Matt Radecki and Doug Blush will be the lead presenters at IDA's first Tech Day event on the evening of October 27 at the AFI Mark Goodson Screening
Editing
To understand the technical genius of film editors, tune in to The Food Channel and take a look at the competition reality show Chopped. It seems
A good editor can save a documentary director's neck; a great one can make a director look like a genius. Emmy-nominated editor Lillian Benson, A.C.E
I'm fascinated by sound and how it can transform a documentary program. The creative sound concepts that excite me most are usually the more specific
A review of 'Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television,' by Jed Dannenbaum, Carroll Hodge and Doe Mayer.
It has taken a few years, but digital versatile disc (DVD), technology has matured. If you count the DVD drives in desktop computers, there are over
A review of Sheila Curran Bernard's 'Documentary Storytelling for Film and Videomakers'
Editor's Note: This is an abridged version of an article that originally appeared in the March-April 2003 issue of Editors Guild Magazine . For the
Being a judge this year on the IDA, Directors Guild of America (DGA) and Oscar Documentary committees, I got to see a large number of films. There are
Front row: sound supervisor/mixer James LeBrecht. second row, left to right: filmmaker Alex Rotaru; editor Pedro Kos; Ken Jacobson, IDA's director of