Skip to main content

Daniel Garber

Black and white photo of a young man with fair skin and black hair and eyebrows. He is standing in an environment with trees behind him. He crosses his arms gleefully. He wears a button up collard shirt.

Daniel Garber is a filmmaker based in Brooklyn, NY, with work spanning documentary, fiction, and experimental practices. Primarily employed as an editor, he was nominated for a Cinema Eye Honors award for his editing on Sierra Pettengill and Pacho Velez’s feature documentary The Reagan Show, which premiered at Tribeca and Locarno in 2017. Since then, he has edited Garrett Bradley’s Naomi Osaka documentary series, Lance Oppenheim’s feature documentary Some Kind of Heaven, Daniel Goldhaber's eco-activist heist thriller How to Blow Up a Pipeline, as well as short films for Sierra Pettengill, Nan Goldin, and Zara Meerza. He was included in Filmmaker Magazine’s 25 "New Faces of Independent Film", DOC NYC 40 Under 40, and Berlinale Talents.

Articles

Headshot collage of Blake Knecht, Gríma Eir Geirs Irmudóttir, and Shawn Antoine II.
Member Spotlight: Blake Knecht, Gríma Eir Geirs Irmudóttir, and Shawn Antoine II
Blog
Read More
In a room with shelves lined with tapes, a group of people gather around a table with film materials.
What Filmmakers Should Know About Privacy and Copyright From BAVC Media’s Upcoming Landmark Study on Magnetic Media
Feature
Read More
An AI-generated video of a factory floor with glass walls and a man in a black suit holding a floating red ribbon.
The Synthesis: Here’s What Happened When We Prompted Sora With Taglines From Oscar-Winning Documentaries
Column
Read More
Two white people in navy blue suits stand on stage.
“Our Commitment Is to the Space Where Difficult Conversations Can Happen, Not to Issuing Verdicts”: Interview With CPH:DOX Artistic Director Niklas Engstrøm
Online Feature
Read More
An illustration of the see no evil, hear no evil, and speak no evil monkeys against a yellow background.
The Synthesis: All Bets Are Off for AI and Documentary—It’s Time for a Reset
Column
Read More
In a bright room with concrete pillars and floors, a man in a sweater answers a question from the audience.
“First, We Learn How to Work Together”: Leonard Cortana Discusses the BIPOC EURODOC Task Force
Online Feature
Read More
A merged image of two photographs of a young white man in front of Southeast Asia looking buildings.
Exclusive: Trailer Debut From Peter McDowell’s ‘Jimmy in Saigon’
Exclusive News
Read More
Film still from 'Writing Hawa' featuring two women - one with a book in hand, the other writing on a whiteboard.
IDA Grantees & Members at Hot Docs 2025
Blog
Read More
A young woman wearing a head scarf and a keffiyeh patterned scarf stands in the middle of a crowd of reporters holding microphones to her face.
“Part of a Peace Movement”: ‘The Encampments’ Co-Director Kei Pritsker on Correcting the Historical Record and Breaking a Box Office Record
Online Feature
Read More
At a conference table, five people in laid back clothing smile at the camera. There are palm trees in the window behind them.
Making a Production: Concord Originals
Feature
Read More
Two filmmakers work at a computer desk.
Peace Is Loud and UFO Announce Post/Impact Residency and Inaugural Recipients
Exclusive News
Read More
On a beige couch, a teenaged boy sits with his cat.
Existing Next to Each Other: Monica Strømdahl Turns a 15-Year Photography Project Into ‘Flophouse America’
Online Feature
Read More
A group of white male filmmakers prep for a shot in a parking lot.
Producer’s Diary: ‘ChiefsAholic: A Wolf in Chiefs Clothing’ (December 2022–December 2024)
Column
Read More
A panel of six people sit in front of a large theater full of documentary filmmakers.
Statement on NEH Grant Terminations
Advocacy
Read More
On a steep mountainside, two men sit on the ground next to their horses.
“A Brutal Kind of Beauty”: Kasimir Burgess on His Visions du Réel-Premiering ‘Iron Winter’
Online Feature
Read More
In a grand multi-story theater, a packed audience looks at an off-screen movie screen.
Amid “Perfect Storm,” International Documentary Business Tries to Stay the Course at CPH:DOX
Online Feature
Read More
In red italics, "Give It Back" text overlays a painting of stereotypical Native Americans in a forested area.
Doc Fortnight 2025: Archival Emergence
Online Feature
Read More
In a full auditorium, a group of panelists sit on coaches in front of a screen that reads: "Thessaloniki Pitching Forum Presentation".
Thessaloniki Docfest’s Agora Remains a Beacon of Hope Despite Geopolitical Turmoil and Broadcasters’ Retreat, Says the Industry
Online Feature
Read More
Pixelated screen shot of a U.S. congressman in front of a "Fire Elon Save Elmo" sign. The PBS News logo is in the bottom left corner.
PBS and NPR Leadership Face Accusations of News Bias During U.S. House DOGE Subcommittee, While Documentaries Mostly Escape Scrutiny
