Feature

This past year, a respected colleague who had attended many industry events with executives from public television noted to me how, "They choose not

I find the term “gatekeeper” discomforting. I cringe every time it is mentioned in reference to someone in a position of power in our industry. Even

When Nick Stuart of the nonprofit multimedia company Odyssey Impact thinks back on the 2016 world premiere of Kim A. Snyder’s Peabody Award-winning

It was the first day on my new editing gig: a feature documentary about abuse, directed by Amy J. Berg. The AE had delivered the hard drive, the

“Really… I feel reluctant… coming to receive you… as my interviewers or crew… Because ever since my exposure to the camera…. As an internationally

In July 2021, Mexican "fixer" Miguel Angel Vega was approached by a European television channel. It was the same type of request he was used to

I was originally drawn to a career in film because of the power of storytelling to influence and inspire. But storytelling, I have since realized, is

"From Pre-Pandemic Flashback to Post-Pandemic Visions of Documentary Distribution" was the long and winding title of a thankfully succinct, nuts-and

This is a tale of taking our old films and meeting the brave new world of distribution. A lot of ingenuity is called for to keep our films before the

In a time of uncertainty, there is one thing that COVID-19 made clear: hybrid film festivals are the wave of the future. On August 3, Sundance