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Mia Harvey

Headshot of a black woman with an afro and a puffer jacket in front of a green brick wall

Mia Harvey is an award-winning director and producer and an alumna of the National Film and Television School. Her short film With Woman won Best Student Film at the 2023 Grierson Awards, received an IDA nomination, a Vimeo Staff Pick, and is now available on The Guardian Documentaries. Inspired by her Caribbean heritage, Mia’s work delves into the joys and struggles of everyday life, examining human experiences through the lenses of history, race, and gender.

 

Articles

Black Box Diaries film still
“Just Breathing Is Enough”: Shiori Ito on Culture Shock, ‘Black Box Diaries’, and Skinny Dipping
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A neon-colored stock image of a table full of people working on computers and laptops.
How Short Production Timelines Ruin Documentaries
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Wearing similarly-colored green shirts, a Black woman and her daughter smile while looking off-screen.
“The Tree Can Still Bear Fruit”: Laurie Townshend Discusses Her Staceyann Chin Doc ‘A Mother Apart’
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Headshot of Berry Hahn. A black and white image of a smiling mixed-race woman with mid-length curly brown hair, wearing a jacket with a houndstooth pattern.
IDA Member Spotlight: Berry Hahn
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A woman leans back against a chair.
The Synthesis: Piotr Winiewicz on the “Surprisingly Ordinary Dreams” Generated by AI in His IDFA Opening Film
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A light-skinned woman with cropped brown hair and a beige sweater gently smiles at the camera.
“A Win-Win Situation”: Marianna Kaat Launches the Inaugural Doc Competition at Tallinn Black Nights
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Canva Design, film audience
IDA Grantee Premieres at IDFA and DOC NYC
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A young, light-skinned boy stares into the camera while holding a dove.
Sareen Hairabedian on Depicting Coming-of-Age During War in ‘My Sweet Land’
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In front of an illuminated screen of the Amazon, three actors sit or stand in the dirt.
“Telling a Story Together Creates Another Story”: Milo Rau on the Utopian Documentarism in His ‘Antigone in the Amazon’
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A Venn diagram with 'AI+Documentary' in the middle.
The Synthesis: AI Is Everywhere, Even in Your Documentary
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Outside in a courtyard, groups of filmmakers sit around circular tables.
Five Strategies to Gather Community Support for Your Film
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A white woman films herself with an iPhone. Behind her, on a bed, is her teenaged son.
“The Deepest, Darkest Parts of Ourselves”: Victoria Mapplebeck Discusses ‘Motherboard’
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In a car interior, a white woman with short-cropped silver hair looks archly at the camera.
Robinson Devor Discusses ‘Suburban Fury’
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A Black woman sits cross-legged on her bed.
The Feedback: Jessica Chaney and Amanda Willoughby Reframe Mental Health Challenges in ‘I Am’
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A Black man in a white jacket looks at a statue.
Shifting Ground: Mati Diop’s ‘Dahomey’
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Black and white photo of a woman leaning against a wall. She is a wearing a striped tank top, and her hands are in her pockets.
Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition
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A large steamship being dragged up the side of a mountain.
Monumental Human Error: Observing Folly in ‘Burden of Dreams’ and ‘My Best Fiend’
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Three Asian American women stand behind a table of buttons, next to a red banner that reads "A-Doc."
Sustainability in All Its Forms: A-Doc’s New Co-Directors Value Holistic Support
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Headshot of Asako Fujioka. An east-Asian woman smiles at the camera with a concrete wall with black decorations behind her. She has straight graying hair and is wearing a loose dark pink blouse.
IDA Member Spotlight: Asako Fujioka
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A white man sits behind some camera equipment in a dressing room.
“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’
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Two people dressed in traditional Mongolian clothes look into the distance.
“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’
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A young Asian woman and a middle-aged white man take a selfie in front of a large auditorium of spectators.
Exclusive: American Film Showcase Announces 2025 Film Slate
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A black man sits in front of a microphone, smiling.
Camden 2024: A Profound Commitment
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Two men face each other in front of a stone wall.
“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’
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An AI-generated image of a thin man in a suit and tie, leaning against a chair.
Locarno 2024: Technologies of Vision/Visions of Technology
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Two women stand side by side.
Holding On to a Good Story: Making ‘God Save Texas’
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On a street at night, a Russian woman stares behind the camera.
Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’
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A wide angle shot of a Latino man seated in a living room surrounded by documentary interview equipment.
“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’
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A crowded room of attendees sitting on fold-out chairs looks at a stage and presentation.
Five Ways to Write Better Grants
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A woman with brown hair and wearing a black, colored shift leans her chin on one hand.
Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager
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A hand hovers over a chess board.
Utopia Is Temporary: Ben Russell and Guillaume Cailleau Discuss ‘Direct Action’
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A bald man with glasses stares into the distance.
Venice 2024: Bumper Crop
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Bircan Birol headshot
IDA Member Spotlight: Bircan Birol
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On a sandy beach, two women film a mother and child.
Making a Production: NoCut Film Collective
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Headshot of a Filipino-American man with an undercut looking seriously into the distance.
Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award
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A Chinese woman with dark hair and a sequined blue jacket with a fur collar sits at a white marble table and speaks into her cell phone. Another cell phone rests on the table by her elbow. There is a brown curtain and wooden bookshelf behind her.
“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’
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Black and white photograph of a serious-looking white male. "George Carmack was an American prospector."
Matters of Life and Decay: Bill Morrison’s Material Profundity
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An extreme close up of an oyster dripping succulent juices into an open mouth.
The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’
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In a movie theater landing, more than 10 people using wheelchairs crowd into all available space.
A Bump in the Road on Our Ride Ahead
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A black and white photograph of a smiling Black woman with short hair. She is wearing a dress with striped sleeves.
Exclusive: Catapult Film Fund Names Tabitha Jackson to Board
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Two men sit at the bottom of a large screen, speaking into microphones.
On the Notion of Transmission
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A left hand, palm-side up, is rendered in a hand-drawn style with white lines on a black background. The fourth and fifth fingers are warped and stretching with a glitch aesthetic, as if beginning to float away.
“Breaking the Fourth Wall of VR”: Ben Joseph Andrews and Emma Roberts Discuss ‘Turbulence: Jamais Vu’
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A group of people sit on some orange and yellow couches, on a stage in front of a sign that reads: "The Daily Jawn Stage" and "BSFF."
BlackStar 2024: Bending Space-Time
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Two men look at a map in the wilderness against the background of a cliffside.
CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’
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Photograph of a Black man with a yellow jacket, leaning into the camera.
“This Story Serves as a Cautionary Tale”: Sam and Jason Pollard on Their Documentary ‘Ol’ Dirty Bastard: A Tale of 2 Dirties’
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New Academy Members graphic
Celebrating IDA Members' Success at The Academy, Emmys, Gotham Week & CIFF
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The cover of "Harun Farocki: Forms of Intelligence," depicting three humanoid robots holding cameras.
“Labor and War and Their Interconnectedness”: Film Historian Nora M. Alter Discusses Her New Harun Farocki Monograph
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Stormy Daniels sitting in the background on a white armchair, with a monitor showing her close-up shot in the foreground.
How the PRESS Act Will Protect Documentarians
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Three young people sit on a mattress on the ground.
“I’m Part of This”: Martha Coolidge Discusses Her Early Metacinema ‘Not a Pretty Picture’
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A crowd gathers outside a building. There is a tree with green leaves in the middle of the picture behind the crowd and in front of the building.
Saving Ourselves at Getting Real ’24
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