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Susan Margolin is an award-winning documentary film producer and a pioneer of digital distribution, with over 25 years of experience in independent film and media. She co-founded New Video/Docurama Films in 1992, growing it into a leading distributor of independent films, series, and documentaries before selling the company to Cinedigm in 2012. In 2016, Margolin founded St.


Jonathan Gray has been an attorney, producer, and advisor in the documentary film community for over 30 years.

Jennifer Tiexiera is an award winning filmmaker and one of the co-founders of Lady & Bird, a female led documentary production company focused on telling stories from underrepresented voices.
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A woman lays on a bed that stands alone in the middle of a dusk-lit forest

In its first edition under Artistic Director Isabel Arrate Fernandez, IDFA highlighted documentaries that cross borders both geopolitical and psychological

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Winter 2026

Cover: Brittany Shyne (Seeds). 

Features: Sugar Studios, The Perfect Neighbor, Caribbean documentaries, nuclear documentaries, Julie Goldman, Impact Partners. 

Festivals: DOK Leipzig 2025, Ji.hlava 2025. 

Columns: Screen Time. 

Articles will be published online between December 2025 and February 2026.

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In a dusty road, two men with helmets on stand on either side of a broken down, battered car.

At this year’s edition, the Basque festival demonstrated why it prides itself on its political conscience, with many of its titles exploring displacement, justice, and environmental degradation

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Manuel Betancourt (he/him) is the Assistant Editor of Documentary magazine. Born and raised in Colombia, Manuel is a regular guest on FilmWeek with Larry Mantle (LAist), whose work has appeared in Variety, the Los Angeles Times, the AV Club, the New York Times, BuzzFeed Reader, Vulture, Film Comment, Esquire, and the Los Angeles Review of Books, among others.

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A large group of smiling people wearing Locarno merchandise pose in front of a festival banner.

The venerable Swiss festival featured its usual boundary-pushing works alongside industry activities that showcased documentary’s capacity to adapt

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Three young people look at a book, while sitting in a classroom.

Venice’s robust nonfiction selection revealed filmmakers grappling with inheritance—of land, literature, trauma, and the weight of documenting lives in progress

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A person in safety gear and a mask looks at the camera, standing next to the door to a room where more people in the same gear are pictured inside.

Well-regarded as a champion of independent and alternative cinema, South Korea’s second-largest festival proudly tackles the contemporary political milieu

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