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IDA Member Spotlight: Asako Fujioka

By Catalina Combs

IDA Member Spotlight: Asako Fujioka

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“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’

By Dan Schindel

“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’

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“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’

By Amarsanaa Battulga

“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’

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Exclusive: American Film Showcase Announces 2025 Film Slate

By IDA Editorial Staff

Exclusive: American Film Showcase Announces 2025 Film Slate

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Camden 2024: A Profound Commitment

By Mariana Sanson

Camden 2024: A Profound Commitment

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“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’

By Öykü Sofuoğlu

“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’

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Locarno 2024: Technologies of Vision/Visions of Technology

By Arta Barzanji

Locarno 2024: Technologies of Vision/Visions of Technology

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Holding On to a Good Story: Making ‘God Save Texas’

By Robin Berghaus

Holding On to a Good Story: Making ‘God Save Texas’

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Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’

By Lauren Wissot

Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’

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“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’

By Noel Ransome

“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’

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Five Ways to Write Better Grants

By Arushi Khare

Five Ways to Write Better Grants

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Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager

By IDA Editorial Staff

Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager

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