January 25, 2021
What I’m going to talk about today are three of those unseen practices in documentary filmmaking—compensating protagonists, empowering our crews, and questioning who is in leadership.
LGBTQ Docs
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November 20, 2020“When you are a member of a marginalized community, most film and television is not made with you in mind. And so, if you are a person of color, an
October 5, 2020 @Director Sam Feder discusses how access, power, and possibility shaped Disclosure, and discusses with Laverne Cox how we as a community of storytellers must hold each other accountable in order to shift culture.
August 26, 2020The most nerve-wracking sequence in David France’s Welcome to Chechnya is, without doubt, the rescue of Anya.
June 30, 2020Cutting Class is a new column that focuses on a specific aspect of the post-production process—breaking down a scene editorially, and delving into
June 25, 2020Taking Best Documentary Feature Film at last year's Outfest, Tom Shepard's Unsettled , an IDA Enterprise Documentary Fund grantee, adheres to every
April 28, 2020When one thinks of a coming-out story these days, an LGBTQ teenager proudly declaring their identity on Instagram might immediately spring to mind.
August 19, 2019Since IDA's DocuClub was relaunched in 2016 as a forum for sharing and soliciting feedback about works-in-progress, many DocuClub alums have since
June 27, 2019I’ve been thinking a lot about what a unique, strange and unpredictable thing the web series space is, and how working in it after a decade of
June 26, 2019As we commemorate the 50th anniversary of the Stonewall Uprising this month, a slew of films reflecting on that seminal event in LGBTQ history are,