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Valeria Salinas Toro

Headshot face and top of shoulders of an adult with medium-light skin tone, red braided hair in two ponytails with two braids framing face, smiling

Valeria Salinas Toro is a Creative Technologist, Producer, and Visual Artist. Their interest lies in Afrofuturism, sustainability, community engagement, and speculative design. Their practice spans through various material experimentations such as ceramics, audio-visual interactions, 3D digital art, and film.

Associated Credits

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Experimental Realities: An Inquiry
From July 7-10, 2023, IDA will bring together a diverse group of researchers, artists, curators, creative technologists, poets, and collectives for an in-person convening in Los Angeles, CA. 

Articles

IDA Member Spotlight: Araceli and Adelaide headshots
IDA Member Spotlight: Araceli Seager and Adelaide Burrows
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Red banner with white text that reads "Vote now: Documentary's Greatest Docs of the 21st century poll"
‘Documentary’ Launches Greatest Docs of the 21st Century Poll
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Black and white photo of a white woman with dark hair pulled back under a hat, wearing a scarf and a coat
Remembering Jill Godmilow, Iconoclastic Filmmaker and Author of ‘Kill the Documentary’
Online Feature
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A woman lays on a bed that stands alone in the middle of a dusk-lit forest
Lines in Sand: IDFA 2025 Traces Documentary Collaboration Across Borders
Online Feature
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Grainy shot of group of outdoor protestors holding "We Demand Public Voice" signs with WTO crossed out
“1,000 Hours of Footage Sounds Daunting”: Ian Bell and Alex Megaro on IDA Award Best Editing Nominee ‘WTO/99’
Online Feature
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An older man holding a stork in a blanket in his living room.
“We Cannot Run Away From Our Animalistic Nature”: Tamara Kotevska on ‘The Tale of Silyan’
Online Feature
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A vertical image of a smiling white woman with long curly brown hair, wearing glasses and a black shirt, leaning against a stone wall.
Staying Power: Julie Goldman on Building Motto Pictures
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A Black woman in a black leather jacket stands with hands clasped in a field of autumnal leaves.
IDA’s 2025 Emerging Filmmaker Award Honoree, Brittany Shyne, Discusses Her Debut Feature, ‘Seeds’
Feature
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In front of red curtains, three people sit on chairs on a stage.
How Impact Partners Reshaped Documentary Financing
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Notes From the Reel World, Winter 2026
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Letter From the Editor, Winter 2026
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Five young men, each holding a different musical instrument, stand outside in a sunny field
“An Espresso Shot of a Story”: Bernardo Ruiz Discusses His First Retrospective and “Humblecore” Filmmaking
Online Feature
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Two rows of people stand in silent vigil outside, holding large print-out posters of children's faces.
Exclusive: Trailer for Hilla Medalia’s ‘Children No More: Were and Are Gone’
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Under a blue cloth that is semi-transparent, a teenaged girl lays on the floor with her eyes closed.
“Mind and Heart”: Mehrdad Oskouei and the Team of ‘A Fox Under a Pink Moon’ on Remote Collaboration
Online Feature
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12 headshots, in grid form, some in color, some in black and white
Exclusive: Center for Asian American Media Announces Second Cohort of Building Bridges Documentary Fund Grantees
Exclusive News
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A woman with shoulder-length auburn hair wearing a white winter coat sits alone at a table with a blown-up print of the New York City skyline behind her
“Documentary Probably Doesn’t Exist”: Gianluca Matarrese on ‘GEN_’ and ‘I Want Her Dead’
Online Feature
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IDA Documentary Awards Los Angeles. December 4-6, 2025
IDA Announces Nominees for 41st Documentary Awards
Blog
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Three soldiers, with helmets and a small Ukrainian flag on their uniforms, crouching holding their guns outdoors
Metric of Loss: Mstyslav Chernov Discusses the Ethical Responsibility of ‘2000 Meters to Andriivka’
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A monitor shows a film project being cut using editing software
The Synthesis: Can AI—or documentary—get us closer to human authenticity?
Column
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Two people sit on a rock against a vast desert landscape before them
Exclusive: Trailer for Diego Gutiérrez’s ‘The Shipwrecked,’ world-premiering in IDFA’s International Competition
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A drenched young man in nothing but a swimsuit rides a horse in the middle of a body of water
“A Pure Act of Faith”: Dmytro Sukholytkyy-Sobchuk on Observing a Ukrainian Pacifist Community in ‘Silent Flood’
Online Feature
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Film still from 'Nuns vs. The Vatican'
IDA Grantees at DOC NYC 2025
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Film still from 'Queer as Punk'
IDA Grantees at IDFA 2025
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A line illustration of a series of arrows connecting a film projector, ideas, a CCTV surveillance camera, the scales of justice, and a pair of handcuffed hands.
The Price of Recognition: What Happened After the First-Ever San Quentin Film Festival
