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Ivy MacDonald

headshot of Ivy MacDonald wearing a black leather jacket with a black shirt with red flowers

Ivy MacDonald is an Emmy-winning filmmaker and member of the Blackfeet Tribe. Her most recent producing project, Murder in Bighorn, premiered at the 2023 Sundance Film Festival and aired nationally on Showtime. She is currently directing and producing two feature-length documentaries about her community, the Blackfeet Tribe. Her work has been supported by Sundance, ITVS, and the Montana Film Office.

Articles

Selfie of a man and woman standing in front of a sign reading “Welcome to Cine Gear Expo.”
Five Tips for Navigating Your First LA Cine Gear Expo
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Notes From the Reel World, Summer/Fall 2024
Column
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Letter From the Editor, Summer/Fall 2024
Column
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From below, a man digs a grave.
“This Is a Community Living on the Edge of Death”: Julian Brave NoiseCat and Emily Kassie Build Trust in ‘Sugarcane’
Online Feature
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A middle–aged, white couple look at each other, laughing. The woman on the left is wearing an orange shirt and the man on the right is wearing sunglasses on his head and a white tank. He has a tattoo on his shoulder.
The Feedback: Amy Nicholson on Embedding in the Community of ‘Happy Campers’
Column
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A black and white image of a cup holding a dark liquid.
“Everything Becomes Fair Game”: James Kienitz Wilkins Discusses What Is Documentary
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HBO Original Quad Gods Graphic with three people wearing white graphic t-shirts sitting in wheelchairs
Documentaries to Watch During Disability Pride Month 2024
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Four people stand in front of a BAVC Media step-and-repeat.
“We Want to Support and Hold Artists”: BAVC MediaMaker Fellowship Organizers Discuss Building a Community of Care
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Two women sit on director's chairs.
“We Committed Heart and Soul and Funding”: Zeyba Rahman Discusses DDF’s Building Bridges Program
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Sarah Maldoror. Courtesy of Cineteca di Bologna
Il Cinema Ritrovato 2024: Cinemalibero Strand Spotlights Maldoror and Landrián
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A graphic with a neon sign reading "Block Party Bodega", and several characters standing in front of it with surreal, funky costumes.
“We’re Not Making Twins”: iNK Stories Founders Develop Documentary AI-Powered NPC Avatars
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Two officials shake hands as a camera crew films them in the background.
“More Than a Tourist Attraction”: Song Won-geun’s ‘Panmunjom’ Avoids Rote Ideological Narratives
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Photograph of five young men holding bowling balls.
Exclusive: Clip from Rebecca and Pete Davis’s ‘Join or Die’
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A graphic with a black background, tan text that says “BlackStar Film Festival. August 1st–4th”, and chartreuse and lilac bubble text that says “BSFF2024”. There is a seafoam green “B” stamp logo in the top right corner and small line of text on the top and bottom of the graphic, imitating the edges of a film reel, that repeats “BlackStar Film Festival 2024. August 1st–4th.”
Films from IDA Members at 2024 BlackStar Film Festival
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An illustrated film projector with a frowning face throwing the words "The Price of Passion"
“We Can Always Do Better For Each Other”: DocuMentality’s ‘The Price of Passion’ Reports Doc Filmmakers’ Mental Health
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An over-the-shoulder of a pair of hands holding a small, white disc, the sacramental bread of the Eucharist.
“How Reality Is Structured”: ‘Jesus Thirsts’ and Director Tim Moriarity Turn Theology Into Box Office Gold
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A large, dark theater screening “This Is Not a Film by Deng Nan-guang” with an experimental performance using drums and other instruments on the stage below the screen.
Taiwan Int’l Doc Festival 2024: Reuse, Reorient, and Remember
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A woman in a red blouse sits leaning against a bar countertop, speaking to an interviewer behind the camera.
“Potentially Setting Them Up for Backlash Again”: Caroline Suh and Cara Mones Reflect on Their Louis C.K.-Adjacent ‘Sorry/Not Sorry’
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A grainy image displaying a neon sign reading “The Afterlight”.
Lost and Found: Charlie Shackleton’s Found Footage 35mm Film ‘The Afterlight’ Disappeared for Weeks
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A man stands strumming a banjo in the middle of a stage, singing into a microphone. Other musicians and players surround him while “The Edge of Nature” plays on the screen behind them all.
“Nature Is a Concept That Exists to Divide Us From the Land”: Josh Fox on His Documentary Theater ‘The Edge of Nature’
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Blue graphic with black text that reads "Bay Area Film Production Memo."
BAVC Media Publishes Bay Area Film Production Memo and Research Study
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Two women stand onstage, one at the podium giving a keynote address.
A Film Worker’s Search for Integrity
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Doors open into a crowded ballroom with round tables, a sign for the Sheffield DocFest “MeetMarket” marks the event on the door.
Navigating Sheffield DocFest 2024: Rain or Shine
Online Feature
