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Christian Popp
Christian Popp
Producer on
Hawa
documentary.
Articles
Docs Lead the Race for Relevance, Post-9/11
Fri, 02/01/2002
Feature
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Fast Foreword: The Editor's Column, February 2002
Fri, 02/01/2002
Column
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Saira Shah: Pursuing Truth Behind Enemy Lines
Fri, 02/01/2002
Feature
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Experience MIPDOC Via IDA
Fri, 02/01/2002
Column
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Documenting in the Face of Danger
Fri, 02/01/2002
Feature
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David Grubin Takes His Camera Inside Our Heads
Fri, 02/01/2002
Feature
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Mixed Media: Swapping Formats is Business as Usual in Sci-Docs
Fri, 02/01/2002
Feature
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Science Summit: The World Congress Convenes
Fri, 02/01/2002
Feature
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'Sunset Junction,' What's Your Function?
Fri, 02/01/2002
Column
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The Art of Documenting 'The Art of Remembering'
Fri, 02/01/2002
Feature
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Playback: Jean Rouch and Edgar Morin's 'Chronicle of a Summer'
Fri, 02/01/2002
Column
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Fund Festival: The Council on Foundations
Fri, 02/01/2002
Feature
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Notes from the Reel World: The Board President's Column, February 2002
Fri, 02/01/2002
Column
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Got Plans this Summer? Why Not Do a DoubleTake?
Fri, 02/01/2002
Feature
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Preservation & Scholarship Award: The Pacific Film Archive
Sat, 12/01/2001
Feature
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The Long Road to 'A Closer Walk'
Sat, 12/01/2001
Feature
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Robert Guenette—A Commitment to Social Justice
Sat, 12/01/2001
Feature
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Making it Private: The Importance of Foundation Grants
Sat, 12/01/2001
Feature
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Keeping 'My Khmer Heart' Beating
Sat, 12/01/2001
Feature
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Doc Hollywood: Nonfiction Debuts as a Sidebar at Festival
Sat, 12/01/2001
Feature
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17th Annual Distinguished Documentary Achievement Awards Nominees
Sat, 12/01/2001
Online Feature
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Fast Foreword: The Editor's Column, December 2001 / January 2002
Sat, 12/01/2001
Column
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Notes from the Reel World: The Board President's Column, December 2001 / January 2002
Sat, 12/01/2001
Column
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Political Correctness or Censorship: Confederates in the Deep, Deep South
Thu, 11/01/2001
Feature
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Fast Foreword: The Editor's Column, November 2001
Thu, 11/01/2001
Column
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The Eyes of the World Focus on Ground Zero
Thu, 11/01/2001
Feature
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Playback: Pare Lorentz' 'The Plow That Broke The Plains'
Thu, 11/01/2001
Column
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9/11 Reports: Filmmakers React to Terrorist Tragedy
Thu, 11/01/2001
Feature
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Notes from the Reel World: The Board President's Column, November 2001
Thu, 11/01/2001
Column
Read More
Sunny Side Of The Doc and Festival International Du Documentaire
Thu, 11/01/2001
Feature
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Reclaiming History in the Congo: Through Both Documentary and Feature
Thu, 11/01/2001
Feature
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Documentary Production Training Overview
Thu, 11/01/2001
Feature
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Fast Foreword: The Editor's Column, October 2001
Mon, 10/01/2001
Column
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Documentary Thrives at DoubleTake
Mon, 10/01/2001
Feature
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Pitching for Dollars at Documart
Mon, 10/01/2001
Feature
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Chasing Tapie: Perpetual Pursuit Pays Off
Mon, 10/01/2001
Column
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Springtime for Leni: Riefenstahl Revisits Her History
Mon, 10/01/2001
Column
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Playback: Bob Connolly and Robin Anderson's Black Harvest
Mon, 10/01/2001
Column
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Docurriculum: IDA in the Schools
Mon, 10/01/2001
Feature
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Cable Channel Offers Opportunities for Documentarians
Mon, 10/01/2001
Feature
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Activism Goes Online With MediaRights.org
Mon, 10/01/2001
Feature
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Notes from the Reel World: The Board President's Column, October 2001
Mon, 10/01/2001
Column
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Rocked by Terrorist Attacks in the US, Toronto Film Festival Proceeds amid Unease
Mon, 10/01/2001
Feature
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Behind the Scenes in Local TV Journalism
Mon, 10/01/2001
Feature
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Nature's Way: Genre Must Adapt to Survive
Sat, 09/01/2001
Feature
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Putting the 'Wild' Back in the Wildlife Programming
Sat, 09/01/2001
Feature
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'The Last Stand' Increases Awareness of the Environment
Sat, 09/01/2001
Feature
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Book Review: Remembering a Radical Documentarian
Sat, 09/01/2001
Column
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Deep Sea Filming: The Perils and Pearls of Making Underwater IMAX Docs
Sat, 09/01/2001
Feature
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Faster, Cheaper with More Control: New Technologies and Non-Theatrical Distribution
Sat, 09/01/2001
Feature
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Pagination
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