, in particular, calls for a radical restructuring of pre-existing frameworks, from inclusive asset libraries to cripped (accessible) workflows and haptics.
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A globe sits on top of a computer keyboard with a blue key that reads "Accessibility"
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Join Emmy®-winning filmmaker Lindsey Dryden and filmmaker & writer Kyla Harris in a workshop on Disability Justice, disabled-led creativity, and accessibility in the film and TV industry.
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Rolls of film lay out on a table.
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In this panel, moderated by filmmaker Charlie Shackleton, representatives from an array of archives will discuss these challenging issues, while also highlighting the ways in which archives can serve the independent filmmaking community.
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A man sits in a beige button up in a chair in front of greenery. In front of him hands and arms clasping, as if they are slating on a movie set.
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Join us for a candid conversation with Anaïs Taracena, director and producer of El Silencio del Topo ( The Silence of the Mole, 2021), the award-winning documentary about a journalist who infiltrated the brutal and repressive government of Guatemala in the 1970s. Taracena, a self-trained filmmaker