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  • A crowd gathers at one of Ambulante’s many activities and screenings through the years. Photo courtesy of Delia Martinez.
    Feature
    By Mariana Sanson

    Ambulante's Post-COVID Reemergence: A Renewed Commitment to Community, But a Divide between Leadership and Workers

    Read more
  • 'Family Pictures USA' artist Thomas Allen Harris, left, a Black man with glasses and a blue button-down short, displays family photographs belonging to the Black couple to his left. Harris' 'Family Pictures USA' project co-creates a living and growing family picture album of America by traveling across the country and inviting community members to share images and stories from their personal family archives. Photo courtesy of Thomas Allen Harris.
    Feature
    By Tom White

    Co-Creation As a Democratic Act: A Conversation with Katerina Cizek and Thomas Allen Harris

    Read more
  • Las Vegas labor activist Ruby Duncan, a Black woman with an afro, wearing a leather jacket, leads a demonstration. From Hazel Gurland-Pooler's 'Storming Caesars Palace,' which won the Shine Award at BlackStar Film Festival. Courtesy of BlackStar Film Festival
    Feature
    By Kristal Sotomayor

    BlackStar Is the North Star for BIPOC Media Artists

    Read more
  • The Mulka Collective at work; two women sit with a camera facing toward an older woman. Photo courtesy of Mulka Collective
    Feature
    By Rachel Naninaaq Edwardson

    Australia's Mulka Project and Karrabing Film Collective: Making Films for and with First Nations Communities

    Read more
  • The Working Films staff poses in front of a blue house: (Standing L-R) Molly Murphy, Andy Myers, Anna Lee, Gerry Leonard, Stephanie Avery. (Seated L-R) Hannah Hearn, Amalia Renteria. Photo by Tory Silinski.
    Feature
    By Working Films Team

    The Art of Building a Road: Working Films' New Organizational Structure and a Future of Shared Power

    Read more
  • Column
    By Tom White

    Fast Foreword, The Editor's Column, Summer 2022

    Read more
  • The cover of 'India Retold: Dialogues with Independent Documentary Filmmakers in India,' a compilation of commentary from 30 contemporary documentary filmmakers, is red, with black-and-white photos.
    Column
    By Uttaran Das Gupta

    India's Truthtellers: A Half-Century of Independent Doc-Making in a Turbulent Political Landscape

    Read more
  • Black-and-white screengrab from a film produced by India's Films Division. It reads "Documentary Films of India Presents."
    Feature
    By Sudipto Sanyal

    Saving India's History: Archive Merger Poses Numerous Problems

    Read more
  • Three African girls sit in a room with a turquoise background as one shows her phone. From Ousmane Samassékou’s 'The Last Shelter.' Photo courtesy of STEPS.
    Feature
    By Wilfred Okiche

    How Generation Africa Is Changing the Narrative of Migration in African Communities

    Read more
  • Puhipau, a man holding a mic and wearing headphones, and Joan Lander, a woman holding a camera and smiling, filming in 1989. Courtesy of Joan Lander
    Feature
    By Imani Altemus-Williams

    Nā Maka o ka ‘Āina Celebrates 40 Years of Amplifying the Voices of Hawai'i

    Read more
  • Neidinha Bandeira, an environmental activist, bathes in a river in the Amazon rainforest. From Alex Pritz’s ‘The Territory.’ Photo courtesy of National Geographic.
    Column
    By Ela Bittencourt

    'The Territory' Strikes a Balance of Filmmaking Power

    Read more
  • Women sit and laugh among a heap of onions in a marketplace. From Kiro Russo’s ‘El Gran Movimiento.’ Courtesy of Cinema Tropical.
    Online Feature
    By Forrest Cardamenis

    Kiro Russo's 'El Gran Movimiento': A 21st Century Response to Vertov's Symphony

    Read more
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