How you release your doc—and how audiences see it—have changed dramatically in the past decade, offering filmmakers with more and more ways to connect audiences with their films. What hasn't changed is the value an experienced publicist can bring to your team as you try to get the attention of critics, bloggers, influencers and viewers, and perhaps pick up an award or two along the way.
Here's What Really Happened
No tweeting. No press. No industry. Filmmakers-only conversations revealing personal insights into the art and business of documentary filmmaking.
“Here’s What Really Happened” are signature sessions from IDA's biennial Getting Real Conference that began as a filmmaker-led solution to combat the lack of transparency that continues to plague the community. These intimate conversations allow filmmakers to speak openly about what actually happened in the production, sales and distribution life of a film. The rules are, everything said in the room, stays in the room. Our goal is to create a safe space for discussion that allows filmmakers to have frank, meaningful discussions without the influence of industry in the room. We believe that one of the greatest resources for a filmmaker is another filmmaker.
In building a more knowledgeable and transparent community together, IDA tours “Here’s What Really Happened” sessions to various festivals and conferences around the world. These private conversations have focused on security/surveillance, sales agents, festival strategies, fact-finding, ethics, work/family life balance, truth-seeking in production, and other themes.
Learn what really happened behind-the-scenes in an upcoming session. It’s personal, it’s intimate, let’s get into it.
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The last few months have seen a number of shifts in the broadcast landscape for nonfiction programs. CNN launched CNN Films, upping the network’s commitment to long format documentaries. Participant Media acquired the Documentary Channel and Halogen TV, to be re-branded and launched this summer as a new channel featuring scripted and nonscripted programming, and LA’s KCET, the nation's largest independent public television station, has merged with Link TV creating KCETLink, a new transmedia independent network that acquires, produces and distributes provocative global programming. With these new ventures, and other evolving players on the scene, we'll take a look at the outlook for docs on TV.
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FREE for Paley Center Members and IDA Members.Included with admission for the general public.No RSVP required. Open seating for all, first-come, first-served. The Paley Center and the International Documentary Association are pleased to screen the documentaries, features and short subjects, which
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IDA's all-day, back-to-back screenings of this year's Oscar® nominated documentary films.See the films! Meet the filmmakers! Saturday, February 23, 2013 Writers Guild of America Theater135 S. Doheny Dr, Beverly Hills, CA 90211 Complimentary Parking Info Food and refreshmentsprovided by Homegirl Café
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From original concept, fundraising, and production to festivals, distribution, PR and outreach, one can't argue that the documentary producer’s job description is varied. At every level from executive down to assistant, a good producer knows how to anticipate the needs of a director and crew--all usually on a tight schedule and an even tighter budget. Whether you’re bringing your own concept to life or jumping in mid-stream to save a doc in trouble, a good producer must bring a vast array of talent and expertise to the project.
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Join moderator Karin Stellwagen (The Brooks Institute) for a discussion with Sarah Burns (The Central Park Five), Michael Donaldson (Partner, Donaldson + Callif) and David France (How to Survive a Plague) on the intricate balance between video journalism and documentary filmmaking.
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Join moderator Milton Tabbot (IFP) for a discussion with Rachel Gandin Mark (Program Administrator for the American Film Showcase at USC’s School of Cinematic Arts), Carlos Islam (United Nations Creative Community Outreach Initiative), and Anne Makepeace (writer, producer, and director) and learn how docs serve as delegates in the global community.
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Moderated by IDA Board Member Stephen Nemeth of Rhino Films, our panel of veteran non-fiction producers will discuss what to expect when producing a doc and how a successful producer gets the entire production team to deliver their best.
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Join producer Eddie Schmidt (Beauty is Embarrassing, Troubadours) for a discussion with Randy and Fenton on the challenges of running a transatlantic production company, crossing genre boundaries, and managing the famous and infamous, while also hosting a cutting edge culture blog with over 300,000 hits per month.
Friday, December 7, 2012 Directors Guild of America 7920 Sunset Blvd. • Los Angeles, 90046 28th Annual IDA Documentary Awards 7:00pm Check-in • 8:00pm Awards CeremonyFollowed by After-Party Spon sored by Canonin the DGA Grand Lobby A&E Reception Honoring Arnold Shapiro (Not included with General