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Christian Popp

Producer on Hawa documentary.

Articles

Fast Foreword: The Editor's Column, January 2003 / December 2002
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Notes from the Reel World: The Board President's Column, December 2002 / January 2003
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2002 IDA Distinguished Documentary Achievement Awards Nominees
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The First Family of Reality TV: Between the Covers with The Louds
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2002 IDA Distinguished Documentary Achievement Awards Winners
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Two Decades On, IDA Assures That Docs Have Their Day
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Peter Davis' Hearts and Minds
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Portrait of a Vagabond: An Appreciation of Agnes Varda
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A Guide to Documentary Distributors
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Michael Moore Guns for the Real Issues in 'Bowling for Columbine'
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A Tale of Two Docs: Production
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Fast Foreword: The Editor's Column, November 2002
Column
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Notes from the Reel World: The Board President's Column, November 2002
Column
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Welcome New Members, November 2002
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Frozen In Time: When Our Subjects Become Objects
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Marseille Fest Focuses on the Tragic Side of Reality
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Willard Van Dyke's 'Valley Town'
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Everything You Need to Know about Distributing Documentaries
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Less than Everything you Wanted to Know About Distribution
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Still Life: Ways to Make Your Pictures Move
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Fast Foreword: The Editor's Column, October 2002
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Fast Foreword: The Editor's Column, October 2002
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Digital Docs: Can They Save the Theatrical Market?
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Rob Epstein and Richard Schienchen's The Times of Harvey Milk
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Is It Film or is It Filmlook: Use Your Illusion
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Redemption Song: 'Amandla!' Sings of Revolution and Freedom
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From DV to PC: Shooting Documentaries Exclusively for the Web
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Lisbon Story: New Doc Fest Fosters Auteur Approach
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The Spirit of Dialogue and Community: Why the Theater is the Vital Venue for Arthur Dong's Documentaries
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Meet Jim Crow: Recovering a Missing Piece of US History
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A LAFF-ing Matter: Music Docs Highlight IFP/West Fest
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Notes from the Reel World: The Board President's Column, October 2002
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Is Banff Becoming a Victim of Its Own Success?
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IDA Panels on Documentary-Making Bring a Dose of Reality to ShowBiz Expo
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Doc Tech Sound Off: Making the Mic Choice
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Fast Foreword: The Editor's Column, September 2002
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Jim Brown and George Stoney's 'The Weavers: Wasn't That a Time'
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Remembering Linda Grinberg: A Thoroughbred of Commitment, Compassion and Continual Optimism
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Notes from the Reel World: The Board President's Column, September 2002
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A Cut Above: Kate Amend on the Creative Contributions of Documentary Editors
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The Documentary Credits Saga—a recap
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A Tale of Two Docs: Pre-Production (Part I)
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Indie Documentarians Make Last Year a September to Remember
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‘Frisco Fest a Golden Gateway for Documentaries by Tom Powers
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After the Shock Subsides, the Docs Arrive: The Importance of Chronicling September 11
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Doubletake Goes Full Frame: But Nonfiction is Still the Name of the Game
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Despite Recent Challenges, Docs Are More Vital Than Ever
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Speaking Out and Talking Back: PBS Series 'P.O.V.' Celebrates 15 Years of Impassioned Documentaries
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'Trembling Before God': The Movie and The Movement
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Can Documentary Make a Difference? The Center for Social Media Is Certain of It
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