Dujuan Hoosan is a precocious 10-year-old from Mparntwe (Alice Springs), Australia, considered a healer by his Arrernte tribe and a delinquent by his colonialist-minded school. For more than two years, Australian documentarian Maya Newell followed Dujuan, capturing both quotidian moments and broader patterns of racism, with special focus on the educational and juvenile detention systems.
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The most nerve-wracking sequence in David France’s Welcome to Chechnya is, without doubt, the rescue of Anya.
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Cutting Class is a new column that focuses on a specific aspect of the post-production process—breaking down a scene editorially, and delving into
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Check out the new report of findings from IDA's 2019 Tools of the Trade: Documentary Equipment Survey, providing a robust narrative about the optimal tools of the trade for making your best work.
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August 2015—Guatemala City: On my iPhone are images from 800 feet looking down over tens of thousands of demonstrators on the street below, besieging
This article is intended for documentary filmmakers who, for reasons of access or budget, work alone, or nearly so. Hiring a professional sound person