Many media depictions of Chicago don’t resonate with me. As someone raised in its northern suburbs, I’m happy to watch works such as "The Dark Knight" (2008), "Widows" (2018), or one of the Kartemquin documentaries shot in the city. However, most of them focus on the city’s corrupt politics or have a strong crime element in the story. In a saturated media market where (true) crime sells, a story’s criminal and political attention-grabbing subject can overshadow the aspirations of real-life residents.
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In films like 'Hoop Dreams' (1994), 'Stevie' (2002), and 'The Interrupters' (2011) and television series like 'America to Me' (2018) and 'City So Real' (2020), Steve James has established himself as one of the preeminent observational documentarians in the US. Over nearly 30 years, he’s chronicled social change in Chicago via various ordinary citizens, from aspiring basketball players to antiviolence activists. In a departure for James, his latest film, 'A Compassionate Spy,' is a real-life espionage thriller about Theodore Hall, a young physicist on the Manhattan Project.
Like other languages, filmmaking is one that is learned but also raised in historical, societal, and cultural patterns. As Augusto Boal posits in his book 'Theatre of the Oppressed,' "By learning a language, a person acquires a new way of knowing reality and passing that knowledge on to others." In May 2023, Kundura DocLab brought together documentary theater- and filmmakers from Turkey and surrounding countries to explore the intersections of the two practices and encourage new languages.
When we think about the traces we usually identify as “surrealist” in cinema, the main reference tends to be the work of French surrealist artists and
Returning to Toronto for my first post-pandemic visit to Hot Docs for this year’s 30th anniversary celebration (April 27-May 7) was well worth both
In January, factual program-making veteran Emma Hindley has been appointed to head the BBC strand Storyville , overseeing the BBC’s flagship slot
Morzaniel Ɨramari, an Indigenous documentary-maker from the Amazon rainforest, is traveling with his third film, Mãri Hi - The Tree of Dream, in order to raise awareness about his people’s current plight. He is the first filmmaker from among the Yanomami, an ethnic group of roughly 35,000 foraging agriculturalists stewarding a Nebraska-sized swathe of the Amazon, who live in equilibrium with nature. During Bolsonaro’s reign, through a calamitous combination of state neglect and an influx of illegal miners hungry for gold, the Yanomami suffered what President Lula da Silva terms “an attempted genocide.”
An Interview With Natalia Almada: For over two decades, Natalia Almada has combined artistic expression with social inquiry to make films that are both personal reflections and critical social commentaries, focusing on topics ranging from contemporary Mexico to our relationship with technology. Her work straddles the boundaries of documentary, fiction, and experimental film. On the occasion of the theatrical release of her latest feature Users (2021), New York’s BAM Film is presenting a complete retrospective of Almada’s work, running June 9–15, 2023.
Attending the Getting Real conference last year, I was inspired by Nanfu Wang’s keynote and Jessica Beshir’s and Payal Kapadia’s talks in the iconic
A Conversation With Jamie Shor and Sky Sitney Washington, DC, is getting its newest documentary showcase with the launch of DC/DOX Film Festival