A review of '5 Films by Frederick Wiseman.'
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Flash back to the Four Seasons Hotel in Los Angeles on November 9, 1990. Jack Haley Jr. is standing at the podium, joshing with the crowd at the Sixth Annual International Documentary Association Distinguished Documentary Achievement Awards Gala. He summons Frederick Wiseman to the stage to accept the IDA Career Achievement Award. It was a memorable moment. At an earlier press conference, then IDA President Harrison Engle described Wiseman as "an innovative chronicler of culture who invented an original way to tell stories." It all began in 1965, when Wiseman decided to document the uneven
" I wanted Hurricane on the Bayou to go beyond our previous films emotionally. It's such a huge tragedy with such heartbreak. I felt we had an obligation to tell this story right, so people understand the dimensions of the tragedy... I love New Orleans and the bayou. I think it's the most unique city and region in America. If we lose it and lose the wetlands of Louisiana, we have lost part of America that is irreplaceable." - Greg MacGillivray The seeds for Hurricane on the Bayou were planted about two and a half years ago when the Audubon Nature Institute in Louisiana contacted Greg
What are the differences between shooting documentaries for the IMAX screen and for television? Of all the filmmakers, Howard Hall is probably among the most qualified to answer that question. Hall learned to scuba dive at age 16, primarily because of his fascination with underwater wildlife. He studied zoology and earned a degree from San Diego State University. He launched his career shooting still photos and writing articles for magazines and books about the behavior of marine life. Hall shot his first 16mm film around 1978 using a Bell & Howell camera that he had modified for underwater
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When the National Association of Latino Independent Producers (NALIP) first convened in 1999 in San Francisco, 50 people showed up for what was a promising debut. Seven years later, despite competition from SXSW, Thessaloniki Documentary Film Festival and Miami International Film Festival, the 2006 NALIP Conference attracted 500 filmmakers, producers and executives to Long Beach, California this past March. And with P.O.V. vice president Cynthia Lopez co-chairing the event, the offerings for docmakers were in abundance. In addition, Margarita De la Vega-Hurtado, executive director of the
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