Discover the transformative power of images and documentary films in Documentary's latest issue. From the vibrant summer of global conferences, conventions, and the Paris Olympics to the resurgence of interest in avant-garde filmmakers like Bill Morrison and Narcisa Hirsch, explore how events are captured and reinterpreted. Delve into Kirsten Johnson’s insights on the enduring relationships between creators and viewers, the making of the docuseries “God Save Texas,” and the innovative practices of the NoCut Film Collective. Plus, learn about new legislation protecting documentary filmmakers and get capsule reviews of upcoming releases.
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Though veteran director-producer Amy Nicholson has crafted feature-length films (2012’s Zipper: Coney Island’s Last Wild Ride , 2005’s Muskrat Lovely
What would life be like in America? By the time we fled Uganda, there had been two attempted kidnappings of my wife, Nulu. I had been shot in the face at close range while filming, arrested, thrown in a crammed police cell, and denied access to a lawyer.
In these first couple of months as IDA’s executive director, a few lines by the cultural thinker Paul Gilroy have been on my mind. They indicate, for me, something of the purpose of documentary filmmaking.
This print issue of Documentary comes right before IDA’s biennial industry conference, Getting Real. In the tradition of past magazine issues that immediately precede the conference, this issue previews the conference’s themes of “Strategy, Networks, Access” through interviews with speakers whose work will be featured at the conference.
Twenty years after its founding, Copenhagen’s CPH:DOX has grown into one of the world’s most significant documentary film festivals, thanks to both
Since Beyond Utopia debuted at last year’s Sundance, where it won the Audience Award for U.S. Documentary, the film has screened at film festivals
Dear Readers, Last month, if you were an IDA member who opted into receiving print issues of Documentary , you received a copy of our redesigned print
Sundance’s hold on worldwide documentary market trends remains in full force, even if its status is now based more on historical precedence than
'Hard to Swallow' is an independent docuseries fronted by Tunde Wey, a chef and writer known for projects addressing race and class inequity. I’ve been producing 'Hard to Swallow' with Tunde for more than four years, and this diary recounts incredible highs, devastating lows, and our tumultuous relationship with the television industry. 'Hard to Swallow' is funded by the Ford Foundation and Pop Culture Collaborative, and supported by IFP (now the Gotham) and SFFILM. At the time of publication, we are editing the fourth of twelve episodes and planning a screening tour for 2024.