February 2002

Docs During Wartime February 2002

In this edition, we look at filmmakers who have ventured to the hot spots of the world, pre- and post-9/11, to get the real story from the people who have experienced it first hand.

Read this Feature

Get the Magazine

Become an IDA member and receive a complimentary subscription.

Learn More

Features

Feature | February 2002

Saira Shah: Pursuing Truth Behind Enemy Lines

By Tom White

Profile

Feature | February 2002

Documenting in the Face of Danger

By Laura Almo

Directing

Feature | February 2002

David Grubin Takes His Camera Inside Our Heads

By Yasha Husain

TV Docs

Feature | February 2002

Mixed Media: Swapping Formats is Business as Usual in Sci-Docs

By Brian Kubiak

Cinematography

Feature | February 2002

The Art of Documenting 'The Art of Remembering'

By Christine Oestreicher

Directing

Feature | February 2002

Fund Festival: The Council on Foundations

By Patricia Aufderheide

Festivals

Feature | February 2002

Got Plans this Summer? Why Not Do a DoubleTake?

By Kathy Conkright

Festivals

Feature | February 2002

Hot Springs Eternal--Well, for Ten Years, at Least

By Betsy McLane

Festivals

Feature | February 2002

Docs Lead the Race for Relevance, Post-9/11

By Michael Rose

Documentary Politics Docs about War Docs about Politics

Columns

Column | February 2002

Experience MIPDOC Via IDA

By Michael Rose

Distribution

Column | February 2002

Playback: Jean Rouch and Edgar Morin's 'Chronicle of a Summer'

By Mark Harris Guest

Playback

Column | February 2002

Notes from the Reel World: The Board President's Column, February 2002

By Michael Donaldson

Notes from the Reel World

Column | February 2002

Fast Foreword: The Editor's Column, February 2002

By Tom White

Fast Foreword

Column | February 2002

'Sunset Junction,' What's Your Function?

By Peter Jones

Culture Docs