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Six brown-skinned individuals (three men, three women) sit on a grassy knoll in a forest, smiling at the camera
“In the Post-Colonial Building of Power Structures, Collaboration Is Everything”: Rintu Thomas and Sushmit Ghosh Discuss the Himalayan Story Lab
Online Feature
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2025 Pare Lorentz grantees headshots. (left to right, top to bottom) Director: Emilia Mello, Producer: Elijah Steven, Director: Juan Javier Pérez Pérez, Producer: Daniela Contreras, Director: Samuel Suffren, Producers: Gaëthan Chancy, Gilbert Mirambeau Jr.
IDA Announces 2025 Pare Lorentz Documentary Fund Grantees
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Screenshot of the online version of the BBC editorial guidelines 2025
The Explainer: What Is British Impartiality (And Can It Survive)?
Column
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Christine La Monte headshot
IDA Member Spotlight: Christine La Monte
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In a dusty road, two men with helmets on stand on either side of a broken down, battered car.
San Sebastián 2025: Lau Haizetara Project Highlights, ‘Good Valley Stories,’ ‘Flores para Antonio,’ Juliette Binoche’s Doc, and ‘Copper’
Online Feature
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With a movie screen behind them that details the information for this Filmmaker Forum panel, four seated panelists with microphones face a crowd
Hot Springs 2025: Uncertainty and Camaraderie Characterize 3rd Annual Filmmaker Forum
Online Feature
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Giorgi Mrevlishvili headshot
Statement on the Detainment of Documentary Association Georgia Collegue Giorgi Mrevlishvili
Advocacy, Blog
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On the grassy banks of a lake, four white people wearing festival lanyards stand casually and happily.
Producer’s Diary: ‘In Waves and War’ (March 2019–July 2025)
Column
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Bright purple backdrop featuring a digital image of a lightbulb where a genAI image of Pikachu is surrounded by cops
The Synthesis: How Sora 2 Mainstreams the Collapse Between Irony and Information
Column
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IDA Statement Opposing A Merger Involving Warner Bros. Discovery
Advocacy, Blog
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Woman with shoulder length brown hair in a white suit stands against a lush green garden backdrop.
When Heaven Meets Earth: Petra Costa Discusses ‘Apocalypse in the Tropics’
Feature
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Led by a soldier carrying the Ukrainian flag, a casket is being carried by soldiers into a church; some onlookers kneel on the street as if it were a parade.
Where Life and Death Coexist: Vitaly Mansky on His Berlinale-Premiering ‘Time to the Target’
Online Feature
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A camera on a tripod captures a portrait of a woman wearing a pink sweater, latex gloves, and a wooden indigenous mask in a nondescript room.
Exclusive: Trailer for Gregor Brändli’s ‘Elephants & Squirrels,’ Premiering at DOK Leipzig and IDFA
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A group of powwow dancers outside, in front of a copse of trees.
TIFF 2025: Consistency Is Key
Online Feature
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A young man wearing a puffy jacket looks to the side.
“The BBC Is a Brand”: How BBC Editorial Control Sidelines Middle Eastern Documentary Voices
Online Feature
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A man wearing a baseball cap and carrying a camera and tripod strolls through an arid landscape, illuminated by a sunset.
Ripple Effect: Brent and Craig Renaud’s Vérité Filmmaking in Pursuit of Peace
Feature
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headshots of Sara Khaki & Mohammadreza Eyni
IDA Member Spotlight: Sara Khaki & Mohammadreza Eyni
Blog
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Closeup of a person cutting a piece of paper with "It was" written on it in half with a pair of black scissors.
Exclusive: Clip From Kevin B. Lee’s Debut Feature ‘Afterlives,’ Premiering at Doclisboa and London
Exclusive News
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Left to Right - Julie Goldman, Brittany Shyne, Impact Partners
41st IDA Documentary Award Honorees
Blog
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A man in a red shirt beds over a worktable.
5 Tips for Documentary Fundraising in 2025
Blog
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On a large stage with a Camden International Film Festival slide, a short-haired woman speaks into a microphone.
“The Gnarly Kind of Hope”: Elise McCave on Her First Year Leading Camden IFF and the Points North Institute
Online Feature
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Manhattan Neighborhood Network studio
New Partnership Launched with Manhattan Neighborhood Network
Blog
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From far away, a film still of a man standing in a shaft of light in a vast underground cavern.
Tribeca 2025: What Lies Beneath
Feature
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A crowded auditorium with green seats full of a clapping, sitting audience.
BlackStar 2025: Hallowed Ground
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Overhead shot of a shopping center with logos and slogans.
The Synthesis: Raoul Peck on Using AI to Critique Authoritarianism in ‘Orwell: 2+2=5’
Column
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In a living room, a woman and a man wearing lavalier mics sit on a gray couch.
“The Art Creates the Man”: Rebecca Miller on Documenting Martin Scorsese’s Life and Work in ‘Mr. Scorsese’
Online Feature
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