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Valeria Salinas Toro

Headshot face and top of shoulders of an adult with medium-light skin tone, red braided hair in two ponytails with two braids framing face, smiling

Valeria Salinas Toro is a Creative Technologist, Producer, and Visual Artist. Their interest lies in Afrofuturism, sustainability, community engagement, and speculative design. Their practice spans through various material experimentations such as ceramics, audio-visual interactions, 3D digital art, and film.

Articles

Trumpet-Tongued Against the Deep Damnation: Jean-Pierre Gorin and his films
Feature
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An Interview With Jacques-Yves Cousteau
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Goodbye to Winter: Women in the GDR
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Michael's Big Adventure: David Ehrenstein and Bill Reed on 'Roger and Me'
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South Africa's Media War: From the Student's Revolt to Mapantsula
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Mannheim International Film Festival
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Taking 16mm into the '90s
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Marking Time: Chris Marker and The Owl's Legacy
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The Unblinking Eye: David Lynch and Mark Frost Chronicle America
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Women on the Verge: Pioneer Documentary Filmmakers that History Ignored
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State of the Union: Karen Rosenberg on Current Soviet Documentaries
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Rules of the Game: Entering the Academy Awards
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Distribution Contracts
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Above the Neck Skills
Column
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Witness to Revolution: Eastern Europe Comes to the Berlinale
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New Cameras, Great and Small
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Satellite Cultures: Images of Colonialism in Australia
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The Architecture of Filmmaking: An Interview with Amos Gitai
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Talk of the Mountain: Documentary in Appalachia
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British Documentary: An Endangered Species?
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3/4", Say Hi to 8mm
Column
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Hesitant Hommage: The National Film Board of Canada at 50
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The Guild Complex: And Interview with Gary Crowdus
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Seeing and Believing: Poetic Documentaries About Technology and Ideology
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Book Review: New Challenges for Documentary
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Bleak Houses or How Murder Becomes a Mistery
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Moonstruck: Al Reinert's Ten Year Space Odyssey
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Twilight City: The Black Audio Film Collective's New Release
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Hotel Terminus: Ophuls' Cinema of Discovery
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From the Editor, Spring/Summer 1989
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Female High Security Unit
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Eastman Kodak's New Family of 16mm Films
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Black Journal: A Personal Look Backward
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The 1988 IDA Awards
Online Feature
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Critiquing The Documentary Cinema
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The Untenable Lightness of CHET
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Driving Me Crazy: An Interview with Nicholas Broomfield
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Mark Soosaar: The Follower of Robert Flaherty
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From the Editor, Fall 1989
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