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  • Luma is a female cow with black-and-white spots on her body. From Andrea Arnold’s ‘Cow.’ Courtesy of Kate Kirkwood. An IFC Films release.
    Online Feature
    By Imani Altemus-Williams

    Andrea Arnold's 'Cow': The Searing Romance and Reality of Nature

    Read more
  • Akuol de Mabior is a South Sudanese female filmmaker, whose film ‘No Simple Way Home’ played at SFFILM 2022. Courtesy of SFFILM.
    Online Feature
    By Hansen Bursic

    New Voices Stand Out at SFFILM, America's Longest-Running Film Festival

    Read more
  • Headshot of John Zaritsky, a white male filmmaker, with gray hair. He is wearing a purple sweater and tan jacket. Photo courtesy of Matt Carr/Getty Images.
    Online Feature
    By Marc Glassman

    Death Comes for the Filmmaker: John Zaritsky, Oscar-winning Documentarian

    Read more
  • Claude Motley, a middle-aged Black man, sits in front of a bookcase speaking to a woman who is sitting with her back to the camera. A BTS shot from Brad Lichtenstein’s ‘When Claude Got Shot.’ Courtesy of the filmmaker.
    Column
    By Patricia Thomson

    Crime & Punishment: The Sentencing Scene in 'When Claude Got Shot'

    Read more
  • Young Afghani boys, Afshin and Benjamin, sit with their backs to the camera looking out at the city of Kabul. From Aboozar Amini’s ‘Kabul, City in the Wind.’ Courtesy of Movies that Matter.
    Online Feature
    By Sevara Pan

    Movies that Matter Spotlights New Documentaries by Afghan Filmmakers

    Read more
  • An image of a woman holding a cigarette, but her face is blurred. From Carl Elsaesser’s ‘Home When You Return,’ which is playing at Prismatic Ground. Courtesy of the festival.
    Online Feature
    By Tanner Tafelski

    Poetics and Politics Define Prismatic Ground Festival

    Read more
  • AC Coppens, wearing a Black suit, speaks to the audience at the 2022 CPH: Conference while standing in front of a digital screen. Courtesy of CPH: Conference.
    Online Feature
    By Lauren Wissot

    Shaping Change in the Documentary "Golden Age": CPH:CONFERENCE 2022

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  • Blue background with white text that reads fast foreword The Editor's Column.
    Column
    By Tom White

    Fast Foreword: The Editor's Column, Spring 2022

    Read more
  • Projectionist Tim White is a white man working a film projector at a Flaherty Film Seminar. Photo by Anne-Katrine Hansen; courtesy of The Flaherty.
    Feature
    By Anthony Kaufman

    Film Festival Workers Unite!

    Read more
  • A collection of signs that state “Writers Guild of America: Without Us, There’s Only Reality.” Courtesy of Shutterstock
    Feature
    By Addie Morfoot

    The Guilds and Documentary Indies: Trying to Form a More Perfect Union

    Read more
  • The DGA emblem at its New York office entrance. Photo by DCStockPhotography/Shutterstock.
    Feature
    By Alexandria Stapleton

    DGA's Documentary Committee: Empowering Filmmakers As They Empower the World

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  • Participants in a panel at DOC NYC about the ADE Guidelines and the BIPOC Editors Database pose in front of a screen with text on it. Courtesy of DOC NYC.
    Feature
    By Darianna Cardilli

    Alliance of Documentary Editors Unveils Scheduling Guide

    Read more
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