The construction of subjectivity in first-person documentary is given serious consideration in The Cinema of Me: The Self and Subjectivity in First
Personal Docs
It was around 2005 and I stared at the TV screen in my parent's living room in awe. The credits for Tarnation—directed, produced, and edited by
Winner of the Directing Award for US Documentary at this year’s Sundance Film Festival, Reid Davenport’s debut feature, I Didn’t See You There, is
There Is No "I" in Threesome is certainly a doc I would not have predicted to have world-premiered at the WarnerMedia Lodge at this year’s Sundance
In 2016, Kirsten Johnson, who was then most known for her work as a cinematographer on some of the most challenging and acclaimed documentaries of our
One of filmmaker Judith Helfand’s earliest works, the Peabody Award-winning A Healthy Baby Girl, documents her diagnosis with cervical cancer—the
Editor’s Note: Jonas Mekas, dubbed by many as “the godfather of avant-garde cinema,” was this and many more: As an archivist and exhibitor, he co
Alain Resnais said about Night and Fog, "I want to address the viewer in a critical state…to create a space for contemplation." In the Getting Real
Part home movie, part activist doc, Rudy Valdez's The Sentence is that rare film that can bring even the most jaded filmgoer (yes, that would be me)
Rebecca Miller was 21 years old when she realized that she wanted to be a filmmaker. Noticing that her father—distinguished Pulitzer Prize-winning