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Christian Popp

Producer on Hawa documentary.

Articles

Tobacco Road: Ross McElwee's 'Bright Leaves' Gives Viewers Something to Chew On
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Journey to Hassle-Free High Definition: An Insider's Look at the Latest Production Technology
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Looking at the Big Picture: LFCA Conference Attendees Discusses Survival of the Giant Screen
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Doc Curricula: High School Students Learn Nonfiction Storytelling through DOCS ROCK Program
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Savage Mountain: 'The Summit' Reconstructs Tragedy on K2
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WATCH: 'Inequality for All' Filmmakers Prove Economic Theory Doesn't Have to Be Boring
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'Original Child Bomb' and 'Death in Gaza' Split the Gold at Silverdocs
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New Doc Fest Launches in Buenos Aires
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American Film Showcase Kicks Off Year 2: Reflections on Laos
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Philadelphia Story: 'Let the Fire Burn' Tells Morality Tale through Archival Footage
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'American Promise': New Documentary Prompts National Dialogue on Race
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WESTDOC Bridges Creative and Business Sides of Doc-Making
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'Valentine Road': Juvenile Hate Crime Spurs Activist Documentary
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Reinvention at Independent Film Week: 'Hollow,' Media Center, Doc Pitching Among the Highlights
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5 Things You Need to Know About Funding
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US District Court Rejects City of New York's Appeal on 'Central Park Five' Case
Advocacy
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The Rejuvenating Effect of Reality: The Hot Springs Documentary Film Institute
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Summer Means Fun at Los Angeles Film Festival
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Meet the Three Individuals to Be Honored at 29th IDA Awards
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Fast Foreword: The Editor's Column, Fall 2013
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Get It Down on Paper? English Film Schools on Scripting for Documentaries
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Defusing the Debate: 'After Tiller' Profiles Third-Trimester Abortion Providers
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Before Bollywood! The Long, Rich History of Documentary in India
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Exchanging the Pen for the Camera: When Journalists Make the Jump into Documentaries
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Meet Ken Jacobson, IDA's New Education Director
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Restoration and Reflection: The 2013 Re-releases of 'Le Joli Mai' and 'Far from Vietnam'
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Harry Dean Stanton on How to 'Avoid Success Artfully' (But Not Really)
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5 Tips for Using Graphics in Your Documentary
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Fast Foreword: The Editor's Column, Summer 2013
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Si se Puede!: 'Latino Americans' Unearths Unsung Heroes from 500 Years of History
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Dispatch from Locarno: Swiss Festival Unspools Discoveries, Cutting-Edge Work
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Reichonomics: All Things Being Inequal
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Finding Poetry in Memory Loss: Alan Berliner's 'First Cousin Once Removed'
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IDA Announces Initial Slate of Films for Documentary Screening Series
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Takeaways from the Sundance Creative Producing Lab: Prepping Your Doc for the Marketplace
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The Mertes Era: Outgoing Sundance Doc Program Head Reflects on Her Tenure, Looks Ahead to Ford Foundation
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Teaching the D-Word in J-School: Columbia Graduate School of Journalism
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'Our Nixon': History through Home Movies
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Shut the Fox Up! Robert Greenwald Takes on Rupert Murdoch's Weapon of Mass Deception
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Connie Field's 'The Life and Times of Rosie the Riveter'
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An Open Letter to Minister John Baird on Behalf of Filmmaker John Greyson
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Playback: Errol Morris' 'The Thin Blue Line'
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From Political Tourists to Perfect Candidates... Documentaries Hit the Campaign Trail This Election Year
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'Beauty', Filth, and Resilience: The Varying Faces of Outfest Los Angeles
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Steal This Film: Sharing as a Marketing Tool
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Good Pitch, Latin Style
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Love Is a Battlefield: 'Cutie and the Boxer' Follows an Artistic Marriage
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Fall 2013 Grant Opportunities
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6 Essential Tips for Using Archival Footage
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Stock Market Alternatives: Boutique Film Libraries Offer a Personal Touch
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