Archival Storytelling, released this month through Focal Press, addresses one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? And how do filmmakers evaluate the historical value of archival materials and use them ethically? In October 2007, as research for the book, Sheila Curran Bernard and I
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