Grayson Earle

Grayson Earle is a contemporary artist and activist from the United States. His work deals with the role that digital technologies and networks can play in protest and political agency. He is known for his guerrilla video projections as a member of The Illuminator Art Collective and Bail Bloc, a computer program that posts bail for low-income people.

Articles

All Clear? A Basic Primer on Music Clearance

Tue, 05/13/2003

Feature

Documenting The Hittites: Turkish-American Collaboration Makes Film, Not War

Tue, 05/13/2003

Feature

Only the Strong Survive While Standing in the Shadows of a Music Documentary

Mon, 05/12/2003

Feature

Notes from the Reel World: The Board President's Column, May 2003

Mon, 05/05/2003

Column

21st Century Doc-Making: Faster, Cheaper and Definitely In Control

Mon, 04/28/2003

Feature

RealScreen Realities: Fewer Risks, Fewer Rewards

Sun, 04/27/2003

Feature

Oscar's Touch: Has It Made a Difference for Filmmakers?

Thu, 04/24/2003

Feature

Natural Born 'Comandante': Oliver Stone Meets Fidel Castro

Mon, 04/21/2003

Feature

2003 Academy Awards Nominees: Best Feature Documentary and Best Documentary Short Subject

Mon, 04/21/2003

Online Feature

The Long Running Shorts Festival of NYExpo

Sat, 04/19/2003

Feature

When Reality Meets Narrative: Sundance Panel Bridges the Documentary and Fiction Divide

Sat, 04/19/2003

Feature

Sundance Docs: It's a Family Affair

Fri, 04/18/2003

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Documentaries Finally Thrive in Post-Franco Spain

Mon, 04/14/2003

Feature

Anarchy in Utah? Scruffy Slamdance Fest Favors First-Time Filmmakers

Mon, 04/14/2003

Feature

Fast Foreword: The Editor's Column, April 2003

Thu, 04/03/2003

Column

New Oscar Qualifying Rules: A Worthwhile Challenge

Tue, 04/01/2003

Feature

Notes from the Reel World: The Board President's Column, April 2003

Tue, 04/01/2003

Column

Docs Without Borders: International Films Highlight AFI Fest

Mon, 03/31/2003

Feature

DOCS ROCK at Teachers Workshop

Tue, 03/18/2003

Feature

Regus Sets the Table for a London Film Feast

Fri, 03/14/2003

Feature

Berlin Provides More Than a Backdrop to the Second World Congress of History Producers

Mon, 03/10/2003

Feature

North by Northwest: Art, Attitude and Activism Thrive in Regional Doc Scene

Mon, 03/10/2003

Feature

Craft Conquers Commerce in Swiss Documentary Class

Wed, 03/05/2003

Feature

Taking Stock of Film Research: How to Find-and License-Archival Footage

Wed, 03/05/2003

Feature

Archives Alive! New Tech Makes Old Clips Easier to Access

Tue, 03/04/2003

Feature

Where Journalism and Filmmaking Intersect: 20 Years of 'Frontline'

Mon, 03/03/2003

Feature

It's Not Too Late to Go to Film School: A Post-Graduate Guide to Documentary Production Training

Sat, 03/01/2003

Feature

Fast Foreword: The Editor's Column, March 2003

Sat, 03/01/2003

Column

Notes from the Reel World: The Board President's Column, March 2003

Sat, 03/01/2003

Column

HD Power to the People: But Is It for Soderberghs or Soccer Moms?

Sat, 03/01/2003

Feature

Playback: Dziga Vertov's 'Man with a Movie Camera'

Sat, 03/01/2003

Column

Docu-tourism: See Films, Travel the World

Sat, 03/01/2003

Feature

'Independent Lens' Refocuses: Anthology Series Now Curated by ITVS and PBS

Wed, 02/19/2003

Feature

Funded by Science: National Science Foundation Supports Documentary Projects

Fri, 02/14/2003

Feature

In the Beginning, There Was 'Nature': The Natural History of Wildlife Programming

Mon, 02/10/2003

Feature

Save Our Oceans! 'Coral Reef Adventure' Makes a Large Format Plea

Fri, 02/07/2003

Feature

Deep-Dive Docs: Cameron's and MacGillivray's New Underwater Films Go Where No Camera Has Gone Before

Fri, 02/07/2003

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Once Again, IDFA Attracts the International Documentary Community

Wed, 02/05/2003

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Saving Canada's National Treasure: The State of the NFB

Sun, 02/02/2003

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Tilting At Windmills: The Sometimes Quixotic Pursuit of Transferring Digital Video to Film

Sun, 02/02/2003

Feature

Fast Foreword: The Editor's Column, February 2003

Sat, 02/01/2003

Column

Celebrating the True Values of Documentary: The United Nations Association Film Festival

Sat, 02/01/2003

Feature

Notes from the Reel World: The Board President's Column, February 2003

Sat, 02/01/2003

Column

Playback: Mike Rubbo's 'Sad Song of Yellow Skin'

Sat, 02/01/2003

Column

Taking It to the Theaters: Academy Revises Rules for Docs

Sat, 02/01/2003

Feature

Beyond the Headlines: Can Docs Become a New Kind of News?

Sat, 02/01/2003

Feature

War and Remembrance--and Preservation: London's Imperial War Museum

Wed, 01/15/2003

Feature

Toronto Fest's Real to Reel Reels in Doc Fans

Sat, 12/21/2002

Feature

Black & White World: Two Directors, Two Viewpoints: 'Two Towns of Jasper'

Sun, 12/15/2002

Feature

Minority Rules! Consortia Funds Work about Ethnic and Racial Identity

Tue, 12/10/2002

Feature