September 25, 2021
BY Steven C. Beer & Neil J. Rosini
Copyright
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June 13, 2020By Sheila Curran Bernard and Kenn Rabin Editor’s Note: This article is adapted from the second edition of Bernard and Rabin’s Archival Storytelling:
March 29, 2014Music supervision is one of those coveted jobs by individuals who are passionate about music and who sense they can match songs with images. Driving
February 18, 2014Over the last decade, there has been an explosion of music documentaries finding their way to both the big and small screens. Making one is in many
January 30, 2014In today's fast-paced and budget-conscious entertainment industry, increased programming and production opportunities in film, television, radio and
January 26, 2014Filmmakers have often told me that they find the scoring process to be one of the most daunting aspects of making movies. Even some seasoned
March 3, 2013Documentary filmmakers who use archival materials fall into two basic categories: those who are savvy about rights clearance issues and those who
February 1, 2011Approximately $270 million is collected annually in the United States for the single purpose of compensating television program copyright holders for- July 1, 2008A short primer on music licensing, clearances and rights.
May 31, 2006Michael C. Donaldson, former IDA President, is an entertainment attorney based in Los Angeles and is the author of Clearances and Copyright You may