Since last summer, I’ve been reflecting on what the poet/essayist Cathy Park Hong describes as “minor feelings.” She identifies these as a range of
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Richard Ray (“Rick”) Pérez took the helm as executive director of IDA this past May, following a six-year period of expansion, growth, impact and
As we approach one full year living under the cloud of a devastating global pandemic, so much has been destabilized around the world. The levels of
Over three years ago, I wrote in this magazine about my entry into the documentary film industry, some funding strategies I'd employed, and key
A Love Song for Latasha, the Academy Award-nominated short from Sophia Nahli Allison, opens with the rewind of a VCR tape image, a slow breath of
Imagine a space where filmmakers can discuss the issues they are facing in their careers and find a community of support. The Undocumented Filmmakers
The documentary industry is hurtling towards transformation. The convergence of a pandemic that has destabilized the industry with endemic racism that
Following the questions posed by my former Multitude Films producing partner Lisa Valencia-Svensson in her essay “Who's Telling Whose Stories To Whom
Since the very dawn of documentary film, BIPOC have held immense value as documentary subjects, yet meaningful commitment to BIPOC filmmaker and
I’ve spent most of my career arguing that Mexicans should make Mexican films. I’ve felt angry whenever others made films about us because we were