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A woman helps a child put on paper wings. They are standing in a grassy field.
“I Can Find the Dragons Here”: Suzanne Raes Discusses ‘Where Dragons Live’
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A white man glances away while holding a video camera.
“I Generally Film Solo”: Duncan Cowles’ Multicam First-Person ‘Silent Men: The Awkward Art of Expressing Emotion’
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A man stands in front of paintings with his arms crossed.
Exclusive: Clip from Dan Covert’s ‘Geoff McFetridge: Drawing a Life’
News, Blog
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Two young people lay on the floor.
“Going Through Every Emotion Is Important”: Zia Anger Morphs Desktop Documentary Performance ‘My First Film’ Into Fiction
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Logos of Doris Duke Foundation and Islamic Scholarship Fund
Exclusive: Islamic Scholarship Fund Expands Film Industry Partnerships with Major Gift from the Doris Duke Foundation
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A group of middle-aged Chinese women talk to each other.
Folk Memory Project at Open City 2024: “Between Autoethnography and Anti-ethnography”
Online Feature
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Headshot Rodolfo Castillo Morales with arm tattoos and a black t-shirt with a green and white print
IDA Member Spotlight: Rodolfo Castillo-Morales
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Image for 'Sabbath Queen' featuring people dressed in drag. Courtesy of Sandi DuBowski
“A Shapeshifter in Constant Motion”: Sandi DuBowski Spent 21 Years Filming ‘Sabbath Queen’
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A teenaged boy wearing a green shirt is leaning forward and looking at the camera.
Murder Mystery Meets Climate Change: Nicole Gormley Discusses Her Co-Directed Tribeca Film ‘Searching for Amani’
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A group of middle-aged women dance in a dimly-lit bar.
“Production Was a Kind of Durational Epic”: Nesa Azimi Reflects on ‘Driver’
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Black and white still of a young couple looking at each other, in their kitchen.
“It Becomes Selfish to Talk About Yourself:” Tommaso Santambrogio’s Cuba in ‘Oceans Are the Real Continents’
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Photograph of a wall of index cards.
How Documentary Filmmakers Are Really Making Ends Meet
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A profile view of a man wearing a crown and sunglasses.
“Harvesting Artifice”: Lance Oppenheim Heightens Reality in HBO Series ‘Ren Faire’
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A white man flips through crates of records while kneeling on the ground.
“More a Labor of Love Than a Paying Gig”: Chris Wilcha Returns to Documentary With ‘Flipside’
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Poster wall, with 10th Kolkata People's Film Festival printed in the top right corner.
Kolkata People’s Film Festival 2024: Precious Spaces
Feature
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A young woman wearing a red headscarf gazes at the camera.
Visions du Réel 2024: ‘Kamay,’ ‘A Move,’ ‘We Are Inside,’ and ‘Diaries From Lebanon’
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Basel Adra and Yuval Abraham in No Other Land (dir. Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor). Courtesy of Berlinale
Berlinale 2024: Memories of War
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Headshot of Elahe Esmaili
IDA Member Spotlight: Elahe Esmaili
Blog
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Photograph of a figure bundled in winter clothes in front of a giant statue.
“As Foreign Filmmakers, You Need to Be Let In”: Kristoffer Juel Poulsen and Christian Als Discuss ‘Daughter of Genghis’
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Photograph of a group of people standing on stage. One white man is holding a microphone and smiling at the audience.
“Reject the Labels”: Berwick’s Peter Taylor Discusses the Festival’s Recent Evolution
Online Feature
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Three older men read a newspaper.
The Farmers Have Persevered and So Did We: Nishtha Jain Discusses Her Hot Docs-Winning ‘Farming the Revolution’
Online Feature
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In a very bright, sunny driveway, a white man holds a video camera while squinting into the sun.
“A Way to Get Over Social Anxiety”: John Wilson Looks Back on ‘How To with John Wilson’
Online Feature
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A grid of smiling headshots on a red and pink background.
Exclusive: A-Doc Announces 2024 Microdocs Series Selection and Impact Fellows
News, Blog
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Two black girls, one older and one younger, hug in field of grass.
“We Share a Common History”: Patricia Bbaale Bandak on Her Hot Docs-Debuting ‘Death of a Saint’
Online Feature
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Behind the scenes of 'Against All Enemies.' Courtesy of the filmmakers.
“They Think They’re Patriots”: Charlie Sadoff on Streaming Phenom ‘Against All Enemies’
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Image of five people walking together smiling and laughing down a street with a green and yellow banner behind them with text MOUNTAINFILM. Buildings line the side of the road and a big mountain is in the background. Image courtesy of Julian Rubinstein.
How an Anti-SLAPP Statute Protected ‘The Holly’
Feature
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Still from Dau:añcut (Moving Along Image). Courtesy of Adam Piron. People standing in front of a Native American dwelling.
Instruments of Liberation: Berwick Film & Media Arts Festival 2024
Online Feature
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