Mia Stewart’s upcoming 15-plus-years-in-the-making documentary, Searching for Onoda, deflates the heroic myth of Japanese holdout soldier Hiroo Onoda and tells the other side of the story. Both Arthur Harari’s 2021 Cannes-premiering narrative feature, 'Onoda: 10,000 Nights in the Jungle,' and Werner Herzog's debut 2022 novel, 'The Twilight World,' perpetuate the old myth.
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First Look, the Museum of the Moving Image’s (MoMI) film festival, annually introduces New York audiences to new cinematic talent and audacious
A caption in Alison O’Daniel’s film The Tuba Thieves (2023) refers to “quiet air”—a description of sound but also of sensation and (shared) substance
During the height of the pandemic, I participated in SXSW virtually, which meant watching films online from my living room couch, which didn’t invite the same emotions I felt at festivals in person. Thankfully, I was able to go to Austin for the first time this March, and I hit the ground running. It was an experience full of remarkable films, brilliant filmmakers, delicious barbeque, and confident networking.
Responding to the “permacrisis”—a 2022 “word of the year” meaning “an extended period of instability and insecurity” and the title for one of the talks at this year’s CPH:DOX film festival and conference in Copenhagen—was a prevailing theme at this season’s March event.
Wesleyan University is a liberal arts college located in Middletown, Connecticut. Founded in 1831, Wesleyan is a school “where critical thinking and
This year’s Getting Real conference was marked by a constant debate around ethical choices in documentary filmmaking. Every aspect of the process was
Australian filmmaker and academic Lisa French’s latest book, The Female Gaze in Documentary Film—An International Perspective, published by Palgrave Macmillan, shoulders the fairly exacting responsibility of deconstructing the female gaze in documentaries. French’s research finds that women find it easier to gather funding for documentaries as opposed to fiction, owing to smaller budgets and crews involved. This fact sets the premise for her inquiry.
In 2018, I received the “3 Days in Cannes” pass, which allows passionate lovers of cinema from all nationalities and backgrounds between the ages of
Two articles that came out right after the Uvalde Massacre in May 2022 questioning whether graphic images of the mutilated children would change gun