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Alex Szalat

Alex Szalat Headshot.

Producer and Director 1987-2004

Former commissioning editor at Arte France and head of the documentary department at Arte France 2005-2019

Head of Docs Up Fund since 2019

Articles

Taking 16mm into the '90s
Feature
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1989 IDA Awards
Online Feature
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Trumpet-Tongued Against the Deep Damnation: Jean-Pierre Gorin and his films
Feature
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Michael's Big Adventure: David Ehrenstein and Bill Reed on 'Roger and Me'
Feature
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An Interview With Jacques-Yves Cousteau
Feature
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Goodbye to Winter: Women in the GDR
Feature
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South Africa's Media War: From the Student's Revolt to Mapantsula
Feature
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Marking Time: Chris Marker and The Owl's Legacy
Feature
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The Unblinking Eye: David Lynch and Mark Frost Chronicle America
Feature
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Women on the Verge: Pioneer Documentary Filmmakers that History Ignored
Feature
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State of the Union: Karen Rosenberg on Current Soviet Documentaries
Feature
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Rules of the Game: Entering the Academy Awards
Feature
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Above the Neck Skills
Column
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Witness to Revolution: Eastern Europe Comes to the Berlinale
Feature
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New Cameras, Great and Small
Feature
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Distribution Contracts
Feature
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British Documentary: An Endangered Species?
Feature
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Satellite Cultures: Images of Colonialism in Australia
Feature
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The Architecture of Filmmaking: An Interview with Amos Gitai
Feature
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Talk of the Mountain: Documentary in Appalachia
Feature
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Hesitant Hommage: The National Film Board of Canada at 50
Feature
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The Guild Complex: And Interview with Gary Crowdus
Feature
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Book Review: New Challenges for Documentary
Column
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Seeing and Believing: Poetic Documentaries About Technology and Ideology
Feature
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Bleak Houses or How Murder Becomes a Mistery
Feature
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Moonstruck: Al Reinert's Ten Year Space Odyssey
Feature
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Twilight City: The Black Audio Film Collective's New Release
Feature
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3/4", Say Hi to 8mm
Column
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The 1988 IDA Awards
Online Feature
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Critiquing The Documentary Cinema
Feature
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The Untenable Lightness of CHET
Feature
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Driving Me Crazy: An Interview with Nicholas Broomfield
Feature
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From the Editor, Fall 1989
Column
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Mark Soosaar: The Follower of Robert Flaherty
Feature
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From the Editor, Spring/Summer 1989
Column
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Hotel Terminus: Ophuls' Cinema of Discovery
Feature
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Female High Security Unit
Feature
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Eastman Kodak's New Family of 16mm Films
Feature
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Black Journal: A Personal Look Backward
Feature
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