Online Feature
Read More
A woman with gray hair and glasses looks at a blurry figure in the foreground.
SXSW 2025: Made in the USA
Online Feature
Read More
A lo-fi image of two young people sitting on a plaid couch, looking at a small TV.
“This Bandit Art Collective”: Jeremy Workman Strikes Gold With ‘Secret Mall Apartment’
Online Feature
Read More
A group of protesters, many using wheelchairs, with an American flag with an icon of a person in a wheelchair instead of the usual stars.
Exclusive: Clip Debut From Jim LeBrecht’s Peter Dinklage-Narrated ‘Change, Not Charity: The Americans With Disabilities Act’
Exclusive News
Read More
Photograph of a young girl and her mom.
Exclusive: Trailer Debut From Vicky Du’s ‘Light of the Setting Sun’
Exclusive News
Read More
Portrait of No Other Land co-director Hamdan Ballal.
Statement on the attack on 'No Other Land' director Hamdan Ballal
Advocacy
Read More
Collage of new IDA Board Members. Left to Right: Inti Cordera, Nathalie Seaver, Joel Simon, and Luis Gonzalez Zaffaroni
Inti Cordera, Nathalie Seaver, Joel Simon, and Luis González Zaffaroni Join IDA Board of Directors
Blog
Read More
Lit up in neon blue, a cinema with plush red seats.
Miami Beach Mayor Withdraws Proposal to Defund and Evict O Cinema
Online Feature
Read More
A white man sits in a darkened theater with a blue coat and green sweater.
“The Closer You Get to the Truth, the More You Have to Include Contradictions”: Johan Grimonprez on ‘Soundtrack to a Coup d’État’
Feature
Read More
Under rain umbrellas, hundreds of festivalgoers chat and drink during a party.
West Lake IDF 2024: What’s in a Name
Feature
Read More
In a bright classroom, a teacher holds up his finger in front of a table of students.
“You Couldn’t Have a City Without a School”: Claire Simon on ‘Elementary’
Online Feature
Read More
The Non-Fiction Core Application 3.0 is here!
Introducing Non-Fiction Core Application 3.0: Streamlining the Application Process and Pushing the Field Forward
Blog
Read More
Photograph of a cinema full with attendees watching a film.
Miami Beach’s O Cinema Challenges Mayor’s Threats of Eviction Over ‘No Other Land’ Screenings
Online Feature
Read More
A black & white image of an elderly man of African-American descent sitting on a porch.
Sundance 2025: Sowing Seeds
Online Feature
Read More
An empty room that has been bombed with fabrics, chairs strewn around and windows open.
Screen Time, Winter 2024/2025
Column
Read More
man reclines on a rock hill with a tank in the background
Statement in Support of Freedom of Programming
Advocacy
Read More
Headshot of Biljana Tutorov wearing a blue short sleeve shirt
IDA Member Spotlight: Biljana Tutorov
Blog
Read More
Film still from 'The In Between'
Holding On: Robie and Alejandro Flores Share the Making of ‘The In Between’
Blog
Read More
On top of a wooden table, a shoulder bag and its contents.
What’s in My Bag: Zac Manuel
Column
Read More
Black and white photograph of Simone Biles Rising posters above a white coach in a sunny office.
Making a Production: Religion of Sports
Feature
Read More
In a small office, a group of young filmmakers sit in chairs.
The Future of NEA Funding for U.S. Documentary Film Nonprofits Remains in Limbo After Anti-DEI and “Gender Ideology” Executive Orders
Online Feature
Read More
Silhouette of a man in a desolate landscape.
Sundance 2025: Think Before You Point
Online Feature
Read More
Image of a sign that reads: "No Pit Closures Save Your Job!"
A Workshop For All: The Miners’ Campaign Tapes
Feature
Read More
Three women talk to each other around a table with an "Archival Producers Alliance" sign.
Work in Progress: Archival Producers Alliance Release New “Working with Archival Producers” Guidelines
Online Feature
Read More
CCTV footage of a group of six Russian soldiers from above.
“Working with Emptiness”: Oleksiy Radynski Discusses His CCTV Chornobyl Doc ‘Special Operation’
Online Feature
Read More
Letter From the Editor, Spring 2025
Column
Read More
Notes From the Reel World, Spring 2025
Column
Read More
A plume of smoke rises from the ocean surface.
“I Didn’t Want to Have ‘Migration’ in the Title”: Sam Abbas on ‘Europe’s New Faces’
Online Feature
Read More
Film still from 'Remaining Native'
IDA Grantees & Members at 2025 SXSW
Blog
Read More
A scientist looks at a computer screen.
Exclusive: Clip and Poster Debut From Eleanor Mortimer’s True/False-Premiering ‘How Deep Is Your Love’
Exclusive News
Read More
Screenshot showing the top three scoring projects of a Decentralized Pictures contest.
Democratizing Film Funding Was Never Going to Be Easy
Online Feature
Read More
Open, large and sunny building atrium full of logos and banners of film agencies.
EFM’s Fairly Tepid Market for Nonfiction Deals Drives Innovation and Resilience, According to Sales Agents
Online Feature
Read More