The panel discussion will delve into the differences between television/broadcast content and international festival documentaries and how funding works in these different spaces around the world. What does it mean to have broadcast partners versus festival partners? Does one offer more creative freedom than the other? How can we negotiate the drawbacks and best use the opportunities these different forms offer? The conversation will examine broadcasters' priorities and ways they evaluate content that might drive them to co-produce, buy, or broadcast certain films instead of others.
Educational Seminars
Our year-round series of seminars, panels and workshops focusing on the art, craft and business of documentary filmmaking. Become an IDA member to access previous seminars online.
Immersive media vibrates embodiment. It allows the viewer to dissolve into dimensional narratives, making experiences and bodies pliable. The introduction of VR, AR, and interactive exhibitions into practice has given nonfiction media makers new tools to tell expanded narratives. In turn, these same tools, with their capacity to innovate, strengthen the need for accessible storytelling. The disabled community, in particular, calls for a radical restructuring of pre-existing frameworks, from inclusive asset libraries to cripped (accessible) workflows and haptics.