Tamara Kotevska discusses how patiently filming white storks resulted in The Tale of Silyan’s story of North Macedonian ecological and economic
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Bernardo Ruiz reflects on his decades-long career, “humblecore” independent filmmaking, and the first retrospective of his work
With IDFA-winner A Fox Under a Pink Moon, Mehrdad Oskouei evolves his work with marginalized youths into a remote-directed collaboration with
Gianluca Matarrese discusses his festival darlings GEN_ and I Want Her Dead, plus why “documentary probably doesn’t exist”
In this interview, Dmytro Sukholytkyy-Sobchuk talks about how the war refocused his portrait of a Ukrainian pacifist community in Silent Flood
Best known for co-directing Writing With Fire, Rintu Thomas and Sushmit Ghosh discuss the aims and philosophy behind the Himalayan Story Lab
At this year’s edition, the Basque festival demonstrated why it prides itself on its political conscience, with many of its titles exploring
The 3rd annual Filmmaker Forum at Hot Springs was at its best when its attendees got candid about the industry’s unsettling present and uncertain
In this interview, Vitaly Mansky talks about how Bruegel paintings influenced his three-hour epic about life in Lviv, Time to the Target
At its 50th anniversary, Toronto’s flagship festival maintains steady documentary commitments while expanding commercial programming and contracting