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A white man presses against glass and screams, lit in bright green

In this interview, the trio behind the Tribeca doc The Haunting of Pennhurst discuss the challenges of braiding together the story of an infamous asylum that’s now both a haunted house and a museum of disability history

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Young shirtless Asian man with dyed light red hair smiling broadly while on the bed of a moving truck on the road

On the occasion of Documentary’s Greatest Docs of the 21st Century list, we ask: What grants someone the authority to assert an opinion on what is the best, or the most important?

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A young blond female filmmaker holds a camera against a bright window behind her; a young Asian woman with dark hair stands behind her

Documentary’s “Greatest Docs of the 21st Century” lists are filled with documentary portraits that flatter and model a way of looking at the world

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A figure in a colorful, sequined robe and bunny mask and a woman in a black shirt play backgammon. An orange cat sits between them, appearing to stare incredulously at the masked figure

The 79th edition of the French festival offered some nonfiction gems for those willing to look beyond its headline titles

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A line of covered trucks drive over black terrain

Khoroldorj Choijoovanchig on why he prioritized the personal over the political in his Mongolian mining doc, Colors of White Rock

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14 uniformed guards stand in two rows behind long tables

Guillaume Massart talks about his new doc, Detention, where he dissects the French carceral system without once stepping foot in a prison

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A white man stands in front of a crowded theater, a screen behind him showcasing an ad for the Open City Documentary Festival

The 16th edition continued the London fest’s commitment to experimental works as well as archival presentations that insist on their own urgency

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Two male lions mating in the wild

Second Nature director, Drew Denny, and co-producer Jennifer Steinman-Sternin talk taking theatrical distribution into their own hands to get their queer nature doc seen

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A group of elderly men in casual clothing carrying instruments in cases walk alongside a countryside road

Želimir Žilnik discusses six decades of work from his early films to Eighty Plus, and their piercing, political critiques of Yugoslavia and modern-day Serbia

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Black and white close-up of a beautiful white woman with lipstick as she adjusts the towel in her hair with her hands

A BAFICI retrospective on Pere Portabella highlights the Catalan filmmaker’s longstanding affinity for documentary practice

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