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Home
Maxim Derevianko
Maxim Derevianko
Articles
“A Win-Win Situation”: Marianna Kaat Launches the Inaugural Doc Competition at Tallinn Black Nights
Tue, 11/12/2024
Online Feature
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IDA Grantee Premieres at IDFA and DOC NYC
Mon, 11/11/2024
Blog
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Sareen Hairabedian on Depicting Coming-of-Age During War in ‘My Sweet Land’
Mon, 11/11/2024
Online Feature
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“Telling a Story Together Creates Another Story”: Milo Rau on the Utopian Documentarism in His ‘Antigone in the Amazon’
Tue, 11/05/2024
Online Feature
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The Synthesis: AI Is Everywhere, Even in Your Documentary
Tue, 11/05/2024
Column
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Five Strategies to Gather Community Support for Your Film
Thu, 10/31/2024
Blog
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“The Deepest, Darkest Parts of Ourselves”: Victoria Mapplebeck Discusses ‘Motherboard’
Mon, 10/28/2024
Online Feature
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Robinson Devor Discusses ‘Suburban Fury’
Thu, 10/24/2024
Online Feature
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The Feedback: Jessica Chaney and Amanda Willoughby Reframe Mental Health Challenges in ‘I Am’
Mon, 10/21/2024
Online Feature
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Shifting Ground: Mati Diop’s ‘Dahomey’
Mon, 10/21/2024
Online Feature
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Cinema Is the Images We Can’t See: Narcisa Hirsch’s Documentary Disposition
Wed, 10/16/2024
Feature
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Monumental Human Error: Observing Folly in ‘Burden of Dreams’ and ‘My Best Fiend’
Wed, 10/16/2024
Online Feature
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Sustainability in All Its Forms: A-Doc’s New Co-Directors Value Holistic Support
Tue, 10/15/2024
Online Feature
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IDA Member Spotlight: Asako Fujioka
Wed, 10/09/2024
Blog
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“Cat and Mouse”: Cullen Hoback Confronts the Bitcoin Creator Mystery in ‘Money Electric’
Wed, 10/09/2024
Online Feature
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“Filming in Retrospect”: Gabrielle Brady Discusses ‘The Wolves Always Come at Night’
Mon, 10/07/2024
Online Feature
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Exclusive: American Film Showcase Announces 2025 Film Slate
Thu, 10/03/2024
Exclusive News
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Camden 2024: A Profound Commitment
Tue, 10/01/2024
Online Feature
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“We’re Not Naive Enough to Think This Is the Only Truth”: Göran Hugo Olsson on ‘Israel Palestine on Swedish TV 1958–1989’
Tue, 10/01/2024
Online Feature
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Locarno 2024: Technologies of Vision/Visions of Technology
Mon, 09/30/2024
Online Feature
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Holding On to a Good Story: Making ‘God Save Texas’
Mon, 09/30/2024
Feature
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Reality Show: Julia Loktev on ‘My Undesirable Friends: Part I — Last Air in Moscow’
Mon, 09/30/2024
Online Feature
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“How Social Change Happens From Below”: Lucas Guilkey and JoeBill Muñoz Discuss ‘The Strike’
Tue, 09/24/2024
Online Feature
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Five Ways to Write Better Grants
Mon, 09/23/2024
Blog
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Exclusive: Leila Abu-saada Joins CAAM as Building Bridges Documentary Fund Manager
Mon, 09/23/2024
Exclusive News
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Utopia Is Temporary: Ben Russell and Guillaume Cailleau Discuss ‘Direct Action’
Fri, 09/20/2024
Online Feature
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Venice 2024: Bumper Crop
Wed, 09/18/2024
Online Feature
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IDA Member Spotlight: Bircan Birol
Wed, 09/18/2024
Blog
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Making a Production: NoCut Film Collective
Wed, 09/18/2024
Feature
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Exclusive: American Documentary Honors PJ Raval With Creative Visionary Award
Thu, 09/12/2024
Exclusive News
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“A Very Elegant Triangle”: Elizabeth Lo Discusses ‘Mistress Dispeller’
Wed, 09/11/2024
Online Feature
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Matters of Life and Decay: Bill Morrison’s Material Profundity
Tue, 09/10/2024
Feature
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The Feedback: Emily Packer’s Many Forms of Hybridity in ‘Holding Back the Tide’
Mon, 09/09/2024
Column
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A Bump in the Road on Our Ride Ahead
Thu, 09/05/2024
Online Feature
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Exclusive: Catapult Film Fund Names Tabitha Jackson to Board
Tue, 09/03/2024
Exclusive News
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On the Notion of Transmission
Thu, 08/29/2024
Feature
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“Breaking the Fourth Wall of VR”: Ben Joseph Andrews and Emma Roberts Discuss ‘Turbulence: Jamais Vu’
Thu, 08/29/2024
Online Feature
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BlackStar 2024: Bending Space-Time
Tue, 08/27/2024
Online Feature
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CPH:DOX 2024 Reviews: ‘Phantoms of the Sierra Madre,’ ‘The Flats,’ and ‘Black Snow’
Mon, 08/26/2024
Feature
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“This Story Serves as a Cautionary Tale”: Sam and Jason Pollard on Their Documentary ‘Ol’ Dirty Bastard: A Tale of 2 Dirties’
Mon, 08/26/2024
Online Feature
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Celebrating IDA Members' Success at The Academy, Emmys, Gotham Week & CIFF
Fri, 08/23/2024
Blog
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“Labor and War and Their Interconnectedness”: Film Historian Nora M. Alter Discusses Her New Harun Farocki Monograph
Wed, 08/21/2024
Online Feature
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How the PRESS Act Will Protect Documentarians
Mon, 08/19/2024
Feature
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“I’m Part of This”: Martha Coolidge Discusses Her Early Metacinema ‘Not a Pretty Picture’
Fri, 08/16/2024
Online Feature
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Saving Ourselves at Getting Real ’24
Thu, 08/15/2024
Feature
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IDA Member Spotlight: Advik Beni
Tue, 08/13/2024
Blog
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Screen Time, Summer/Fall 2024
Tue, 08/13/2024
Column
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Exclusive: Clip from Holly Hardman’s ‘As Prescribed’
Mon, 08/12/2024
Exclusive News
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Presence/Absence at Getting Real ’24
Mon, 08/12/2024
Feature
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Are Above-the-Line Diversity Hires “Cover-Your-Ass” Tokenism or Meaningful Collaboration?
Mon, 08/12/2024
Online Feature
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